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An afternoon rest
avoiding the midday heat
second wind follows
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by Scooj
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An afternoon rest
avoiding the midday heat
second wind follows
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by Scooj

How fantastic, a classic piece of Hire writing with the inclusion of one of his rabbit characters, still looking as unsettling as ever with its narrow eyes and huge teeth. I am so pleased that he continues with his work, albeit not as frequently as when I first encountered him. In this picture you might notice a rather irritating bit of fencing with a blue tarp attached to it. It has been in Dean Lane since they started developing the building next to the skate park, but it has been abandoned, and is really bloody irritating. I think it needs to be removed into the street, but it is more than a one-man job.

Hire’s letters have softened a little in recent months, but still have that characteristic sharp and pointy edge thing going on, always with an underlying edge or threat, which graffiti always lends itself to so well. I like this piece, it kind of reminds me of when I first met Hire several years ago.

Today we discover Pula, which on first impressions is my kind of City, with a huge Roman and Italian influence. Definitely looking forward to getting out there and exploring the place. The casualty in this happy state of affairs is this fine column piece by Maybe.

Maybe has switched-up his face to face composition with a rather more angular version which is rotationally symmetrical, and very easy on the eye. A year on from his first appearances under Brunel Way and I am still very much enjoying finding Maybe’s work.

Yet another hugely underrepresented writer on Natural Adventures is Hypo. There is no logical explanation, but he has painted a few pieces recently and perhaps I can address this imbalance, soon, I might even have enough pieces for a hypo gallery.

This piece, was painted alongside a Benjimagnetic piece in the tunnel, and is a superb design, both in colour selections and in the incorporation of a bilaterally symmetrical lower portion in brown. I can’t quite make out whether it spells a second word under HYPO. Excellent work from an excellent writer.

I am writing this last night, as I have a long journey tomorrow, heading for Pula and the last few days of our holiday. So this will be necessarily short, which is a pity because I like writing about Mote’s work.

This is a large piece has some kind of monster cow character (a creation of Mote’s fertile mind), and a message, which might have been added by someone else, saying ‘Animal farming causes climate chaos’. The tagged message completely baffles me, but confirms my belief that most taggers are imbeciles. A lovely, crazy piece from Mote.
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Electric light show
far away on the mountains
last night in Zaton
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by Scooj

Just a quick write up of a quick ‘dregs’ piece by Mr Klue. I guess that one of the advantages of being an abstract writer is that it is easier to do a ‘dregs’ piece without it being recognisably so. Some artists use up their dregs to quite disastrous results, but other than being a bit small, this one by Mr Klue has turned out just fine.

Sometimes his letters can be so disguised, that they are invisible, but in this one it is possible to make out KLUE. Unsurprisingly the colours are Mr Klue’s favoured one’s, but of course that would be the case, if he was using up old spray cans.

A west of England paint festival somehow wouldn’t quite feel right without a stencil piece from Bristol’s Stephen Quick. In this piece we have a dog in a space suit, and I have a feeling that the dog ‘Gryffin’ might be A portrait of Stephen Quick’s own dog, which I am sure I have seen somewhere, perhaps on social media. I read that the piece was inspired by a poster advertising the new Buzz Lightyear film. I also read on Stephen Quick’s Instagram post that he was recovering from Covid whilst painting the piece and was very fatigued, not that it shows in the final product.

I must admit that the piece has grown on me somewhat. When I first saw it, something just didn’t feel quite right, maybe the grey space to the left, I don’t know, but it is a rare thing that I don’t immediately click with one of his pieces. I am glad to say though that on reflection it has grown on me and it is yet another great stencil from the artist, which reminds me, I still haven’t posted his Upfest piece from earlier in the summer yet.
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Calm clear waterways
fish gather in shady pools
dragonflies dancing
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by Scooj
* we had been advised to visit a national park while in the Zadar region, so we did, and despite the huge crowds of tourists and ferocious heat, it was a magnificent experience.

I can’t quite recall if I have ever seen a Fark piece outside Cheltenham, and I don’t think I have, but I might need to check my archives to be sure. This year at the festival, we were treated to three of his offerings, although I think I only photographed two.

I love the simplicity of his work, a classic example of the ‘less is more’ expression. Reminiscent of the Miffy character books, Fark’s birds have a charm all of their own. The message too is simple… ‘be excellent to each other’ – a phrase that could easily have come from #DFTE. This is a warm and peaceful piece and so very easy on the eye.