I posted a piece by Biers last week, that was actually painted after this one in Dean Lane, both representing a bit of a come back from this No Frills artist. Thanks to Paul H, I now know that Biers is writing WD40, it would have taken me a long time to work that out on my own.
Biers, Dean Lane, Bristol, October 2021
This piece comes with a little bit of text saying: “I can’t wait to feel the weight of nothing on my shoulders” – a message that certainly chimes for me. The letters/character combination is tight as always, and the ‘0’ lends itself to all sorts of character opportunities which Biers has grabbed in this instance. It is so good to see his work appearing again.
This piece is from another birthday celebration, this time for Nightwayss. I am sure that these birthday jams are becoming more of a thing than they were a few years ago. Maybe there is a safety in numbers thing or perhaps there are simply more friendships emerging from the growing pool of talent in Bristol.
Morph, Sparke Evans Park, Bristol, September 2021
This small piece is by Morph, who more commonly paints at the M32 Spot, is beautifully painted and really powerful, which is made all the more impactful by its modesty. A young woman dressed in a kimono is brandishing a gun and there are target sights dotted around the piece. Disturbing, edgy and beautiful all in one piece. Very nicely done.
I took these pictures a little while back, and the beautiful collaboration featured is by DFC1848 and Peanutsdeli, painted as part of the DJ Perks 50th birthday paint jam. I am very familiar with DFC1848’s work, but this is the first time I have seen anything by Peanutsdeli, but on this evidence I’d love to see more.
DFC1848, Ldub, Bristol, September 2021
The central characters are a familiar sight on Natural Adventures and DFC1848 has switched things up a bit by positioning the second character upside down and separating the two with a yellow “f”. Stepping back, you can see the whole thing spells out DFC. Nice tidy work.
Peanutsdeli, Ldub, Bristol, September 2021
The centrepiece is bookended by two remarkable characters by Peanutsdeli. These mischievous little folk are great fun and beautifully painted. They represent that clever crossover from illustration to street art. The characters would not look out of place in a children’s story book.
Peanutsdeli, Ldub, Bristol, September 2021
I will definitely keep my eyes peeled for more from Peanutsdeli, but I don’t think he paints much in Bristol, and I am guessing he is probably from the Cheltenham/Gloucester/Stroud area. Lovely work and a fine collaboration.
Farrah is an artist who I have only been aware of only for a short time, after her stunning Upfest piece from earlier in the year. Since then, I have noticed a lot more of her work about the place, possibly because I am now following her on Instagram and have been looking out a bit more.
Farrah, Richmond Street, Weston-super-Mare, September 2021
This outstanding mural in Weston-super-mare was part of the Westonwallz initiative, ably assisted by Upfest, and is called Oxygen. Definitely a topical piece given the COP26 talks at the moment. Farrah’s works are inspired by the natural works an have a calm and inspiring quality about them. This particular piece seems a little incongruous sited above a pizza and kebab joint, but perhaps it brings with it a touch of class, which is never a bad thing. A stunner, for sure.
You will be seeing a lot of work by John D’oh on Natural Adventures over the coming weeks, for which I make no apology. I love his stencils and the contemporary commentary accompanying them that give us a sense of time and place, important for chronicling our political and societal landscape.
John D’oh, Princess Street, Burnham-on-Sea, September 2021
This piece in Burnham-on-Sea was painted a little while back, but seems so very timely, and the message is clear, it is just such a shame that we need reminding. Greta, behind the mask, has been instrumental in galvanising the popular discourse on climate change and I’m sure she will not stop now. If anything the hard work of putting pressure on governments, and holding them to account, begins now.
To use urban slang, this piece is sick (metaphorically and literally) and is a long awaited resumption to spraying walls by Biers (who goes by several other names, but Biers is the one I use).
Biers, River Avon, Bristol, November 2021
I find it hard to read exactly these letters, but I am confident that Paul H might be able to enlighten me. This is a tight piece; the letters are bold and clean, the fills nicely horizontally graded, the white accents neat and tidy and the character clean and simple. Overall this is the work of a talented and experienced graffiti writer and it is great to see him getting busy again.
I simply don’t get round to posting as much of the work I see as I would like to, and this is one of several recent Mudra pieces I have photographed and actually managed to write up. This one is notable for its location, because I haven’t seen many Mudra paintings on the north side of Bristol, apart from under the M32, alongside the river Frome.
Mudra, M32 Spot, Bristol, November 2021
Mudra has a style and tone that is quite easily identified, but it is his @ signature that confirms the artist. Mudra likes to use these soft blues reds and pinks in his work and he uses a lot of soft curves too. This piece is some kind of alien or monster, not unlike something that Nugmoose might create. A nice column piece.
Finding and photographing this wonderful collaboration between Haka and Logoe was a very special moment, because I met Haka for the first time, just as he was tidying up and photographing his work; and what a phenomenally nice bloke he is.
Haka, Sparke Evans Park, Bristol, November 2021
On the left is a fairly typical piece of block letter writing combined with a cheeky character. His somewhat chaotic style belies his talent as a graffiti artist of great merit. It is always great to see too his everlasting tributes to CK1.
Logoe, Sparke Evans Park, Bristol, November 2021
On the right is another Logoe piece from his recent prolific assault on Bristol’s walls. Haka was able to shed some light on this peak activity. I understand that Logoe lives in Pembrokeshire and only occasionally visits Bristol. When he does come he brings with him loads of sketches and ideas for pieces and paints like there is no tomorrow. This is, of course, great news for us. This script style piece decorated with shades of grey and purple carries the message “Just because you grow old… you don’t have to grow up”. Makes sense to me. More to come from this Logoe marathon.
Life is full of surprises, and for me some of the best surprises are new murals in town that have not been on my radar, and this outstanding new piece in St Werburgh’s Park, by Gabriel Pitcher, is definitely one of those great surprises to lift the spirits. This piece is part of an initiative called ‘Vanguard x TOward 2030, What are you doing?’, and there is a very good webpage from Street Art News that explains the event and showcases several artworks and artists around Bristol – more for me to seek out!
Gabriel Pitcher, St Werburgh’s Park, Bristol, November 2021
I have borrowed some text from the Street Art News website to help explain some of the background to this Gabriel Pitcher piece:
“Gabriel Pitcher has partnered with community ambassador, The Global Goals Centre to paint a mural in St Werburgh’s, Bristol celebrating Bristol 17 hero Katie Cross, founder of Pledgeball.
Pledgeball harnesses the power of football and its fans to accelerate the pursuit of global sustainability. Through affiliated clubs, it prompts fans into small lifestyle ‘pledges’ in support of their favourite team and their only planet and empowers fans by demonstrating the huge impact even small changes can make for the benefit of themselves and their environment.”
Gabriel Pitcher, St Werburgh’s Park, Bristol, November 2021
The piece itself is so natural. Subtle colours, tons of movement and a modesty that is a rare thing in large murals these days. It is so good to see this kind of people-engagement with the environment through art, something we could see a lot more of in the coming years, I hope. This is a fabulous and worthy (in the good sense) piece.
I have a feeling that this mask-like face may have been a Halloween piece from Laic217, at least it was certainly painted around that period at the end of October. The piece is far from typical of Laic’s work but contains his recognisable style.
Laic217, St Werburghs, Bristol, November 2021
Set on a vibrant pink background the grey scale demon stares out from the wall menacingly. The mask-like structure is rather static and fixed, which is different to most of his other work which tends to be full of animation and movement. Great to see something a little bit different.
Natural adventures 