There are a multitude of reasons why street/graffiti artists go through productive and non-productive phases, sometimes to do with friends, family and relationships, sometimes location/geography, sometimes employment, sometimes mental/physical health issues and sometimes simply falling in or out of love with it. I am pleased to report that Mr Riks seems to have found a rhythm and has been out and about a fair bit recently.
Mr Riks, New Stadium Road, Bristol, January 2024
This is a spot, where Mr Riks has painted before, alongside his friend Silent Hobo. This time it is a solo piece, and a very nice one at that. Some great colours in the distinctive bubble script writing, with a couple of cheeky characters peering on. A great piece from an accomplished writer.
After a week away from Thursday doors, I return to last summer and a trip to the beautiful area of Umbria in Italy. This week, and for the next few weeks I will share doors from Montefalco, a sun-drenched hilltop town, close to where we were staying. The view of the town (see the feature image) is from the fields surrounding the villa which we called home for a week. This first set of doors were on the street in the north of the town that led up to the town square.
Doors with brick surround, Montefalco, Umbria, Italy, July 2023Modern arched door, Montefalco, Umbria, Italy, July 2023Arched door with stonework motif above, Montefalco, Umbria, Italy, July 2023Fine door with ironwork fan, Montefalco, Umbria, Italy, July 2023Outstanding door and doorway, Montefalco, Umbria, Italy, July 2023Archway with a door inside, Montefalco, Umbria, Italy, July 2023Door in the town square, Montefalco, Umbria, Italy, July 2023Close up of a door in the town square, Montefalco, Umbria, Italy, July 2023
I will bring you another selection of doors from this sleepy arid town next week. Until then, may I wish you a very pleasant weekend.
If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s Thursday Doors post.
I am so incredibly short of time today, suffering from having to plough through a mountain of work that has accumulated during the week that I was away. I sometimes wonder if it is worth going on holiday at all, because the feel-good factor wears off so quickly. This is a stunner from Fade.
Fade, Dean Lane, Bristol, January 2024
It is quite difficult to understand just how Fade manages to turn out so many high quality pieces, each and every one completely original and perfectly turned out – he has certainly found his niche. This piece looks like a fiery furnace of coke or coal blasting out heat to create the hot letters. Great design, superb fills… excellent piece from Fade.
Whenever I see the number 404, my heart sinks, thinking of some kind of computer error code. Fortunately no such disappointment with this fine piece from Kid Krishna at the end of the tunnel, it what is proving to be a fruitful and exciting comeback after a few lay months.
Kid Krishna, St Werburghs, Bristol, January 2024
I have to take it on trust that the letters spell out CRIE, because, although it is what he usually writes, the letters are very well disguised and obscured. I love the way the greyscale piece draws in a puddle of colour towards the middle, a little reminiscent of those blotting paper colour separations we did at school in science lessons.. Great to have Kid Krishna firing on all cylinders again.
Sako and Zake, St Mark’s Avenue, Bristol, January 2024
Photographing this piece in a narrow alley in Easton was never going to be easy. I had to remove (and replace) three heavy wheelie bins, just to get sight of the collaboration by Sako and Zake. There are other bits and bobs obscuring the piece, but I am an archivist, not a blooming street cleaner.
Sako and Zake, St Mark’s Avenue, Bristol, January 2024
I really enjoy Sako’s work, which has more than a hint of mystery and intrigue. Using his favoured blue and purple tints, he has created a gangway leading into a tunnel, with a giant hand emerging from the water and a tiny figure standing on a finger. Wistfully looking on is a profile portrait piece by Zake, which is quite unlike his more usual larger-than-life exaggerated cartoon portraits. A beautiful face and beautiful hair.
This is a fine collaboration from the pair of artists, and has left me wondering what it is all about. The sooner I get to meet Sako, the better.
Mr Crawls continues on his quest to delight Bristolians with his birds and monster birds all over the city. This smaller piece is on one of two that were presumably painted around the same time on the long hoarding at Greenbank.
Mr Crawls, Greenbank, Bristol, January 2024
The gull-like cartoon character looks rather charming with his sleepy eyes. I am guessing this was a quick one, as the white fill is a little on the thin side. The thick pink border does just enough to separate the bird from the busy background, without the need for buffing the wall. If Mr Crawls continues with his high volume of pieces, I might have to start grouping them into posts.
On one of my favourite walls is this slightly different piece by Lee Roy, spelling out VLAD. I am not sure if this is a one-off, or a new direction of travel, but I am guessing the former. This is a funny old wall really, sometimes a piece can last a month or two, and other times there may be half a dozen in a period of a few days. This one and its predecessor didn’t last long.
Lee Roy, Dean Lane, Bristol, January 2024
Lee Roy has worked this piece very nicely, set on a dramatic red background with yellow drops, his gold/grey/white fill is full of symbols and patterns that are commonly used in his and others’ work. Verging on anti-style, this is a great piece by Lee Roy.
Marckinetic, Cumberland Basin, Bristol, January 2024
Marckinetic usually paints alongside his friend Kid Krishna, and so when the latter goes quiet, so does Marckinetic. Now that Kid Krishna has started firing on all cylinders again, Marckinetic has been out on at least two occasions recently.
Marckinetic, Cumberland Basin, Bristol, January 2024
This piece, painted in January, shows us just how original the artist’s style is. I believe that there is writing here, just not the way we are used to seeing it (there is a possibility the letters say MARC – CORRECTION – they spell out FFS (thank you Paul H)). The deep white shadows have a little bit of Acer One about them, but the ‘cosmic’ fills are all Marckinetic, and something of speciality. This is an unusual and very welcome piece in the vast spectrum of Bristol street/graffiti art.
Bnie, Pekoe and Evey, Greenbank, Bristol, January 2024
It is always a great pleasure to see any combination of RBF artists collaborating, and this is an early year beauty from Bnie, Pekoe and Evey. Unfortunately the photographs are a bit rubbish on account of tree shadows cast on the wall by a low winter sun. Fortunately, the girls declare that ‘2024 is going to be sexy AF’.
Bnie, Greenbank, Bristol, January 2024
Bnie starts the triptych, writing her letters with a certain amount of expression, and looking wonderfully free. The clever drop shadow appears to surround the letters as well as giving them depth. Bnie has used a three shade fill which is topped off with some darker bubbly shapes. A very nice piece of writing indeed.
Pekoe, Greenbank, Bristol, January 2024
There is something very different from Pekoe in the middle of the collaboration, which features a smartly dressed woman with a fancy green and yellow scarf wrapped around her neck. It is quite unusual for Pekoe to paint full (or even half) body characters, and it will be interesting to see if this is something she continues with this year.
Evey, Greenbank, Bristol, January 2024
Rounding off on the right is some tidy bubble writing from Evey, with a rather saucy ‘V’. Her fills are very nicely worked and the flow of colours through the letters are most enjoyable. I am not too sure about the drop shadow, which doesn’t quite hit the mark for me. Certainly a great start to the year though. I am looking forward to a whole lot more from RBF in 2024.
Natural adventures 