6826. Sparke Evans Park (127)

Grimes, Sparke Evans Park, Bristol, March 2025
Grimes, Sparke Evans Park, Bristol, March 2025

Grimes has pretty much made it to the top of my list of Bristol graffiti writers at the moment, taking into account the frequency of his pieces and the outstanding quality of them. Unlike some graffiti writers, his style remains broadly the same, but he manages to squeeze out every square inch of space on the walls he paints and create the most amazing burst of energy and movement.

Grimes, Sparke Evans Park, Bristol, March 2025
Grimes, Sparke Evans Park, Bristol, March 2025

Colour and quality are two words I would use to open my description of this piece. Every element is in its place and finished perfectly. I particularly like the plasma ribbon running through the whole thing. This piece continues Grimes’ run of good form, which shown no signs of letting up.

6808. St Werburghs tunnel (483)

Nips, St Werburghs, Bristol, March 2025
Nips, St Werburghs, Bristol, March 2025

Aha! There is a certain consistency and reliability with Nips’ pieces that I am really attracted to. Her letters tend to be similar in shape from piece to piece, but it is in her fills where she really excels and shows off what she can do.

Nips, St Werburghs, Bristol, March 2025
Nips, St Werburghs, Bristol, March 2025

Set on a fairly elementary yellow backdrop, the letters NIPS are filled with a stunning patterned mix of pinks and blues, with some great designs and reversed out spots. The eye is drawn to the female symbol in the dot of the ‘i’, which is assertive and proud. Nips has included a couple of nice shout-outs to Basik and Roma too. I hope we see plenty more of Nips in 2025.

6801. M32 roundabout J3 (665)

Hypo, M32 roundabout, Bristol, February 2025
Hypo, M32 roundabout, Bristol, February 2025

This piece by Hypo, who is on a roll right now, symbolises for me a party. If you wanted to paint the word without spelling the word, this is what it could look like. The fierce is full of energy, colour and joy.

Hypo, M32 roundabout, Bristol, February 2025
Hypo, M32 roundabout, Bristol, February 2025

The letters spell out Hypo and are full of classical graffiti writing references, such as arrows, drips, starbursts and spots. There is lots here to enjoy, and the overall sense of wellbeing that the piece transmits is palpable. This is another in a series of wonderful pieces from the artist, who has had a great couple of years.

6757. Cowmead Walk

Hemper, Cowmead Walk, Bristol, February 2025
Hemper, Cowmead Walk, Bristol, February 2025

There is no question about it, Hemper has found a new level of energy, the likes of which I haven’t seen since around Covid lockdown, when he was pretty busy also. Barely a day goes by when there isn’t a new piece by this exceptionally gifted artist. One of the most notable things about Hemper is that every piece he paints is new and creative, he rarely, if ever, revisits old designs and copies them, each one is utterly unique.

Hemper, Cowmead Walk, Bristol, February 2025
Hemper, Cowmead Walk, Bristol, February 2025

This outstanding piece is like a ‘sampler’ where each letter shows off his astonishing technique and gift for colour, shapes, patterns, design and can control. Spelling out HEMS, the H, E and S all have white accents which provide depth and a 3D effect, whereas the E is much flatter and hugs the wall. There is so much to enjoy in this piece, that it is probably wiser not to describe it, but to let you enjoy it at your leisure. I rarely use the word genius, because it is in my view overused – in this case, however, I believe it to be appropriate.

6722. Cumberland Basin

Sait Bare, Cumberland Basin, Bristol, January 2025
Sait Bare, Cumberland Basin, Bristol, January 2025

Sait Bare is a wonderful graffiti writer who paints just often enough to get himself notices, and has a style of writing all of his own. He tends to present irregular letters that have an organic feel about them, as there were a live being in there somewhere.

Sait Bare, Cumberland Basin, Bristol, January 2025
Sait Bare, Cumberland Basin, Bristol, January 2025

This writing, which was painted alongside some Hire piece, has a wonderful deep, rich colour palette. The letters, spelling SAIT, merge with one another and it is the fills that drift through the piece that pick out the individual letters, but in an ephemeral way. Sait Bare’s work is really unusual and quite unlike anything else we see in Bristol.

6711. Frome Side (52)

Jest Soubirquet, Frome Side, Bristol, January 2025
Jest Soubirquet, Frome Side, Bristol, January 2025

When I see pieces like this one from Jest Soubriquet (@likes12_art), I wonder how incredible our brains are at normalising and making sense of a patchwork of colour (all the wrong colours) to build an image of a tiger. Our capacity to ‘fill in the blanks’ is awesome.

