I am Stephen. I live in Bristol, UK. I decided to shorten my profile...to this: Wildlife, haiku, travel, streetart, psychogeography and my family. Not necessarily in that order.
Logoe continues to hit Bristol walls hard, this time with his friend Silent Hobo, to create this lovely collaboration on the entrance to the tunnel in St Werburghs. Their content and styles are so very different, but there is a chemistry there that brings the whole thing together seamlessly.
Logoe and Silent Hobo, St Werburghs, Bristol, December 2021
The writing by Logoe is distinctive with its thin script-like letters and gorgeous fills, decorated with spots and stars along the length. The youth, so brilliantly portrayed by Silent Hobo, is wearing a blue hoodie and sporting big hair and glasses. I am not at all certain what the axe is all about though. So good to see these two combining again.
Dibz has been having a bit of a purple patch lately, although his work is always of the highest quality, his productivity can be a little quiet from time to time, but not right now. This is one of several recent pieces that showcase his mastery of wildstyle graffiti writing.
Dibz, Sparke Evans Park, Bristol, December 2021
This is the first ‘Squid Game’ piece that I have seen in Bristol, and to be honest I am surprised not to have seen more. The character has an ‘I’ on his mask and a small FUA golden block suspended between his hands and is beautifully crafted. The writing isn’t too bad either. Unfortunately, the curse of tricky lighting at this spot has left me with rather poor photographs, for which I apologise.
You might have noticed my recent joy that the arches on the facade of The Carriageworks have been exposed and almost immediately painted by the PWA crew. Although the joy might be short-lived, it is genuine and complete and these photographs capture some of that feeling for me.
Soap and Face 1st, The Carriageworks, Bristol, December 2021
To the left is a fabulous mash-up from Soap and Face 1st. All the elements that you would expect from a collaboration between these two are there, and it is great to see their work back where it belongs. These two young women were loving it too, and spent ages taking pictures of each other on the magnificent backdrop. They were not the only ones to stop and photograph the arches in the few minutes I spent there.
Nightwayss and Chill, The Carriageworks, Bristol, December 2021
To the right (the second of the fur arches), Nightwayss and Chill, who seems to have been recruited into the PWA fold, have collaborated to create a fabulous and slightly eclectic scene. The self-portrait and small mammal, some kind of primate I am guessing, are by Nightwayss along with the writing at the top spelling ‘NIGHT’. The two-tone cartoon character is by Chill, a tattooist, who really seems to be enjoying painting walls at the moment. Great art, great location, great artists… what more could you ask for?
Laic217 has three or four main themes that he likes to return to. Most of his characters are skeletons, often spraying, but he has also painted a lot of melting faces and face distortions, of which this is a fine example.
Laic217, Greenbank, Bristol, December 2021
This one is a newish piece on the long Greenbank wall, which surely only has a few more months left, as the development behind it seems to be moving with some pace now. The distortion is deliberately unsettling and challenging, especially as it is confined to the face and the hand with a spray can in it. The rest of the character is normal, so there is a lot of confusion and deception going on. I love Laic217’s creativity and mischief, and this piece ticks all my boxes. Beautifully executed too.
I had kind of given up on the final three Upfest 75 walls in 75 days pieces, especially as the 75 days was up some time ago, but hope and excitement were restored when Sled One painted this beautiful piece for the event a couple of weeks ago.
Sled One, North Street, Bristol, December 2021, Upfest 21,
Above the General Store in North Street, the intricate mural features a snakes and ladders theme, with a medieval twist hinted at by the hand-held daggers and ornate sleeves. I did not notice the Advance Pest Control van in the photograph until posting this piece, but I think it adds a little something to the scene.
As we would expect from Sled One, the mural is executed with class and precision and is a fine contribution to Upfest’s summer event. So now there are only two pieces left for me to find. One, I know where it is, the other is a mystery.
Paste ups tend to be few and far between in Bristol, and there is nothing like the culture of wheatpastes here as there is in Shoreditch, for example. I suppose that their rarity makes them extra special, and when qWeRT visits the city, it is always refreshing to see his goggle-eyed characters.
qWeRT, North Street, Bristol, December 2021
This one in North Street is immediately above a Stewy stencil of a sheep, and is perfectly positioned under the coping stone of the wall. Although looking a little worse for wear, this piece isn’t actually all that old and is one of several that appeared in the North Street area a couple of months back. Creative and fun, qWeRT will always be welcome in Bristol (as far as I am concerned).
* on the news that Simon Case, head of the Civil Service, has ‘recused’ himself from the investigation into 10 Downing Street parties last Christmas, when London was in tier 3 lockdown, because his own team were involved in a Christmas party quiz at the same time. Oh dear! 🎄🎅
It is always great to stumble across a new artist, and especially one with a really unique style. This is one of two new pieces from debutant Klub2020, who I believe is another tattoo artist turning his skills to wall art, along with others like Sepr, 3Dom and Chill.
Klub2020, M32 roundabout, Bristol, December 2021
This piece hidden away on the M32 roundabout reminds me a little of the Pink Floyd ‘Relics’ album cover. There are sort of human figures running towards a scroll emblazoned with the name Klub all over it. Full of detail and interest, I am a little puzzled by the method he has used to get this quite unique finish to the piece.