Tiniest of birds
pays me a little visit
deeply privileged
by Scooj
Tiniest of birds
pays me a little visit
deeply privileged
by Scooj
Very pretty in pink and a lovely way to start the new year. Just before Christmas, Bnie and Smak got together to paint this wonderful collaboration down at Dean Lane skate park.

On the left, Bnie has absolutely smashed it out of the park with this really tight piece of graffiti writing. The cartoon style letters are beautifully done but it is the shading of the letters that singles this out as an outstanding work. What a great Christmas present.

On the right, and not to be upstaged is a magnificent piece by Smak. I think that Smak has saved his best until last for 2019. I don’t have the vocabulary to describe how much I like this. It feels like he has taken the best of everything he has done during the year and pulled it all together in this piece. The colour selection for both is to die for. Outstanding work from both artists who would appear to feed off each other.
Happy New Year.
I have been aware of this piece for a little while, but it is only when I changed my walking pattern in the Dean Lane area that I found it. It was such a wonderful surprise to find an enormous mural like this when I wasn’t actually looking for it.

The artist Xenz is an absolute master at painting this kind of fantastical scene. In this piece he has painted a conventional countryside view at dawn (I think) with his trademark bee eaters (although these might be parakeets) strung out along a telegraph wire. I imagine that this was a commission, or a very nice gift from Xenz to a friend. It is sure to go down as a classic Bristol mural and one for me to upload onto the Street Art Cities app when I have a moment.

This piece is bound to turn a few heads as it is on a corner in the road where people will be driving slowly – it will be particularly prominent for those driving North. Xenz has a strong relationship with Bristol, I think he used to live here, so it is always a real pleasure to see his work, especially one as large and prominent as this. I am sure this will become a local landmark and is one for the street art tour circuit.
Farewell twenty tens
decade of the populists
time for something new
by Scooj
My last street art post of 2019 and here to round things off is a very nice collaboration at the south entrance of St Werburghs tunnel from painting partners and buddies Logoe and Silent Hobo. These two have collaborated several times this year and it is good to see them both painting more regularly than in recent years.

The writing is from Logoe and in his distinctive long thin script lettering. On the right is a character by Silent Hobo – a young man who is settig fire to some cubes in his hand, they might be high-rise blocks, but it is hard to see. There is some symbolism here but I am not sure there is enough information in the piece to work it out. A nice way to round the year off.
Happy New Year folks. It all starts again tomorrow for a jam-packed blog full of street/graffiti art. TTFN.
Tireless is the way I would describe the efforts of Face 1st. He seems to paint year-round, regular as clockwork, mainly in the north Bristol spots. Her we have a recent piece of graffiti writing in the St Werburghs tunnel, which has been something of a refuge for artists in the diabolical weather we have experienced since October.

This piece reverts to the old-school style from Face 1st which shows a girl’s face with a FACE hairdo. It has been truly wonderful watching Face 1st switch it up this year, with a really broad range of pieces and some great experimentation. Looking forward to what 2020 will bring from him… no pressure there then.
A kind of torture
first day back at the office
just bumping along
by Scooj
A gorgeous paste up by Jimmer Willmott which appeared during a Bedminster session with Kid Crayon back in October this year. I think that this was my favourite from Jimmer – it is a nicely drawn surreal piece with his signature eye and is capped off nicely with a feather.

Having complained in the past about the lack of wheatpastes in Bristol, there does seem to have been a small resurgence in the art lately and of course this makes me very happy. I’m hoping that 2020 will see an increasing trend in Bristol wheatpasting.
It has been a very long time since I last posted a piece by Thelocknessmonster mainly because, if I’m completely honest, I don’t think his work has been as good recently as it has been in the past. This piece down on the M32 roundabout is the first that I have really liked in ages and in my view, he seems to be getting his mojo back.

The style is really unusual, composed mainly of cartoon-like line drawings that come together to tell a story although it is often difficult to be sure what the story is. Thelocknessmonster will often use motifs and symbols such as statues and shapes. He signs his pieces with the word ‘Egotist’ and often includes ‘Splab Lads’ or ‘Splab Gang’ which I think is a crew, but I don’t yet know any other members of the crew.
Always imaginative and creative and deliberately different Thelocknessmonster occupies his own special place in the Bristol street art scene.
One of the first walls I found when I started doing all of this was this one in Albert Park Place. Little did I know then that it has one of the lowest turn-over rates of any wall In Bristol, and in five years, I think there have only been four pieces here so I expect this collaboration from Rezwonk and Slakarts is a bit of a keeper.

The central graffiti writing is obviously from Rezwonk, spelling out ‘REZER’ and the decorations on either side are from Slakarts. Rezwonk’s class shine through and the letters, fills and 3D shadings are really on point.

The contribution from Slakarts brings colour and interest to the piece and are re of Isabel from the design of the stylised faces. Even though Rezwonk painted the lion’s share of this collaboration, it would not be complete without Slakarts. Nice work from these two.