Jest Soubirquet, Frome Side, Bristol, January 2025
Jest Soubirquet, Frome Side, Bristol, January 2025

Equally awesome is Jest Soubriquet’s ability to paint a tiger portrait in a multitude of colours, and he has done a superb job in this challenging spot underneath the M32. I always find it interesting that artists come here to paint, because footfall is practically zero, and these pieces won’t be seen by many people. Perhaps this simply emphasises the point that many street artists paint for the pure joy of it.

6668. River Avon (75)

Grimes, River Avon, Bristol, January 2024
Grimes, River Avon, Bristol, January 2024

Another piece from the archives, and it is one from Grimes that I must have photographed before I knew who the artist was, and held back as I rarely post unattributed work. This one was taken back in January last year, and may have been the first time I became aware of his outstanding graffiti writing work.

Grimes, River Avon, Bristol, January 2024
Grimes, River Avon, Bristol, January 2024

The fruity colours are ones that he really seems to enjoy using, and I have to say that it is the colour palette decisions that he makes that have drawn me into his work, that and the energy that emanates from his pieces. There is a busyness about this piece with the colours and all of the fill patterns, but somehow he gets away with it and it doesn’t feel like hard work viewing it, which can happen sometimes with busy pieces. Nice work from Grimes, who incidentally is a really lovely bloke.

6623. St Werburghs tunnel (468)

Xavier Ren and Hypo, St Werburghs, Bristol, December 2024
Xavier Ren and Hypo, St Werburghs, Bristol, December 2024

A little while before Christmas, this excellent collaboration appeared in the tunnel. In fact these pieces, by Xavier Ren and Hypo were two-thirds of the collaboration which included some graffiti writing by Minto, to the left, which I have already posted.

Hypo, St Werburghs, Bristol, December 2024
Hypo, St Werburghs, Bristol, December 2024

Hypo has had an extraordinary year, and indeed has been one of Bristol’s most prolific and consistent artists since Covid. This piece underlines his fantastic eye for colourful combinations that create some stunningly vibrant work. The bright letters spell out HYPO, and he has used a clever device to ‘stitch’ the letters together. Really nice graffiti writing.

Xavier Ren, St Werburghs, Bristol, December 2024
Xavier Ren, St Werburghs, Bristol, December 2024

I know little or nothing about Xavier Ren and so assume he must be a visitor to Bristol, but I really like this character piece. The blue head-and-shoulders portrait piece is full of attitude and moodiness, and presented nicely. It is always great to see something a little different in the city that visitors bring with them.

6598. Upfest 2024 (57)

Sarah Trotter, Upfest 24, The Tobaccco Factory, Bristol, May 2024
Sarah Trotter, Upfest 24, The Tobaccco Factory, Bristol, May 2024

Upfest is a huge opportunity for local, national and international artists to show off their artwork, and it can be exceptionally good exposure for some of our local artists, such as Sarah Trotter. I have only seen one piece before by Sarah Trotter, which was painted in Dean Lane as part of a Bristol Mural Collective paint jam, and I remember very much liking that piece.

Sarah Trotter, Upfest 24, The Tobaccco Factory, Bristol, May 2024
Sarah Trotter, Upfest 24, The Tobaccco Factory, Bristol, May 2024

Sarah Trotter’s elaborate and colourful style is a sumptuous feast for the eyes, full of richness and detail. It looks like this piece contains a fair amount of symbolism, with the centrepiece featuring a circle, a triangle and a sphere. Sitting above are wings and some beautiful feathers, and all of it set on a barren orange landscape and turquoise sky. Wonderful stuff.

Sarah Trotter, Dean Lane, Bristol, May 2023
Sarah Trotter, Dean Lane, Bristol, May 2023

6588. St Werburghs tunnel (463)

Mr Klue, St Werburghs, Bristol, November 2024
Mr Klue, St Werburghs, Bristol, November 2024

It has been a very good year for Mr Klue, who has been both productive and creative. This new piece in the tunnel differs from many of his others in the use of several colours in a single piece.  Perhaps it was a dregs piece, or maybe he simply wanted to switch things up a bit.

Mr Klue, St Werburghs, Bristol, November 2024
Mr Klue, St Werburghs, Bristol, November 2024

The letters KLUE are about as obvious as you are going to seen in a Mr Klue piece of abstract graffiti writing. The top edge of the piece is noteworthy too, with his piece bleeding into the cream background. The photographs don’t really do this one justice, as I remember thinking when I saw it how stunning the colours were. All good stuff.