On the 15th October 2016 The Bearpit played host to an international exhibition entitled ‘Resiste’. The exhibition featured the works of the Assembly of Revolutionary Artists of Oaxaco, Mexico. I will cover this exhibition in more detail in a forthcoming post, but today I will focus on the participation in the exhibition by Bristol’s magnificent Aspire.
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Crisp, dry leaves yield to
soggy slippery mush. Rain!
enough already.
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by Scooj
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Standing in cold car
parks, shivering and choosing
which cars to test drive.
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by Scooj
This is a small piece by the wonderful Bristol street artist Face F1st whose works are always centered on a styalised face each one with a different decorative feature. In this one he has placed a small octopus on the face’s head. This is a political anti-Brexit piece which is articulated clearly, and the octopus represents the Brexit narrative ‘brainwashing’, which appears to be stifling any intellectual debate about what kind of Brexit British citizens might want (in particular the 48% who voted against).
At one end of Dighton Street there are two small walls which look like they had once been rather fancy gateways and which have since been filled in. They offer street artists an opportunity to spray a pair of related works should they wish to do so, as the spots come as a pair and are separated by a stone wall of about 20 feet.
Even in dark days
where only despair resides
birdsong lifts my heart.
by Scooj
*I’m fine by the way, I am just experimenting with moods/emotions
A week or so before Haloween, this scary clown appeared in Stokes Croft. Now I am the first to say that I am not a big fan of the scary clown thing that seems to be sweeping the nation at the moment, but I really like this piece.
The artist is unknown to me, and I can’t find out anything about him anywhere. He signs himself ‘Dose’ or ‘Dase’ and was responsible for this fabulous ghost cat a few months ago, in exactly the same spot.
His works are so clean and beautifully executed…really fine work, but they also have some menace, some edge, which for me is one of the things I love about street art. I wish I could find out something about him (I know it is a he, because I have seen images of him painting the cat on the internet, but the photographer/blogger also didn’t know who he is).
If anyone reading this can put me out of my misery and knows who the artist is, please leave a comment at the end of this post. Scary clowns…they really are scary.
No hot desks left, so
I find a quiet cell; now
incarcerated.
by Scooj
I have neglected my Falkland adventure in favour of street art and haiku poems, but this blog began with a digitisation of a diary I wrote in 1988 whilst working as a fisheries scientist in the South Atlantic. I feel it is time for me to add another section from the diary. The context to this diary is set out in the first post I wrote entitled ‘An ill wind‘. I recommend you read this first post to get a feel for what this is all about. All of the posts can be seen in the ‘Falkland Journal, 1988’ category to the left of the screen. Enjoy.
Wednesday 8 June 1988. Montevideo, London Palace Hotel
Today there is a general strike. Like yesterday it is cool and overcast, but I can overcome this in my new jacket. Yo ho.
Most of the day on the Koei Maru 30. Watched bits od several films and then all of ‘Lethal Weapon’…again, and also a film called ‘Gotcha’. it was ok.
Ate my first sizable meal of sushimi today, it was good.
The Fishing Master told me, if I understood correctly, that his wife didn’t want him back, so he is prepared to stay in the zone as long as you like. Poor chap. I don’t really understand. Anyway it seems that if another observer comes on board, they will work, but not talk to him. Nice!?!
El Fogon – hotel bar – bed.
Thursday 9 June 1988. Montevideo, London Palace Hotel
‘So begins another weary day’ Grey Day.
Souvenirs
A very boring day on the Koei Maru 30. Oh I don’t know if I can bear it any more.
The crew seem to be in real ‘micky-taking’ mood, I think it has something to do with being in Montevideo.
It didn’t look like much refueling was going on today, so perhaps Brazil, here we come – who knows?
Friday 10 June 1988. Koei Maru 30
I checked out.
My visa receipt (N$ 103,172) amounts to roughly £172 for 11 days – a touch better than Emma’s
For the rest of the day I tried to kill time on the boat. I have forgotten how difficult it is. All the crew except Iyagi, who was on watch and in a horrific mood, and ‘Acne man’, had gone out on the town for the last time.
I needless to say, stayed in – no money no inclination. I bought a few special treats for myself, but stupidly some tobacco.
Saturday 11 June 1988. Koei Maru 30
We are at sea again – there was an eerie mist heralding a beautiful clear day – I took a few slides.
I have missed breakfast – quite a relief – it looks like eggs, eggs, eggs like before.
Saw loads of Magellanic penguins, but otherwise very little of interest happened.
Watched some films, including Indie Jones and the Temple of Doom – an irritating but quite enjoyable movie.
Sencho now tells me that when I go for my holiday, the Koei Maru will head for Japan – that’s not fair, it’s blackmail!
Sunday 12 June 1988. Koei Maru 30
The clocks on board are now set to Falkland time. I am overjoyed – I exaggerate. Radiod Mt ?? of KSJ to say that I’ll radio Fishops at KSJ tomorrow at 9.00 am. I have so much to say to John.
?? = Okaido or something of that sort.
It has become fairly rough and I have got my usual ‘second day at sea headache’.
I sorted things out with the Fishing Master and radio Radar – all seems ok-ish. They will also talk with John tomorrow.
Phoned Deb – highlight of the last fortnight – I am deliriously happy. I can’t help thinking though that she may have met someone – who can blame her? I would die if she had.
Abe said I could phone home tomorrow.
This is one of the most beautiful and sensitive pieces that I saw at Upfest this year. The artist, Sokar Uno has created something really touching and outstanding. This is without doubt one of my favourite pieces from this year’s festival.
Sokar Uno is a young German artist who has been painting and illustrating since he was twelve. Clearly he is very talented.
There is a wonderful explanation of the approach he takes to his art on his excellent website which is really worth a visit.
I am thoroughly taken with his ‘classical’ style and would really love to see more of his work. I fear I might have to travel to Berlin to see it though. It is a real privilege to see him at work in Bristol.
Natural adventures 