2557. Wilder Street (37)

I can’t think of a time when Sled One hasn’t been on fire. His work is always of such an exceptionally high standard and not only is it technically brilliant, but he combines that excellence with a fertile imagination and interesting concepts.

Sled One, Wilder Street, Bristol, October 2019
Sled One, Wilder Street, Bristol, October 2019

This piece on the ‘Where the Wall’ curated area is a beautiful (belated) birthday work for his frequent painting buddy Smak. It gives me a warm feeling to know that these guys pay tribute to each other in this kind of way and reassures me that the street art community is built on friendship and decency. The piece itself is a creative spelling of SMAK and is painted with a fabulous colour palette underpinned by a deep red and a scarlet. What a nice birthday present to get.

P.S. it is my birthday in January… any chance…?

2556. Moon Street (77)

This is one of a great many rabbits by Nevergiveup that I have in my archive of Bristol street art, and I will be releasing them slowly as and when slots appear or the inclination takes me. This particular one in Moon Street goes back to May 2018.

Nevergiveup, Moon Street, Bristol, May 2018
Nevergiveup, Moon Street, Bristol, May 2018

As I recall this furry fellow stayed put for quite a while, but like so many of his colleagues eventually disappeared. I noticed that Bristol City Council have been on an anti-rabbit patrol lately and buffed out a whole bunch of them from utility boxes in the Cumberland Basin area (boo). Now that Nevergiveup has left town I expect the cull to gather pace.

2555. The Bearpit (184)

As a street art hunter (a rather geeky description that I am not very fond of – archivist might be better) it is always worth taking pictures of everything you see, even if you don’t know the artist – you never know, you might be able to find out more later. And so it is with what is probably the first piece I saw by Conrico back in April 2018.

Conrico, The Bearpit, Bristol, April 2018
Conrico, The Bearpit, Bristol, April 2018

You can tell this is an old piece, because it is from The Bearpit, which has been ‘hermetically sealed’ since the spring this year. The picture is of a coiled snake and a hat without a body – presumably the owner of the hat – has been consumed or crushed by the constrictor, with only his spray cans and hat surviving the ordeal. The patterns on the snake are brilliantly done and this piece was an early indication of the talent that has since been unleashed on the streets of Bristol this year.

2554. Midland Road

Obvs this is a piece by Mr Penfold and what a grand piece it is too. This large design that presents five bold patterns separated by jaggedy white lines is typical of his his more recent work. I say more recent, but I should add that this picture was taken in x 2018.

Mr Penfold, Midland Road, Bristol, March 2018
Mr Penfold, Midland Road, Bristol, March 2018

When writing this post, I used StreetView to remind myself of the street name, and was surprised to find that this piece has grown considerably in size and now occupies the facade of the building to the right as well. Watch this space for an update… one day.

The blue plaque, on what is now the ‘To The Moon’ bar and cafe, is a memorial to John Wright or ‘John the Caff’ as he was known locally. His obituary in The Guardian from July 2009 can be found here.

2553. Dean Lane skate park (262)

One of the things I love about going through my archives is that I get to re-visit a whole bunch of gems that for one reason or another I didn’t publish at the time – often because I operate with a monumental backlog. I reckon that for every piece I post on Natural Adventures there must be five or six that never see the light of day.

Slakarts, Dean Lane, Bristol, January 2018
Slakarts, Dean Lane, Bristol, January 2018

This overlooked and yet utterly wonderful piece is by Slakarts and was painted in Dean Lane back in January last year. His trademark stylised faces are always recognisable and he seems to favour a soft or gentle colour palette. This face has been adorned with plenty of little decorations and some nice painted drips. More in my archives to come.

2552. Cheltenham 2019 (18)

Being so close to Bristol, the Cheltenham Paint Festival is crowded with artists that I am really familiar with, who make the short journey up the M5 or on the train. This is a lovely piece called ‘I Hear You’ by Stephen Quick which according to his Twitter feed is a call to arms to all the unheard voices now being heard.

Stephen Quick, Paint Festival 2019, Cheltenham, September 2019
Stephen Quick, Paint Festival 2019, Cheltenham, September 2019

Stephen Quick’s pieces historically used to be complex stencils, but more recently he has taken to painting freehand in a stencil style. He uses a brilliant mash-up approach to his work combining film or TV elements and to illustrate this here are his #hashtags for this piece on social media:

Streetart, urbanart, portrait, power, woman, superhero, shera, teenagemutantninjaturtles, mural, cheltenhampaintfestival, cheltenham, painting, art, artofinstagram, spraypaint, acrylicpainting, stencilart.

A really fine piece. Bravo.

2551. Cheltenham 2019 (17)

A beautiful and understated little stencil piece by M-one that for me pretty much stole the show at the Cheltenham Paint Festival this year. I haven’t come across the artist before but I believe he lives in Southsea.

M-One, Paint Festival 2019, Cheltenham, September 2019
M-One, Paint Festival 2019, Cheltenham, September 2019

What is so clever about this stencil is not only the placement and the illusion that the hole is a real one, but that the rust colour he has used kind of blends in with the rusty drips on the tiles behind. I’m not sure if this was his only piece at the festival or if there is another one somewhere in my archive. I’ll find out soon enough. Brilliant piece.

2550. Cheltenham 2019 (16)

One of the first pieces to be completed at this year’s Cheltenham Paint Festival was this homage to Nadiya Hussain, the Great British Bake Off winner and now celebrity chef, by RJ77 who I believe might be quite local but I’m not sure why I think that.

RJ77, Paint Festival 2019, Cheltenham, September 2019
RJ77, Paint Festival 2019, Cheltenham, September 2019

RJ77 has stuck well to the theme of the festival and his book is Nadiya Hussain’s ‘Time to Eat’ cookery book. He is a very talented stencil artist and this greyscale piece looks like it has maybe eight or nine layers – gotta love those drips too. He painted a lovely piece at Upfest 2018 which I posted a little while back. I’d love to see more of his stuff, but might have to wait for more festivals to see it.

RJ77, Upfest, Bristol, July 2018
RJ77, Upfest, Bristol, July 2018

2549. North Street

This is a lovely new shutter piece by The Hass on North Street. Unfortunately there is a bit missing on the left hand side which rolls down over the door, but shutters are difficult to get at the best of times so I was pleased to get this shot. The Hass paints under another name in Bristol, but those that know, know and those that don’t, don’t need to.

The Hass, North Street, Bristol, October 2019
The Hass, North Street, Bristol, October 2019

As a marine biologist I need little encouragement to marvel at this wonderful marlin swimming in waters close to a paradise island, looking a little bit like the island set in the Disney Pixar film The Incredibles. This time though the gorgeous waters are polluted with plastic bottles in amongst the fish. Nice piece combining abstract elements with realism and a great story.

2548. L Dub (8)

I only make occasional trips to L Dub, which is OK, because the turnover isn’t quite up to the same level as it is in places like Dean Lane for example. Those rare visits though are totally worth it, and the dog rather enjoys the trip too.

Smak, L Dub, Bristol, October 2019
Smak, L Dub, Bristol, October 2019

This lovely piece of writing by Smak was alongside the Sled One mermaid which I posted a little while back, and the subtle colour selections work so well placed on the cloudy sky background. I am a fan of clouds, and since I started playing around with spray paint I have been looking at clouds a whole load more to make sure I don’t make silly mistakes (for example clouds that are darker on the top than on the bottom – it just doesn’t happen). Nice to see this Smak piece, it feels like a while since his last one.