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Meritocracy
has yielded to corruption
a reboot required
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by Scooj
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Meritocracy
has yielded to corruption
a reboot required
.
by Scooj

As part of a collaborative wall, this is something rather different from Kosc, but the high quality of the piece is there for all to see. Taking a break from his writing, which he seems to have been enjoying of late, Kosc has created this amazing rat skeleton character.

There is more than a little menace about this rat, brought about by its posture and open mouth. You can tell that Kosc enjoys the anatomy of the creature and clearly has a good understanding of skeletal structure. There is some complementary artwork from Saor, whose part in this collaborative wall was just to the left, that cuts through the rat’s tail. Fabulous artwork from Kosc.

I always feel a little surprised when I see some Elvs graffiti writing that isn’t in his usual highly elaborate and cryptic style, and it demonstrates what a great artist he is that he can switch it up so dramatically, presenting a very different style of writing here.

The writing is in large block letters, once again seeing the use of pink and blue – a superb combination and contrast between the letters and the cloudburst background. Although the wizard character feels familiar, I don’t know who it is. I’ll be back in a moment after a pause to Google…
…no luck I’m afraid. Perhaps someone out there can let me know.
This is a great piece from a superb artist whose versatility is powerful.

This photograph was one of the last to be taken on my old camera before it broke (I dropped it). This is a good thing, because I am not so pleased with the replacement camera I bought. The collaboration came only a few weeks after DC Guts and Jimmer Willmott shared a board at Upfest 22.

When these two get together, something crazy and imaginative always happens, and this colour burst shows off the work of two creative talents. To the left, Jimmer Willmott’s character, wearing a Charlie Brown t-shirt, has elements of Mr Potato Head about it and is full of fun. To the right, Guts presents a face made up of constituent components, with the word ‘TWINS’ written in the middle. Are we to believe that these two creations are twins? I can see the likeness.
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Nothing to see here
an inspiration desert
tumbleweeded words
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by Scooj

There is something very comforting about the collaborative efforts from Andy Council and Acer One, particularly as their styles are so utterly different, and yet they find ways to combine them or create a read-across between them.

Andy Council’s contribution is an unusual piece, bilaterally symmetrical, that appears to have a skull at its centre. Everything else appears to be decorative, but there might be significance – I can only see wings, possible. As I mentioned before, the segue into Acer One’s work is the white line behind Andy Council’s piece.

In a temporary departure from geometric letters, Acer One gives us a rather pleasing geometric pattern with his current passion for using rainbow colours emanating out from the centre (Richard Of York Gave Battle In Vain). The collaboration is set to remain for a while, as this particular spot is rarely tagged or painted. Great work from the pair.

Something that can be always relied upon is that any piece, large or small, by Sled One will always ooze class. This recent work at the entrance to the tunnel is proof enough of that. I particularly like this piece because it came as a complete surprise.

When I first saw this, I thought that there might be a suggestion of Sepr involvement, because the character would fit the Sepr style, but the eyebrows give it away as a Sled One character. The chef skeleton is full of character movement, holding his hand in a gesture of culinary perfection, perfect. Another thing I love about Sled One’s work is that he slaps classy ‘ASK’ mega tags (After Skool Klub) all over the city, often without signature. Another notable piece from Sled One.
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A mature damson
suffocated, weakened, killed
felled under the weight
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by Scooj

When you spend your spare time searching out and writing about street/graffiti art, you develop an amazing peripheral vision for noticing something different, something new, in the places that you visit most often. I was walking to the office last week (a rare occurrence these days), and from the corner of my eye I saw this bright flash of colour behind a hedge on the wall of The Boston Tea Party, where an Alex Lucas piece once proudly stood. The colour belongs to this outstanding piece by Kid Krishna, which I assume is rather new.

For me at least, this piece was an extra surprise because it is by Kid Krishna, and to date I have only seen his writing, and wasn’t aware that he painted art pieces as well. This is an unusual, but compelling portrait piece in bright colours and almost in a cubist style. Great to see that Kid Krishna has several strings to his bow, and a great addition to his portfolio.

Leonard Lane used to be a street with only a few pieces of graffiti, street art or tags, but over recent years it has become popular with writers and for paint jams, and now there is little bare wall left, although the quality of work there is highly variable.

You have to look quite hard at this one to make out the letters MOTEL which tells you that it is by Dog Bless the Band. Although the piece looks a bit messy, not helped by the un-buffed wall, it is actually rather nicely put together. Dog Bless the Band has used his usual low-key colours, with a hint of blending, for his letters and added a few ‘shock sparks’ for added interest. A nice touch is the picking out of the mortar lines in the brickwork of the wall into his letters. A nicely considered piece.