Conrico has been knocking out some outstanding pieces this year, and continues on that journey with this belter, painted as part of the Bristol Mural Collective paint jam in support of the people of Palestine.
Conrico, Greenbank, Bristol, August 2025
This is a vibrant piece which mixes up Conrico’s themes. The wonderful landscape, and small house are inspired by Japanese culture, into which he has incorporated a Palestinian flag and a woman wearing a keffiyeh scarf. The dramatic sunset sky complements the piece perfectly.
There is so much more to this piece than first meets the eye. For a start, Conrico could have simply written his name on the wall, but no, he has treated us to an entire landscape into which his name fits.
Conrico, Stapleton Road, Bristol, June 2025
The landscape looks like something out of The Lord of the Rings, Mount Doomesque. The meeting of the water and the sky in a dramatic fiery battle provides the perfect setting for the lime green 3D letters. The whole composition is balanced and exciting, and the whole is greater than the sum of the parts. Great work from Conrico.
Conrico always brings something slightly different to the party. His brush-stroke style contrasts with much of the ‘solid fill’ or ‘blended’ style that most street artists work with.
Conrico, M32 Cycle path, Bristol, June 2025
In this interesting piece, which appears to be telling a story, a woman, smoking, is holding a burning piece of paper. At the base of the piece, a newspaper headline read “Bristol City Plagued by Grad…”. This must be a story that I missed, but it looks like Conrico has tried to capture it. I am none the wiser, but it is a great piece of commentary art.
This is a fine collaboration from two artists who never seem to stop, both totally dedicated to their art and sharing it with us. This is the kind of collaboration which is more about artists painting together rather than any kind of fusion between their styles, colours or design.
Conrico, Greenbank, Bristol, May 2025
On the left, Conrico presents a portrait of a woman in the foreground, who looks like she is taking a selfie in front of an island paradise – probably a Japanese island in the East China Sea. Conrico’s portraits are improving all the time and becoming more of a feature of his work. Of course, he has enough paint to add in his letters, with a feint reflection in the inviting sea.
Werm, Greenbank, Bristol, May 2025
To the right, Werm’s letters are beautifully presented, with the middle two letters a little smaller and ‘sitting on top’ of the rest of the piece. Lots of depth and intricate design work in this graffiti writing. Both artists have very different technical styles, but this collaboration works incredibly well.
Every day, pretty much, I see graffiti and street art and every once in a while I see something by an artist I know and I think to myself ‘this is special, this is really classy’. This clever piece of combined writing and a portrait by Conrico left me feeling that this was special, definitely a ‘keeper’.
Conrico, Dean Lane, Bristol, April 2025
Conrico has painted his name, but instead of a solid or patterned fill, there is a portrait of a girl behind, as if you are peering through the letters to see her. The piece is expertly executed, but at the same time incredibly modest. No fanfare, no showing off, just a really great fusion piece.
Conrico, Dean Lane, Bristol, April 2025
Conrico has been turning out some great pieces recently, and this one expands and continues the series. As ever, I look forward to more.
Conrico has a lightness of touch and an ability to tell stories through his pieces that is almost unique in Bristol. If I were to pick another artist who has similar qualities, it would be Daz Cat. This is a wonderful piece was painted as part of a paint jam I think to mark the birthday of Benry – I don’t know who Benry is, but there was some great art produced in celebration.
Conrico, Cumberland Basin, Bristol, March 2025
The piece features a girl riding a white tiger (or some mythical feline beast), and why not, and the orange atmosphere around the characters indicates something magical is going on. There is movement, excitement and fantasy in this piece which is beautifully painted by Conrico. Great stuff.
Cornico and Daz Cat, Dean Lane, Bristol, February 2025
The curved wall at Dean Lane has played host to so many fabulous pieces (and some not so fabulous). This collaboration from Conrico and Daz Cat is a wonderful piece, full of creativity and colour, with the two distinct styles coming together in great harmony.
Cornico and Daz Cat, Dean Lane, Bristol, February 2025
The left hand side of the wall belongs to Conrico, who has written his name in one of his familiar landscapes, with a distant monster that might be Godzilla emerging from the stylised choppy sea. To the right, Daz Cat has painted a sage-like old fish/axolotl type character watches on as if he might have the answer to an unknown question. Is that an orange platypus in his packet? Lots of stories in this brilliant collaboration.
Conrico is a very unusual street artist. He appears to be equally comfortable with graffiti writing or characters or landscapes and so on, always appearing to tell stories in his work. Much of his art and creativity is influenced by Japanese culture, and his spray technique looks much more like brush work than spray-painting. He is quite unique.
Conrico, Purdown, Bristol, January 2025
This piece was painted in three hours and features an Asian lady in an American diner – I found out this information from his Instagram feed. The piece is based on a photograph of Minami Yuzuzu, a Japanese actress/popular figure? His blend of cultures and special style has created a special and imaginative piece, not the sort of thing you might expect to see walking the dog through a WWII gun emplacement (unless you lived in Bristol).
Conrico, Acer One and Andy Council, Cumberland Basin, Bristol, May 2024
You might be able to detect that I have been rooting around in my archives again, which I like to do every once in a while, because there are so many pieces that I’d like to share, but that get left behind. How this amazing collaboration from Conrico, Acer One and Andy Council ever got omitted I’ll never know, but I am making up for it now.
Conrico and Acer One, Cumberland Basin, Bristol, May 2024Conrico and Acer One, Cumberland Basin, Bristol, May 2024
The three part piece is a wonderful co-creation in which all the distinctive elements come together seamlessly. The landscape background with hints of an oriental coastal scene is by Conrico and creates a wonderful setting for the letters of Acer One, that spell out WABI SABI in two sections either side of the centrepiece by Andy Council,
Andy Council, Cumberland Basin, Bristol, May 2024
The central portrait of a roaring tiger has everything you’d expect from a piece by Andy council where each of the elements of the tiger are ‘stitched’ together to form a coherent and, frankly, stunning whole. I think that the rose pink clouds emphasising the tiger head were painted by Conrico. The overall collaboration is a triumph of three very different styles coming together to create something truly excellent.
In the furthest southern tip of the Brunel Way spot, is a DIY skate spot and this wonderful recent combination piece from Conrico brightened up this dark spot. It is usually pretty tatty around this wall, where materials for building ramps etc. for the skate park are scattered.
Conrico, Brunel Way, Bristol, November 2024
The writing is nicely done, set on a swirly patterned background, but it is definitely the portrait accompanying the writing that catches the eye. I think that it is the woman’s hair which draws the eye – it is a really nice and happy portrait. Not long after Conrico painted the combination piece, the council came along and buffed the wall, although they decided to keep the portrait, which is curious really, because it is all illegal graffiti.
Conrico, Brunel Way, Bristol, November 2024
I believe that the buffing is done by gangs of people doing community service for some misdemeanour or other. The problem, of course, is that this is a completely fruitless exercise, and waste of grey paint, because a buffed wall is a blank canvass.