6313. L Dub (56)

Hypo, L Dub, Bristol, August 2024
Hypo, L Dub, Bristol, August 2024

I enjoy getting to where people paint, and by that I mean, in this example, that although Hypo paints a lot in central Bristol, this is his local spot and somewhere that I expect he feels very much at home painting. I visited this spot on a warm, sunny day, which was as much a nature ramble as a graffiti hunt.

Hypo, L Dub, Bristol, August 2024
Hypo, L Dub, Bristol, August 2024

I am never quite sure about the colours blue and yellow together, which is curious, because they are the traditional colours of my beloved Arsenal’s away kit, but of course, I forgive my football team anything and everything. The HYPO letters are nice and regular, painted in two tones of blue and decorated nicely with spots and stars. A thin 3D Drop shadow and two border lines round the piece off nicely. Hypo in his natural habitat.

6312. Muriel Alleyway (10)

Billy, Muriel Alleyway, Bristol, August 2024
Billy, Muriel Alleyway, Bristol, August 2024

Bristol’s smallest street art festival in Muriel Alleyway was a joyous occasion where some twenty or so artists gathered together to decorate a row of garage doors and garden back doors, bathed in glorious sunshine. This was Billy’s contribution to the event, and completely in keeping with the positive energy generated during the day.

Billy, Muriel Alleyway, Bristol, August 2024
Billy, Muriel Alleyway, Bristol, August 2024

I think that Billy had to paint some of this over an extended period, because she and Merny were swapping parenting duties while attempting to complete their respective works. This is pure Billy, with here naïve style front and centre in the form of a portrait of a girl. Painted in bright and happy colours, this is a great example of her uplifting work.

6311. Dean Lane skate park (742)

Hire, Dean Lane, Bristol, August 2024
Hire, Dean Lane, Bristol, August 2024

Well, this is surely one of the more unusual pieces from Hire, that indicates he is enjoying pushing boundaries. When I first encountered his work a few years ago, his USP was his spiky, sharp letters that could poke your eye out if you weren’t careful. Contrast that with this organic green piece spelling HIRE.

Hire, Dean Lane, Bristol, August 2024
Hire, Dean Lane, Bristol, August 2024

Each letter resembles a bushy tree with green branches and canopy, in various orientations. The letters are set on a dark conifer woodland silhouette. This is a very nicely considered and executed piece from Hire – connecting with nature.

Sitter

Common Darter - Sympetrum striolatum, Redland, Bristol, August 2024
Common Darter – Sympetrum striolatum, Redland, Bristol, August 2024

.

Obliging sitter

sunbathing, oblivious

to my approaches

.

by Scooj

6310. Cumberland Basin

Esme Lower and Bloem
Esme Lower and Bloem

Some viewers/visitors may wonder what the numbering convention at the top of each street/graffiti art post on this blog is all about, and might legitimately question whether it is helpful or not. In my mind, it is quite simple. The first number is the sequential listing of the blog post, so, this is the six thousand three hundred and tenth post I have written about street/graffiti art on Natural Adventures. The following name is the spot or road where the piece can be found, and the number in brackets (unconventionally there isn’t one for Cumberland Bain (a quirk)) at the end relates to the number of posts from that spot or location. It might have been simpler to instead have the name of the artist included as well, but when I started doing this back in 2015, I didn’t know who most of the artists were and so a place-based approach seemed more sensible.

This is an absolutely gorgeous and rather unexpected collaboration from Esme Lower and Bloem.

Esme Lower and Bloem
Esme Lower and Bloem

The collaboration appears to be entitled ‘Strength in numbers’ which might be a reference to the ‘counterprotest marches’ against the far-right riots that were happening around Britain at the time this piece was painted.

It is what I would call a ‘true’ collaboration where the piece is a mash-up by both artists, and although some parts are identifiable as being by one artist or the other, the whole thing is an integrated mixture. The hands and chain are definitely by Bloem and the eyes and teeth by Esme Lower, the rest could be by either one of them. It is great to see these two artists stretching themselves, and it would be wonderful to see more co-creations like this one in the future.

