I feel like I have posted so many Logoe pieces over the last eighteen months or so, that I don’t really need to say too much, in fact can’t say too much that I haven’t said before – to summarise; script writing, great colour palette and horizontal strip of oval dots adding interest.
Logoe, Brunel Way, Bristol, April 2023
I suppose that what is slightly different about this chrome writing is that the letters are a bit fatter than of late, and there are a rather nice couple of underlines incorporated into the piece. Some great shout-outs to Haka, Tes (Slim Pickings), Kush and Silent Hobo, accompany the piece. More to come from Logoe’s most recent Bristol blitz.
I have been photographing Kush pieces for a few years, but I think that this might be the first that I have published. I think that this horrendous under-representation on Natural Adventures has simply been down to not knowing who Kush is or even which artists he associates with. Anyhow, I feel it is time to start publishing his work, so expect to see some archive Kush pieces over the coming weeks and months.
Kush, Brunel Way, Bristol, March 2023
Kush is an artist who pretty much always writes the same letters but always in a different form or design, demonstrating his skill, experience and technique on every outing. This piece, under Brunel Way, has rather nice curvy, cartoonish letters which are filled with a wonderful splash of colours – this is a classy piece. It might be my imagination, but it feels like Kush is painting more frequently these days, which means I am sure to be featuring his work more often.
With this piece, that incidentally didn’t last very long, Kid Krishna demonstrated his incredible versatility. If I hadn’t met him when he was painting this piece, I’m not sure that I would have known it was one of his, although the fact that it was painted next to a Markinetic piece might have been a bit of a clue, together with the FFS, NKA and TPN.
Kid Krishna, Brunel Way, Bristol, March 2023
I think that I can see the letters CRIE in this rather more traditional wildstyle graffiti writing, which is so full of different textures and tones – a classy piece of work. We chatted for quite a long time, and I like it that Kid Krishna seems to be happy to stop and chew the fat – the subject of our conversation was one I seem to be having a lot lately, and the clamp down by BCC on graffiti/street art, and the recent announcement from the Government (and opposition) bout antisocial behaviour.
Of course in my mind, there is a big difference between tagging someone’s front door, which is vandalism, and painting creative artworks in places that have a culture of such. Maybe a topic of conversation for another post.
Some artists are so prolific, that the only way for me to keep up with them is to post several pieces at once, and so I present to you a series of column pieces under Brunel Way by monster specialist, Mote.
Mote, Brunel Way, Bristol, February 2023
This first piece is one of his more recent productions, incorporating three wobbly-lined monsters, stacked like a totem pole. The wobbly lines are a recent introduction in his work introduced this year, which give him freedom to be a little bit more creative. I am still sitting on the fence about them, because his original USP was based on the clean lines and bold curves. These might take a little bit of getting used to.
Mote, Brunel Way, Bristol, February 2023
It is difficult to date some of these pieces, because although I photographed them in February (some of them not for the first time), several have been around for quite a while. I think this one, which looks like a bit of a monster mash-up, is relatively recent.
Mote, Brunel Way, Bristol, February 2023
This column piece, with the big eye and wonky teeth, has been around for quite a while, but is surprisingly intact, because these columns are a favourite with taggers.
Mote, Brunel Way, Bristol, February 2023
Another one that might date from the back end of last year is this purple gentle and rather goofy giant. The poor thing doesn’t look in the greatest condition, and has a pot-belly not too dissimilar to my own.
Mote, Brunel Way, Bristol, February 2023
Finally, this is a small piece at the southernmost end of this stretch of columns and is probably the oldest piece in this selection. It obviously pre-dates the new bit of wall that has been added as part of the Daveside DIY skate park extension. Phew… I hope you have had your fill of Mote for now.
This is another piece in a series in which we see Lee Roy spell out his name with his unconventional font that teeters on anti-style graffiti. There is a lovely symmetry about this piece, and something about the style, colours and composition that has hints of the Indian subcontinent (although I don’t think that is necessarily the intent).
Lee Roy, Brunel Way, Bristol, February 2023
There are many similarities with a recent piece he painted in Cumberland Basin recently, and it would seem that he is playing with themes and ideas. It is great to see this pulse of activity from Lee Roy, and I look forward to finding more as the weather improves and artists get busy (as if I don’t have enough to keep up with as it is).
Some things work so well together, strawberries and cream, Morecambe and Wise, Pekoe and Bnie. These two from the Resting Bitch Face (RBF) crew seem to have a great rapport, which rubs off when they collaborate.
Pekoe, Brunel Way, Bristol, March 2023
This pairing was painted alongside Wispa, but I decided to post them separately as these two followed a strict colour scheme. To the left is a really fabulous portrait piece from Pekoe, which includes an upper torso, something of a rarity in her work. The hair is fantastic – I absolutely love this piece.
Bnie, Brunel Way, Bristol, March 2023
To the right is some outstanding technicolour writing from Bnie, beautifully designed and executed. The piece is totally on point, and I love the clever touch with the outer border, which is pink and white along thee top, and blue and white underneath. This is a nicely thought out and eye-catching piece.
I follow Wispa (Willo the Wisp) on Instagram, and it seems that not only is she talented and prolific with her art, but she seems to travel extensively to paint with friends wherever she pitches up. Fortunately, she appears to have some RBF friends in Bristol, and we are treated to her work every now and again.
Wispa, Brunel Way, Bristol, March 2023
This piece under Brunel Way is a real cracker, with so much to enjoy. The first impression is how bright and colourful the piece is, but it is so much more than that. The fills in the letters are strong and the lines between colours straight and sharp. Of course, the character on the left tops the piece off beautifully, but it would be just as strong without it, demonstrating the quality of her writing. I hope she returns soon, although there is a little extra piece she painted on this visit.
One of the pure joys over the last year has been the emergence of Mr Underbite and his charismatic character, Mr Underbite. This rather glum fellow is endearing to say the least, and despite his miserable disposition, cheers me up every time I see him.
Mr Underbite, Brunel Way, Bristol, March 2023
Mr Underbite tends to use a basic template which he goes on to ‘pimp’ with different features and themes. This recent piece under Brunel Way is the basic form, although this is the first time I have seen the character with a neck. Looking forward to seeing a whole load more this year.
I wonder sometimes whether Zake gets the credit he deserves, for the sheer volume of work he gets through and the variety of locations and walls he paints. Sometimes he paints with friends and sometimes alone, but wherever you look in Bristol, there is never a Zake piece far away.
Zake, Brunel Way, Bristol, February 2023
I remember that the first Zake pieces I became aware of were on columns under the M32 at the skate spot there. How far he has come since then in developing and refining his style. This column piece showcases perfectly his use of shading to create enormous depth. It is extraordinary how deep the mouth appears to be, and what folds of skin on the chin, cheeks and eyes. This is a really classy column piece from Zake.
Although he is not as prolific as he once was, Mr Draws is one of the constants in Bristol graffiti writing. Periods of absence are punctuated with little reminders that one of Bristol’s most enduring artists is out there and still active. This is a nice one under Brunel Way.
Mr Draws, Brunel Way, Bristol, February 2023
Mr Draws presents another of his curvy DRAW! letter combinations, picked out with some hreat 3D drop-shadows and border. The colour transitions fill the letters nicely, and I particularly like the black highlights around the edges of the letters. As long as Mr Draws paints them, I will post them.
Natural adventures 