1442. The Bearpit (135)

The Bearpit street/graffiti art walls are under threat. Bristol City Council appears to be taking a tougher position on the walls and boards and has recently started to paint over some fine pieces that have been there for ages. My guess is that this is a task that will bring no joy to anybody, as artists and officials play tit-for-tat paint wars. Street art and graffiti are part of what makes Bristol special, part of its USP, and by over-regulating it you will destroy it and the culture around it – all you will end up with is sterile corporate pieces that don’t really represent the local scene.

It feels odd to me going to cities, for example Chichester, that have no graffiti or ‘legal walls’ but held a festival a few years back and has some very nice pieces dotted about the place on carefully selected walls. The problem I have with that is that it is all sanitised and signed-off by the ruling classes of the city. Where is the budding street art culture in Chichester? there is none to speak of, just some imported art to create a sense of ‘edge’ but actually totally safe and permitted to the nth degree.

I say all this because at the recent paint jam in The Bearpit, several artists, including Skor85 made their feelings clear. How strange it might seem in a few months time that there won’t be any walls left where they can make their feelings known, without the permission of the officials of Bristol. This will inevitably lead to more and widespread illegal art.

Skor85, The Bearpit, Bristol, April 2018
Skor85, The Bearpit, Bristol, April 2018

Skor85’s meaasge is loud and clear “Could you live without freedom of expression?” The piece itself is delightful, a vibrant plant emitting sparks of colour set on a background of purples, reds and oranges. I like it a lot.

1441. The Bearpit (134)

This is another piece from the recent Spring paint jam in The Bearpit. It is something of a change from the norm for Mr Draws, who usually sprays his name or mountains. Here he has sprayed one of his favoured boards with a training shoe. It is rough, and vibrant, and my guess is that Mr Draws probably freestyled it.

Mr Draws, The Bearpit, Bristol, April 2018
Mr Draws, The Bearpit, Bristol, April 2018

It is a fun piece, and very much in the spirit of the paint jam, which was to ensure that The Bearpit continues as a street art gallery and spray paint area. Of course, Mr Draws has managed to incorporate some mountains just for good measure. I believe the piece was dogged after a few days, which is a pity as it is a rather uplifting work.

 

1440. Wilder Street (23)

I photographed this piece by 2Keen a long while back, before I knew anything about the artist. To me, the piece looks unfinished, and I know from having met him a few times while he was doing his Redland collaboration that he can take a while to complete a piece.

2Keen, Wilder Street, Bristol, September 2016
2Keen, Wilder Street, Bristol, September 2016

This wild smiling character is similar to others that I have seen, and he seems to create them with exaggerated features and a little bit of edge to them. One that I took in passing and have had archived for a long while. I should go back to see if it is still there.

2Keen, City Road, Bristol, May 2017
2Keen, City Road, Bristol, May 2017

1439. Old Bread Street (14)

A fine trio of artists, Soker, Cheo and Hemper came together in 2016 and painted this fine collaboration. All three are at the top of their game and this formula – wildstyle, character, wildstyle – is one that works well. There is a balance and symmetry to the whole thing.

Soker, Old Bread Street, Bristol, September 2016
Soker, Old Bread Street, Bristol, September 2016

The chrome writing on the left is by Soker, and the letters SOKEM are easy to pick out. The lines are very clean and sharp and a careful look at the detail reveals incredible attention in each and every intricate shape. Magnificent.

Cheo, Old Bread Street, Bristol, September 2016
Cheo, Old Bread Street, Bristol, September 2016

In the middle, the character piece is by Cheo, who else, and looks like a man who enjoys his music. I love the way his glasses change the colour of everything behind them, and the same with the goggles. beautifully done.

Hemper, Old Bread Street, Bristol, September 2016
Hemper, Old Bread Street, Bristol, September 2016

Finally on the right some more writing in chrome, this time from Hemper. Of the three, he is the one I know least about. I think that these days, he is not as active as the others. The letters spell ‘HEMP’ and they have a slightly more forgiving and organic feel to them than those of Soker.

Cheo, Old Bread Street, Bristol, September 2016
Cheo, Old Bread Street, Bristol, September 2016

The whole thing is utterly lovely and I am puzzled why it hasn’t made it out of my archives until now. Some mistake surely. Damn that water droplet.

