1321. Upfest 2017 (131)

What a remarkable collaboration this was for Upfest 2017 between Guy Denning and Yatika Fields. The work can be found on Dean Lane, in one of the more difficult spots to view. There is a tree a few yards in front of it, which presents the viewer and photographer (let alone the artist) with all sorts of light related challenges.

Guy Denning and Yatika Fields, Upfest, Bristol, July 2017
Guy Denning and Yatika Fields, Upfest, Bristol, July 2017

I don’t know if these two regularly collaborate, but their two distinct styles come together to create a fantastic whole. The central face is by Guy Denning which if inspected closely is made up of carefully stencilled letters and patterns to make up the composite face – brilliant work.

Guy Denning and Yatika Fields, Upfest, Bristol, July 2017
Guy Denning and Yatika Fields, Upfest, Bristol, July 2017

The patterning and abstract work either side of the face is by Yatika Fields, who has spent most of his time working on the East coast of the USA. On their own, neither of these pieces would carry the same impact as they do together.

Guy Denning and Yatika Fields, Upfest, Bristol, July 2017
Guy Denning and Yatika Fields, Upfest, Bristol, July 2017

The reference and portrait is of Tara Houska Zhaabowekwe (I had to look her up) who is the national campaigns director at ‘Honour the Earth’, and a native North American.

 

Bitter

 

Siberian winds

cut merciless from the East

take no prisoners.

 

by Scooj

Escape

 

Managed to escape

from the clutches of housework;

A well-being walk.

 

by Scooj

1317. Charlotte Street (2)

The incredible Alex Lucas is pretty well known across Bristol, if not by name then by recognition of her artwork. She seems to have her work all over the place and her commissions definitely brighten up the city.

Alex Lucas, Charlotte Street, Bristol, November 2017
Alex Lucas, Charlotte Street, Bristol, November 2017

From shop fronts to indoor murals, barely a day goes by when Bristolians aren’t touched in some way by her work. This is a case in point, the Bluebird Tea Company half way up Park Street.

Alex Lucas, Charlotte Street, Bristol, November 2017
Alex Lucas, Charlotte Street, Bristol, November 2017

This isn’t some corporate makeover, but rather a beautifully bespoke design for a particular kind of outlet. It is a one-off, and a glance at the detail in the piece demonstrates this.

Alex Lucas, Charlotte Street, Bristol, November 2017
Alex Lucas, Charlotte Street, Bristol, November 2017

Is this street art? some may ask. In my view, absolutely it is. Just because it is paid-for work doesn’t make it any less legitimate. It isn’t edgy or covert, but it is representative of one end of the huge spectrum of public street/graffiti art available to all in Bristol.

1316. New Gatton Road (2)

The tree in front of this magnificent Sepr piece is always going to make photographing it difficult. A winter shot on a clear day is probably the best you are going to get, but ebven then a shadow of the tree is cast across the mural.

Sepr, New Gatton Street, Brisotl, November 2017
Sepr, New Gatton Street, Brisotl, November 2017

I took several pictures of this piece shortly after it had been started, but they were polluted by the light conditions. I am not entirely sure what this is all about other than it is yet another brilliant monkey in space suit piece. Not far from this spot there is a Zase and Dekor monkey in a space suit, and every Upfest seems to throw up one or two. It is an endearing theme, and one so excellently executed here by Sepr.

Sepr, New Gatton Street, Brisotl, November 2017
Sepr, New Gatton Street, Brisotl, November 2017

This is a deceptively large piece on a fairly irregular wall, and how well Sepr has used the space to tell a humerous story. The monkey is immediately adjacent to the beautiful turtle by Louis Masai, and there we have street art…two classics, one earnest and worthy, the other full of fun…both supreme.

 

Natural toy

 

Irresistible

a small wind-blown leaf tumbles

across the pavement

drawing the puppy away

from sniffing grubby lampposts.

 

by Scooj

1315. Leonard Lane (15)

Who doesn’t love Salvador Dali and especially a greyscale multi-layer stencil tucked away in a dark alleyway by John D’oh? OK, so a kind of rhetorical question designed to answer itself. This is a brilliant piece of work. A stencil artist, a surrealist and a cat…it doesn’t get much better.

John D'oh, Leonard Lane, Bristol, November 2017
John D’oh, Leonard Lane, Bristol, November 2017

In my view, John D’oh is a highly talented, prolific and perhaps slightly overlooked artist on the local scene. His pieces, small and large, simple and complex are almost taken for granted, but each is a little gem. It is so utterly worth stopping to look at and admire his work if you get a chance. I doff my cap in his general direction…wherever he is.

1314. M32 roundabout J3 (67)

I am not entirely certain, but I think this piece is by Hemper. For sure the writing spells HEMP, but it is possiblt this is a drug reference and nothing at all to do with Hemper. Whoever it is by, it is a nice bit of chrome writing set on a green and purple wall for a background.

Hemper, M32 roundabout, Bristol, December 2017
Hemper, M32 roundabout, Bristol, December 2017

Walls seem to feature a lot in street art. I suppose that along with spray cans, walls are one half of the tools of the trade. This is a nice piece that seems to have stood the test of time in a location that normally has a high turnover. Finally, who can’t agree with the statement ‘homes for all’?

Thursday doors

Door 19

Graffiti door, Lydstep Terrace, Bristol
Graffiti door, Lydstep Terrace, Bristol

This door is at the end of a derelict factory building or warehouse in Lydstep Terrace. I can’t find out much about what the building used to be, but it has no roof and is in a pretty shoddy state. I managed to find a council document that refers to the site as an unlisted building of merit.

It is pretty clear that this door is closed to all visitors. No entry, shut, barred, locked…you’re not getting in.

The long wall to the left of the door is a magnet for graffiti and tagging and has used by street art wannabes as a practice wall. The graffiti here has come to something of an abrupt halt however as developers have recently moved in and are getting quite busy doing something. It will be interesting to see what they make of this rather unexceptional building.

Gentrification in progress. The taggers will have to move on.

 

by Scooj

 

Thursday Doors – Norm 2.0

 

My family…

 

Morning rush over

cat, dog and chameleon

all fed and happy .

 

by Scooj