6309. M32 roundabout J3 (618)

Smak, M32 roundabout, Bristol, August 2024
Smak, M32 roundabout, Bristol, August 2024

Oof! This is an absolutely outstanding framed piece of writing by Smak, which stands out ‘poster-like’ from the long wall of the M32. Rather well concealed, the letters spell out SMAK, and there is an overwhelming sensation of a tropical island landscape conveyed by the palm trees and a possible reference to a bright sun.

Smak, M32 roundabout, Bristol, August 2024
Smak, M32 roundabout, Bristol, August 2024

The way the piece is pulled together has a collage appearance, as if a youngster had cut up pictures from a holiday brochure (remember those?) and stuck them onto a rectangular piece of paper. This is a truly memorable piece by Smak and something a little special.

6308. St Werburghs tunnel (438)

Mr Klue, St Werburghs, Bristol, August 2024
Mr Klue, St Werburghs, Bristol, August 2024

This outstanding abstract piece of graffiti writing by Mr Klue has it all, and has taken a bit of a shift in colour composition from his usual palettes of blues, greens, purples or oranges. It is really quite unusual to come across a piece by the artist with a white background, and it leaves the viewer with quite a different impression.

Mr Klue, St Werburghs, Bristol, August 2024
Mr Klue, St Werburghs, Bristol, August 2024

The wispy letters spell out KLUE, and I am pleased to note the incorporation of his floating steps, which I think really adds something to the mystery and spirituality of his work. It is interesting to see that he, and others before him, have chosen not to paint the semicircle of chipped wall along the top of the piece. Wonderful work from local artist Mr Klue.

Homecoming

.

After four long months

the traveller girl returns

family complete

.

by Scooj

  • On picking up our daughter, who has been travelling in Southeast Asia since mid-April this year. So good to have her back safe and sound.

6307. Muriel Alleyway (9)

Merny, Muriel Alleyway, Bristol, August 2024
Merny, Muriel Alleyway, Bristol, August 2024

It is a bit of an old cliché, but the idea of men going fishing to get away from their wives is one that has caused great mirth for as long as I can remember, and probably a lot longer than that. I imagine Sir Izaak Walton probably deployed the same reasoning when composing the Compleat Angler back in 1653.

Merny, Muriel Alleyway, Bristol, August 2024
Merny, Muriel Alleyway, Bristol, August 2024

Merny has captured the anglers fishing in rather angry looking water really well, and I rather enjoyed the concept when he told me what he was going to paint when I met him just before he started. This is another vibrant and humorous wall from Merny, who has been on fire this summer, perhaps inspired by his exhibition.

6306. Sparke Evans Park (103)

Slim Pickings (Tes) and Biers, Sparke Evans Park, Bristol, August 2024
Slim Pickings (Tes) and Biers, Sparke Evans Park, Bristol, August 2024

I haven’t posted many No Frills pieces for a while, in particular from Slim Pickings (TES), even though I have a whole stack of them in my archives. I don’t know how I’m going to manage the situation, but I’ll think of something. This is a nice collaboration from Slim Pickings and Biers.

Slim Pickings (Tes), Sparke Evans Park, Bristol, August 2024
Slim Pickings (Tes), Sparke Evans Park, Bristol, August 2024

I have stuck with the original names I used for both of these artists, for the sake of consistency, but you won’t find anyone else referring to Tes as Slim Pickings or WD40 (Jimothy Slip) as Biers. In this piece Slim Pickings offers his TES letters, of course, in a nice black and white combination with a light touch on the white outlines.

Biers, Sparke Evans Park, Bristol, August 2024
Biers, Sparke Evans Park, Bristol, August 2024

Biers appears to have abandoned his combination, pieces lately, dropping his characters and concentrating on his letters, which might be why I haven’t posted much of his work lately, because I do love his characters.  Fun stuff from the No Frills duo.