1438. Old Bread Street (13)

The boards at Old Bread Street have all but gone now and given way to a large construction site, which I suppose was inevitable. It does seem that there are fewer spots left in Bristol than there were a year ago which means that artists tend to concentrate on the places that remain, and therefore turnover increases.

Biers, Old Bread Street, Bristol, September 2016
Biers, Old Bread Street, Bristol, September 2016

Anyhow, this is a little glimpse back a year or two to a piece by Biers, whose beautiful and unique letter styling stands out. This is a nice clean piece that oozes character and playfulness, nothing self-conscious and earnest about this one. Glad I dug it out. Shame about the water droplet on the picture.

1437. The Bearpit (133)

I believe this to be the best piece I have seen this year, and one of the best that the artist, Tom Miller, has produced to date. This classy work was painted for a Spring paint jam on 14 April 2018 and dominates all around it.

Tom Miller, The Bearpit, Bristol, April 2018
Tom Miller, The Bearpit, Bristol, April 2018

This most most eye-catching and vibrant of pieces, illuminates the tunnel and brings a touch of fine art to the people who pass through it. So typical of Miller’s work, there is a face, disfigured and distorted by colour stretching out of it. A scene of serenity and torture compressed into one space. His surreal and dream-like pieces never cease to amaze me, but this one really trumps the rest.

Tom Miller, The Bearpit, Bristol, April 2018
Tom Miller, The Bearpit, Bristol, April 2018

Tom Miller has been busy this Spring, a trend which I hope spans into the summer and beyond. This piece is so good.

1436. Tropicana, Weston-super-Mare (8)

I haven’t posted much from JPS for a long while, because I haven’t seen any of his recent work, and he doesn’t seem to come to Bristol as much as he used to. I owe my interest in street art to this artist thanks to a small piece near my work in Frogmore Street which he had just restored.

JPS, the Tropicana, Weston-super-Mare, August 2016
JPS, the Tropicana, Weston-super-Mare, August 2016

This old one in the Tropicana entrance area is a multi-layered stencil of Cain from Robocop. It showcases just how brilliant JPS is at creating these large highly detailed stencils. The broom next to it gives an indication of scale. I am in love with this man’s work.

1435. Tropicana, Weston-super-Mare (7)

Going back a little while to the summer of 2016, I managed to find a few moments to hunt down some street art while on a day trip to Weston-super-Mare with the family. I spent a little time in the Tropicana and snapped this nice work by Nol and Edo Rath who paint together as Noodle inc.

Nol and Edo Rath, the Tropicana, Weston-super-Mare, August 2016
Nol and Edo Rath, the Tropicana, Weston-super-Mare, August 2016

The bold colours, clean lines and humorous monsters are typical of their work, which shares some similarities with Buff Monster. After taking this picture, I have since become more familiar with their work and with Nol in particular through Upfest. Always a pleasure to see their creations.

1434. Raleigh Road, Tobacco Factory (11)

I’m not too sure when Gregos came to Bristol, but I have a feeling it might have been for Upfest 2015. There are only one or two of his face masks that remain in the city. I took this picture in 2016, and to be honest I’ve not checked to see if it is still there.

Gregos, Raleigh Road, Bristol, July 2016
Gregos, Raleigh Road, Bristol, July 2016

His masks adorn walls all around Europe and beyond, and it is always a pleasure to come across one. These haunting masks retain so much detail from the original mould and you can see wrinkles and eyelashes. His expressions vary from mask to mask, and with all installation artists location is critical. Gregos is the king of this style of street art.

1433. Brunswick Square hoardings (4)

I was very fond of these hoardings in Brunswick Square, but alas, they are long since gone.I still have several pieces that I have not posted, and this is one of them by Dibz. I am more used to seeing his work at Dean Lane or on Instagram, so it is nice to have another location for the collection.

Dibz, Brunswick Square hoardings, Bristol, March 2016
Dibz, Brunswick Square hoardings, Bristol, March 2016

As always his deep shading and complex letter patterns are technically superb, and there is a cleanness of the lines in all his work. The blue line and its glow add something special to a very nice piece indeed.