Bristol – Page 16 – Natural adventures

7238. Brunel Way (339)

Mr Crawls, Brunel Way, Bristol, October 2025

This little wall (the remains of a waterworks outbuilding) can be seen from the Brunel Way flyover, and so it is quite easy to spot when it has been repainted. I confess that when I first saw the piece from a distance, I thought it was by Mote, having many of the characteristics of his artwork. On closer inspection, though, I had doubts and considered it might be a Mote/Mr Crawls combo. It turns out that it is a Mr Crawls solo piece.

The character is unlike anything I have seen from Mr Crawls before, and the hatching in the pupils of the eyes (a Mote thing) definitely caught me out. The ghostly character looks slightly downbeat, but has something about it that makes it quite compelling. It will be interesting to see if this is an idea that Mr Crawls will develop further.

7237. St Werburghs tunnel (530)

Bags and Biers, St Werburghs, Bristol, October 2025

This is a great collaboration from time-honoured members of the No Frills crew, Bags and Biers (WD40). Bags has been out an about a fair bit this year, but Biers is rediscovering his mojo (I hope), having had a period of poor motivation with respect to painting walls.

Bags, St Werburghs, Bristol, October 2025

To the left, the familiar BAGS letters are filled in the two-colour way that he appears to like doing, and he includes some colour coordinated spots for decoration. The tear drops surrounding the piece add movement, looking like cartoon perspiration, if that makes any sense at all. The white highlights add just that little bit of depth to lift the letters.

Biers, St Werburghs, Bristol, October 2025

At last Biers has painted a combination piece, something that is a bit of a trademark of his, and he includes the iconic comic character Inspector Gadget, although in this piece he calls him ‘Inspect Her Gadgets’ whilst examining a sex toy. The letters spell out WD40 and are really nicely presented. If you are wondering why I call him Biers, it is because that is what he was writing when I first encountered him. Below is the first of his pieces I ever posted.

Biers, M32 roundabout, Bristol, February 2017

7236. Peel Street Green (51)

Klashwhensober, Peel Street Green, Bristol, September 2025

I think, that at times, life has been quite unkind to Klashwhensober, and I know he has had his demons to battle with, so it is great to see him back on the streets again. It also looks like he has a little more clarity and concentration in his work.

This combination piece has some nice 3D letters spelling SOBER, which are accompanied by a rather sinister little character in green to the right. There is a contrast between his well crafted letters and fills and his rather less precise characters that epitomise his overall style. His work has been worth waiting for, and I hope that he has a settled and stable period going forward.

7235. M32 roundabout J3 (722)

Hemper, M32 roundabout, Bristol, September 2025

Hemper is one of the great experimenters and innovators of wildstyle graffiti writing in Bristol and no two pieces are the same, and the styles and letter fonts he uses vary considerably from piece to piece. This way he gets to express his creative ideas to the maximum, not constrained by familiar patterns or shapes. It takes extreme talent and confidence to do what he does.

This HEMS piece is really very unusual and has a kind of mirage effect created by the wobbly yellow interventions, working with the purple and blue letters, that manage to both clarify and at the same time disguise the word. This is very clever stuff. Writing like this is definitely not something you will see every day. Love it.

7234. Lucky Lane (16)

Cuicasolo, Lucky Lane, Bristol, September 2025

This is a wonderful geometric piece by Cuicasolo, AKA Elaine Carr, who I first came across in January 2016 and her BRISTOL piece in Dean Lane. Although she doesn’t paint all that often, she has a strong presence in Bristol through her creative interests and energy.

I love her 3D pieces that have so much depth to them, and this one looks like a kind of puzzle that could join up and interlock. There are some great strong colours used in this piece, although I think that the black surfaces on the doors should be red, to maintain consistency – perhaps she ran out of red paint? It would be great to see more from Cuicasolo, for sure.

Elaine Carr, Dean Lane, Bristol, January 2016

7233. St Werburghs tunnel (529)

Asre, St Werburghs, Bristol, October 2025

With this piece by Asre in the tunnel, he reverts to what he had been painting before he took a protracted break. These cheeky faces were his signature pieces, and frequented a host of North Bristol spots.

Since his return, Asre has been concentrating on his writing and spread his wings to more spots in the city, so it was great to find this ‘traditional’ piece in the tunnel. He has kept the piece simple, with only three colours, and used nice solid lines throughout. Great stuff from Asre.

7232. Greenbank (173)

Nips, Greenbank, Bristol, September 2025

For a long while I have feared that this hoarding in Greenbank would be removed on completion of the development behind it, but for one reason or another (I just checked on the Interweb, and it appears that the original developer went bankrupt) work has stalled, giving the spot a stay of execution.

This is a lovely piece by Nips, a rather underrated graffiti writer in my opinion, whose work is notable for the wonderful fills she incorporates into her work. The letters ‘NIPS’ are bounded with three borders, white, yellow and orange, that provide a great buffer between her work and the piece she overwrote, without the need for any buffing. The light conditions can be difficult in this spot, and the photographs are a little mottled with light and shade, perhaps not doing the piece justice.

Since lockdown

Office day today

prefer WFH

a changed perspective

by Scooj

7231. Frome Side (58)

Mr Riks, Frome Side, Bristol, September 2025

I know that Mr Riks has painted in this spot before, but I was still rather surprised to stumble across this one. There are two notable things about the piece, the first is that there is no buffed wall or background, so the writing is at risk of being overcrowded by the surrounding graffiti, the second is the day glo colours that go some way to mitigating that risk.

The nicely rounded letters spell RIKS in his distinctive font, and he has given them a bit of a lift with a deep 3D drop shadow drifting to the right. If I am honest, I think a little bit of extra background would have given this piece a bit more prominence, however, he might have been short of paint or time. Vibrant work.

7230. River Avon (97)

Creamylines, River Avon, Bristol, September 2025

I don’t think I’ll ever get tired of Creamylines’ bright and optimistic pieces, and I am forever grateful that he seems to be upping the frequency with which he is painting. These things add up to an overwhelming sense of wellbeing and a distraction from the rather depressing world around us.

This is another column piece from Creamylines albeit in a part of town that I haven’t seen him venture to before. This one is a little tidier than some of his pieces, and incorporates a myriad of colours. Eyes, faces, hills, birds, mountains and a gorgeous sun are all incorporated in this landscape as I have come to expect. Fabulous fun, and more to come from Creamylines.

	scooj on Sentencing
	skat on Sentencing
	scooj on 7367. Greenbank (176)
	scooj on 7360. St Werburghs tunnel…
	scooj on 14 years

	scooj on Sentencing
	skat on Sentencing
	scooj on 7367. Greenbank (176)
	scooj on 7360. St Werburghs tunnel…
	scooj on 14 years

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this: