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Each day like the last
opportunities becalmed
the new normal life
.
by Scooj
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Each day like the last
opportunities becalmed
the new normal life
.
by Scooj
I have Paul to thank for pointing me in the direction of this amazing Silent Hobo NHS tribute piece in James Street. I would have found it eventually, but not as quickly, and it is always more satisfying finding pieces soon after they have been painted.

Silent Hobo has been pretty busy just lately with some big murals and there is one nearby that is finished, but under scaffolding that seems to have been there forever. This piece is an absolute stunner and injects Silent Hobo’s portrayal of ordinary (extraordinary) Bristol people going about their business, in this case doctors, nurses and care workers to whom we all owe so much, not only during the coronavirus crisis, but always. The piece has context, relevance and purpose and is painted so beautifully with care and love. A wonderful commentary on society in a time of flux and uncertainty. Bravo!
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Sense of well-being
prompted by a new buzz cut
the first in three months
.
by Scooj
One thing you know for sure is that when you find a piece by Subtle, you know it is going to be an absolute cracker, and this one is a cracker with a cherry on the top. It was painted during a paint jam a week or so back alongside so many other great Bristol artists, and is the first piece I have seen from him since the start of lock down.

The colours, fill, decorations and 3D shading contrast really well and contribute to this vibrant and feisty work. I’m not sure what ‘outsiders gents club’ refers to, but it is probably a reference to the fellow paint jammers on the day. Like the rest of us, Subtle has been impacted by coronavirus and has mentioned it on his last couple of pieces.
Nothing seems to last for long on any wall at the moment, but if you are going to get painted over, then it might as well be by an epic Nightwayss piece like this one. This large coronavirus piece is a tribute to NHS staff and another fine piece cataloging the crazy times we are living in.

Nightwayss has used the double wall space well to accommodate the figure lying on its back. Starting with the background which rather nicely ‘hosts’ the whole body, Nightwayss has used a lilac wash with a whole bunch of purple viruses dotted about.

In the body itself, little scenes are played out , for example a patient and two medical staff on the far left and some microbiologists at work in the torso. This is quite an unusual piece by the artist, especially as I can’t find a monkey which normally make an appearance in his work. A special piece marking a particular moment in our history. (Note to self, run a gallery of coronavirus pieces in about a year).
Doors 111 – Lock down walk doors
It should come as a rather refreshing change that this week’s doors are not from my street art archives, but doors I photographed during lock down on my walks with the dog. I know that the street art doors are popular, and will return to them in due course.
This week’s selection of doors are mainly from the Montpelier and St Werburghs area on what were sleepy streets back in March, but have now resumed almost normal levels of traffic.







So a little canter around the streets of Sy Werburghs an Montpelier in Bristol, I hope you enjoyed looking at the dors as much as I enjoyed finding and photographing the. That’s it for another week, so I hope you all keep well until next time.
If you have made it this far, you probably like doors and you really ought to take a look at the Norm 2.0 blog – the originator of Thursday Doors where there are links to yet more doors in the comments section at the end.
by Scooj
Political commentary is never far away when John D’oh is around, and this recent stencil at the Horfield skate park nicely sums up the disgusting hypocisy demonstrated by Boris and Cummings. Just jaw-dropping, mind-blowing, irresponsible, selfish and self-centered behaviour. Although the headlines may have receded, the anger hasn’t. Boris has shown himself to be a deceitful and manipulative Prime Minister, and I find it extraordinary that anyone would still line up to defend him (although the reliable toadies seem to fight over this space). His odious disregard for other people is beyond staggering and the sooner he gets ousted the better.

I suspect that Boris, being Boris would probably look at this stencil and feel rather flattered, I mean it is a picture of him as a Moses figure, how could he not be excited by that. Well done John D’oh once again for reminding us what a terrible person Boris Johnson really is. I will not move on.
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A nation of fools
led by shameless charlatans
it will end in tears
.
by Scooj
The public conscience of Bristol is often provided by Object…, a little bit like Jimini Cricket in Pinocchio. If there is an issue about common decency and care of your fellow citizens, then Object… will be there as a champion. So there are no surprises that this artist produced this coronavirus piece during lock down.

Object… has close associations with the PRSC outdoor gallery, which he seems to curate, so this wall in Jamaica Street was a safe bet. I love this piece. It says all the things I would want to say and reminds us of a time when compliance with the rules was the norm. The recent relaxations following on from the Dominic Cummings scandal have added up to a sense of selfishness and free-for-all that I just don’t get. Sometimes I truly despair.
This piece is beautifully illustrated with excellent illustrations of NHS workers and is painted with love. Nice one.
Already gone, this joyful collaboration painted only a week or so back is by Morny, Billy and Mr Penfold. When you put these three artists together, you are bound to get colour and they have delivered in bucket-fulls.

At either end of the collaborative wall are pieces by Morny.

The one on the left expressing dislike for the coronavirus and the one on the far right expressing dislike for our Prime Minister (who, I might add is turning out to be the worst we have had in many years and the current bar is very high indeed – oh dear). I agree with both of these sentiments.

The left central work is by the wonderful Billy which states “without love there’s no reason to live”. Although the style is childish, the execution is expert and the writing and little houses are clean and very nicely done.

Finally, the funny face is by Mr Penfold, who we normally associate with bright design work. With very few lines on a minty green background, Mr Penfold has created an expressive face and lots of movement, all adding up to the phrase that less is more and in this case it is true.
All in all a wonderful collaboration.