3251. Brunel Way bridge (64)

As I see it, Slim Pickings (TES) creates his pieces in two forms; a high-end version of his letters with immaculate fills and clean lines and considered colour schemes and his throw-up versions that are a little bit more ‘street’ if you get my meaning. This one falls ever so slightly more into the second category.

Slim Pickings, Brunel Way, Bristol, October 2020
Slim Pickings, Brunel Way, Bristol, October 2020

I have to say that I am not too keen on the salmon pink colour and I think the ‘stitch’ lines on the edge of the letters make the piece a little untidy in my opinion. I ought to add that I might be overthinking this and being slightly picky. I always welcome Slim Pickings’ letters in whatever shape or form they come in.

Witness statement

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Compelling story

reported by Sir David

environment first

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by Scooj

3250. Turbo Island

Well I’m not sure how I missed this one first time round, but I just had a little potter around in my archives and once I found it I couldn’t really ignore it. It is a tidy collaboration from Mr Klue and DNT, who quite often get together to paint, from those heady days before coronavirus was a thing in the UK… remember that?

Mr Klue and DNT, Turbo Island, Bristol, February 2020
Mr Klue and DNT, Turbo Island, Bristol, February 2020

I can’t decide whether the shopping trolley is really annoying or actually adds a little bit of character to the photograph. No matter, it is there. The very ‘DNT’ monster embedded within the Mr Klue writing is a window into the artist’s mind and like so many of his characters is part organic, part mechanical. It looks likes the puffs of yellow smoke are puffing out of one of the legs of the character. A nice collaboration.

3249. St Werburghs tunnel (199)

I can totally see that Morny’s murals might not be to everyone’s taste, they are just not as polished as some of the stuff you see in Bristol, but I absolutely love them. While the characters may have a soft edge, the messages don’t, and Morny is not one for holding back.

Morny, St Werburghs, Bristol, September 2020
Morny, St Werburghs, Bristol, September 2020

We have a great many global crises to contend with at the moment, but the dominance of the coronavirus pandemic may have masked other environmental and political issues such as climate change and migration. The Tories are not known for their compassionate approach to migration, preferring an Australian style hard line. This piece from Morny is calling them out.

I think that this might be the best piece I have seen from Morny, it has a lot of emotion and is a very powerful image. You don’t have to have sharp lines and solid fills with patterns to create a great piece. I love this.

Collared earthstar

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Autumn’s darling child

beneficiary of death

borne out of decay

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by Scooj

3248. M32 roundabout J3 (257)

Robin Hood, Robin Hood riding through the glen… Well there you have today’s ear worm, sorry. This is a rather nice little piece from Veks, that is modestly tucked away near a tree on the M32 roundabout wall.

Veks, M32 roundabout, Bristol, September 2020
Veks, M32 roundabout, Bristol, September 2020

It is quite an unusual piece With large chrome letters and bang in the middle an old school character looking very much like Robin Hood to me, but I am probably wide of the mark on that one. Still, as with all art, there is what the artist paints and there is what the viewer sees and these may not be the same thing at all. I rather like this understated offering.

3247. Brunel Way bridge (63)

There are two graffiti writers that I am really enjoying seeing at the moment and they are Phour and Pl8o, both emerging as great writing talents to add to the long list in the city. This is a recent piece by Pl80 on the long wall facing the river.

Pl8o, Brunel Way, Bristol, September 2020
Pl8o, Brunel Way, Bristol, September 2020

Pink is a colour that seems to be coming back into fashion and as with other pink pieces about the place it works very nicely indeed with blue. The 3D shadow is nicely done and the red details and yellow stars work very nicely in this piece. Probably Pl8o’s greatest asset though is the shape of the letter/number combination he uses it is very pleasing to the eye and full of lovely curves.

Recipe for disaster?

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Trying something new

to avert criticism

but will they like it?

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by Scooj

3246. Brunel Way bridge (62)

This is the second piece I have posted by Mudra, but it was the first that I photographed, and as with any first discovery I am rather fond of this modest piece. Bold and yet subtle colours have been used to create this funny looking portrait of a moustached man.

Mudra, Brunel Way, Bristol, September 2020
Mudra, Brunel Way, Bristol, September 2020

There is something aboout the simplicity of the piece that makes it all rather interesting. In particular, I can’t keep my eyes off the dark pink nose. Like the last piece I posted, this one also has a little @ with a hat, which I am assuming is Mudra’s tag. Lovely stuff from the Bristol newcomer.

3245. St Werburghs tunnel (198)

It would seem that this piece from Smak was painted at the same time as Inkie and Tizer painted it recently and that there was something of a paint jam going on. I think that Hemper and one or two others might also have been involved. I have to admit that paint jams in the tunnel are not my favourite because the poor lighting never does justice to the artwork.

Smak, St Werburghs, Bristol, October 2020
Smak, St Werburghs, Bristol, October 2020

As always the work of Smak is of a consistently high quality and there is a lot here to admire in both shape and colour. Each letter is painted with care and attention and there is a phenomenal amount of detail and design behind each one. Another great piece of graffiti writing.