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One, Cross Country trains
two, repeat, Cross Country trains
three, Cross Country trains
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by Scooj
Author: scooj
I am Stephen. I live in Bristol, UK. I decided to shorten my profile...to this: Wildlife, haiku, travel, streetart, psychogeography and my family. Not necessarily in that order.
5862. Brunel Way (259)
These large block letters are something a little different from Zed in the Clouds, an artist who is regrettably underrepresented in Natural Adventures. I have many photographs of his work in my archives, but not a lot have been posted, which is a situation I will try to remedy (it might have to wait until my retirement).
Painted alongside his friend Wxttsart (Milk) and in a similar colour scheme, Zed in the Clouds has shaped some monolithic letters, which, with the orange and red border, have a volcanic feel to them. He has added the words ‘sexy typographic creationz’ above the piece, which makes me think he is rather pleased with this piece of writing, and so he should be. It is certainly something a bit different from the artist.
5861. Greenbank (107)
I have a very busy week ahead, so apologise in advance for any disruption to my usual rhythm. I start with a trip to Nottingham today and tomorrow and am in London on Thursday, delivering workshops, which is both time-intensive and exhausting. Managing expectations.
A graffiti writer, who has emerged over the last year or so is Knife, I don’t yet know they are or if they use social media, so for the time being I shall use their writing moniker.
I have seen Knife’s work in quite a few of the spots I visit, and felt it was about time I posted a piece. I think that Knife paints solo, at least I haven’t yet noticed any patterns of painting with anyone else, which makes me think that the artist is fairly new to Bristol. This is a really nicely executed piece, clean and tidy letters with a straightforward three colour fill, nothing too fancy or pretentious. Even though the wall hasn’t been buffed, the graffiti writing is eye-catching, and this is a solid debut piece (on Natural Adventures) from Knife. Expect more to follow.
5860. M32 roundabout J3 (557)
Oh my! This is Kosc at his very best, and even by his high standards, he has excelled himself. It is obvious that Kosc works very hard to develop his skills and looks to improve from piece to piece, stretching his repertoire and pushing boundaries. When you strive and work hard, you get your returns and this feels like a landmark piece to me.
From the background I would guess that this is an oriental scene and portrait, featuring a beautiful woman with flowers in her hair. The greyscale portrait has a softness of touch about it, accentuated by the solid chunky letters either side. I am not too sure why the ‘C’ melts away, but there must be a reason behind it.
To me, what absolutely makes the piece perfect, is the stunning landscape setting featuring mountains and trees and old buildings, painted in subtle shades of blue. Whether it is deliberate or not, the spilt paint on the ground draws the piece out towards the viewer and adds to the overall impression. Brilliant work from an artist at the top of his game.
5859. Brunel Way (258)
Taboo is an artist who tends to keep himself to himself, and on the only occasion I have met him, he didn’t much want to chat, so I left him to it. He often paints alone, although he occasionally collaborates with his friends in the PLB crew. He doesn’t post on social media, so finding his pieces is always a genuine surprise, especially as I really like his work.
This is a really nice piece of anti-style graffiti writing, spelling out TABOO, with beautifully irregular and anarchic letters which are clean and crisp. I fear that he may have come out with a lack of red paint for the background, which is a little scruffy in places, but fine in the gaps in the letters, which is what counts. It is great to see that Taboo is out and about after a pretty quiet winter period.
Chill
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First frost of the spring
unpredictably
after warm winter
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by Scooj
5858. Peel Street Green (28)
This piece from Haka is simply perfect in every way.
Our country is in a mess, largely thanks to the appalling Government that have been in power for the last 14 years, and their lurch to the right. Their latest culture war that they are waging on the good people of the UK, is that anyone protesting for peace in Gaza and an immediate ceasefire is branded an Islamist, which when you look at it, is absurd. Calls for an end to the war, and indeed countless other wars, are treated as a threat or anti-government, rather than being a cry to stop the needless killing and suffering. What else can citizens do to express their concerns other than protest. I would think that the vast majority of British people are against the war in Gaza, after all what kind of person would want the killing to continue? Only those who stand to gain financially or politically.
In this piece Haka peacefully makes his own statement ‘Free Palestine’, accompanied by a small peace flag. Does this make him a fundamentalist or an Islamist? I don’t think so. Nor does it make any of the other street artists who have painted commentary pieces about the war in Gaza some kind of threat to our British values. On the contrary, British values are based on compassion, fairness, decency, honesty and truth. It is politicians and political leaders who bend these values to suit their own narratives, and in this respect the right wingers have excelled themselves in recent years. Decent people have had enough. We need a change of government, but alongside that we need to return to a united society, because we have some far greater challenges ahead of us which we must face together. There is no room for selfishness any more, that way leads to our mutually assured doom.
Sermon over.
This piece is beautifully recreated in the style of Dr Seuss and perfectly captures the moment. The innocence of the camel adding to the pathos of the message. Haka has created something both beautiful and powerful and I salute him. This is not a ‘hate’ piece, it is a cry for peace piece.
5857. Den Lane skate park (691)
This lovely piece by Nips was slightly hidden from view, behind the hedge and fence on the swimming pool wall in Dean Lane. I think that I have been pretty late to the party when it comes to posting pieces by Nips, but I now have the artist fully in my sights and I’m sure there will be plenty of appearances from now on.
The letters, spelling NIPS, painted in a great and eye-catching combination of black and mint green are set on a complementary pink drop shadow. The star of the piece though, for me, is the crazy dog character making up the dot on the letter ‘i’. It is details and additions like this that elevate a good piece to a great one. More to come from Nips before too long.
Unusual find
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Not seen too often
a cannon long forgotten
the decline and fall
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by Scooj
5856. Devon Road (20)
A week or so ago I decided to visit the Devon Road area of Bristol, which I have neglected for quite a long while but where turnover tends to be rather slow. I was rewarded with this magnificent piece at the end of Devon Road, by Conrico. I might be pushing the boat a little, but I think that this could be the best piece I have seen from Conrico, and that is saying something.
There is a wonderful story of an oriental flavour unfolding. Our central character is a fox wearing a fabulous blue robe, tossing a spray can in his right hand and clutching a roller in his left. Is there something autobiographical going on here? The fox is standing in a scene that could so easily have been inspired by the willow pattern. Each of the elements of this piece , the pond, the building the trees and the cloudy sky, combine to create a truly fantastic whole. Bravo!
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