Amber Bardell, Lucky Lane, Bristol, September 2025
This is why I love the Bristol Mural Collective so much. This piece is unlike anything you are likely to see on the streets very often. It could belong on a sketchbook page and never be seen, but here it is in the middle of a quiet lane displayed as a piece of public art.
Amber Bardell, Lucky Lane, Bristol, September 2025
I haven’t seen any work by Amber Bardell before, and I’m not sure whether she has painted murals before, but this is a charming illustration mural of a bird pecking up four-leaf clovers, in keeping with the luck theme of the paint jam. There is a child-like quality and simplicity to the piece, which is nicely painted. A great contribution in Lucky Lane.
Mr Crawls and Mote, Peel Street Green, Bristol, September 2025
The ‘dynamic duo’, Mote and Mr Crawls, are back in a spot that they have painted together before in Peel Street Green. It is a smaller bit of wall at the right-hand end of the spot, and is the prefect size and shape for one of their collaborations. The pair of birds are painted in their own unique styles, but there are some obvious ideas that read-across both artists.
Mr Crawls and Mote, Peel Street Green, Bristol, September 2025
Mr Crawls has been developing his pigeon character and here he is in all his resplendent glory. The colours of pigeon plumage lend themselves to street art (note to self: do a pigeon special gallery) and are present here – I wonder if he will start to work in more of the iridescent greens and purples in future pieces. Mote presents a rather weird looking bird monster, which those of you with a natural history interest will appreciate can’t possibly be a bird due to the presence of nipples, a mammalian characteristic. In Mote’s defence, it is a monster and from his imagination so it can be whatever he wants it to be – that is the joy of character pieces. Great to see these two collaborating again.
Mr Crawls and Mote, Brunel Way, Bristol, August 2025
It has been a little while, but I think I can safely say that the painting duo of Mr Crawls and Mote are back, and painting together again, which in my book is a great thing. The pair have painted a few collaborations lately, but I have struggled to keep up with them.
Mr Crawls and Mote, Brunel Way, Bristol, August 2025
On the left, Mr Crawls has painted a bird, looking rather startled, in his stylised cartoon form, in which he has incorporated a couple of Mote design ideas, such as the line through the beak and the horizontal lines on the eyes. I think the bird might be a pigeon.
To the right, Mote has gone to town with his portrait piece of a moustachioed man. The composite style isn’t one I have seen before, and I rather like it. A nice purple theme is rounded off with a chrome background, something of a signature for this pair.
Mr Crawls and Kool Hand, M32 roundabout, Bristol, March 2025
Mr Crawls and Kool Hand have been painting together more regularly of late, and it is good to see. Their character styles, although quite different do complement one another rather well.
Mr Crawls, M32 roundabout, Bristol, March 2025
Mr Crawls has painted one of his ‘skeleton’ bird characters, which look slightly creepy if I am honest, but are very much part of his repertoire. He has shown another side to his talent here though, with some very nicely presented writing, spelling out JIM. I expect that this is a shout out to a friend/family member.
Kool Hand, M32 roundabout, Bristol, March 2025
Kool Hand presents his orangutan character, who over the years has developed and become ever so slightly more sophisticated. The solid fills haven’t changed much, but the clean lines have improved and the overall shape of the head has softened. Some nice white flashes add to the 3D appearance of the character. A rather nice collaboration.
I believe that Mote might have been one of the first, if not the first, artist to start colonising this long blue-bordered black hoarding in Greenway Bush Lane. As a pioneer, he may well be pleased to see that others have descended on the spot to decorate it.
Mote, Greenway Bush Lane, Bristol, March 2025
In this piece, Mote has painted two bird-like monsters for the price of one. They look like distant relatives, sharing colours, but evolution has separated them. The top and bottom halves are reversed, and one has only a head, while the other has a neck and body. These monsters are so uniquely by Mote, and there is no need for a signature. A fine duo.
Mr Crawls, Cumberland Basin, Bristol, February 2025
Mr Crawls has been having a productive and creative winter, turning out a suite of stylised cartoon character birds. This one is accompanied by some monolithic letters ‘NS’? I don’t know what the letters are all about, but he has incorporated them skilfully.
Mr Crawls, Cumberland Basin, Bristol, February 2025
The skeleton bird design is one that Mr Crawls has used before and to be honest is a little bit sinister, not his usual cheery bird representation. There is a lot to like about mr crawls’ work at the moment, and his expanding repertoire keeps things interesting.
Mr Crawls, Kool Hand and Daz Cat, St Werburghs, Bristol, February 2025
This is something of a rarity, a character collaboration. Often you get combinations of characters and graffiti writing in small or large collaborative efforts, but exclusively character pieces is unusual and just how brilliant is this collection from Mr Crawls, Kool Hand and Daz Cat?
Mr Crawls, St Werburghs, Bristol, February 2025
Mr Crawls has hit the ground running this year with some outstanding pieces and a slight change in direction or modification of his characters. He is always looking to move things forward and adding new ideas around his central theme of a bird wearing a hat. This most recent phase I would describe as stylised cartoon work.
Kool Hand, St Werburghs, Bristol, February 2025
Another artist who has been busy over the winter is Kool Hand, and what a good artist he is, I have just updated his gallery and there are some really fine pieces to enjoy there. This piece features a three-quarter profile of his famous orangutan character, this time in green. Crisp and clean and really well presented.
Daz Cat, St Werburghs, Bristol, February 2025
An artist whose work has become more sophisticated and complex over the last few years is Daz Cat. In the early days his cat pieces were fairly two-dimensional, and although fun to find, had plenty of headroom for improvement. Now Daz Cat is operating at an entirely different level, turning out first class portrait pieces (mostly of cats) with every outing. This smiling cat is a perfect example of his work, so full of character and detail and a enjoy to behold. Below is an example of his early work to give you an idea of what I am talking about. This is a very fine character collaboration.
Every now and again, I like to delve into my archives to see if there are any pieces that somehow were overlooked at the time, and I am always surprised by what I find. The next few posts are from 2016 and include this beautiful magpie by Aspire.
Aspire, City Road, Bristol, March 2016
Aspire was one of my favourite Bristol artists in Bristol, and his depictions of birds in particular struck a chord with me as a trained naturalist. For a few short years, his work brightened up our streets before he packed his bags and moved to London, where I am told the streets are paved with gold. Fortunately, Aspire does return from time to time, but I miss his portfolio of stunning birds and their surroundings. As well as being a superb portrayal of a magpie, we also see evidence of his pixel clusters, something of a trademark for the artist. Those were the days!
Natural adventures 