It has been quite some time since I posted anything by Angus and I have had this witty piece by him on the shutter of a butcher’s shop in my ‘to do’ folder for an age.
The ‘Shaun the Sheep’ character was all the rage a couple of years ago in Bristol, with a trail of painted statues across the city, and this humorous piece embraces and reflects that focus. I like it because it is just plain funny on a butcher’s shop. Eat more beef!
Deep in the heart of Montpelier (Alex Lucas land) there is a recent, and rather small, addition to the street art landscape. A hare and a purple baloon, which might be a reference to her work with the Ribena Colouring Cafe in Covent Garden.
Coming up for air
when all around is sinking,
aah! sweet oxygen.
by Scooj
Well I have been defeated. I’m sure the explanation is simple, but I have exhausted all my investigative powers. This amazing piece by OHMS appeared back in April 2016 and I fell for it immediately. It is quite unlike other pieces I have seen. Amazing pastel colours, great wildstyle writing and a character, Mickey Mouse. I love this a lot.
BUT…can I find out anything about OHMS? No I bloody well can’t. Several months of searches have thrown up nothing. I hope that posting this and the image on Instagram will help me to track down this elusive artist/crew. Anyone out there who has any clues…fire away.
Worse still, I have several other wonderful pieces by OHMS lined up, but I am reluctant to do so until I have a bit more to say about the artist.
A couple of weekends ago I took a stroll over to the tunnel at St Werberghs, as there is always something new to look at there. I am not all that fond of tunnels for street art, because the light is always a bit orange and the photographs never do the works the justice they deserve. It is the same with Leake Street tunnel in London.
On this trip I caught up with the fabulous and very original ObjectØØØ. He was just putting the finishing touches on his rather satanic looking piece. Once again his work is characterised by tentacles and wings…I love that. I particularly like the very organic feel that his works have. No straight lines, rarely any sharp edges or lines, subtle colour ranges…it’s all good.
Most importantly ObjectØØØ is a really nice guy and he makes time to chat with passers by who admire his work or stop to look at it. I look forward to some more chance encounters with him.
Unwell and in bed
and hanging in my darkened
room, that unwell smell.
by Scooj
I have spent a little while trying to find out more about Feoflip. I don’t tend to spend too much time doing this kind of thing, because before you know it, an hour or two can pass. All I want to know is where he is from, but I have a big fail on that one. Feoflip is an artist whose work I love, and fortunately he left his mark in Bristol in a big way after Upfest this year. His Facebook page provides a little bit of information on this, but you might need to use the translate button.
This subtle piece blends in so well with the frame, it almost feels like it was always there. It appears that I am not the only Bristol street art blogger who has a thing for Feoflip, Cosmo recently posted this excellent review of some of his works…in fact she has beaten me to it with most of them.
I have a whole load more of his pieces to share and will try to post them as soon as I can, but I’m afraid the backlog doesn’t get any smaller…aaaaargh.
In far away fields
I left the boy behind but
now I want him back.
by Scooj
A week or two back I was lucky enough to meet Dibz for the first time. Dibz is a well respected local wildstyle writer whose black book contains works that have been sprayed by crews in London and New York, so he tells me.
This piece was one that I photographed back in May, and really shows off his style. The letters are disguised, but once you know it says Dibz, you can begin to work it out. This is all part of the game for wildstyle writers. I will soon post the piece he was working on when I met him in September. How many more Bristol artists are there out there to uncover? It seems there is no end to the talent here.
Hot on the heels of the previous post is another grand piece by Sky High. This one rather pre-dates the one in Dean Lane, and is in another part of Bristol entirely. When I took the photograph (back in June), I thought this was a collaboration because of the names of Deam and RPM on the periphery, but I guess this was just a respect thing going on – maybe they sprayed with him on the day.
Sky High’s pieces are so vibrant and the block lettering is in such a distinctive style. So far these are the only two of his works that I have seen, but both of them are winners. I’ll be looking out for more of his work on my trips to London.
Natural adventures 