Cumberland Basin – Page 7 – Natural adventures

6805. Cumberland Basin

Mind 49, Cumberland Basin, Bristol, March 2025

Ooh! How brilliant to see Mind 49 returning to the streets after a relatively quiet start to the year. Commensurate with his last piece at the Greenbank spot in January, Mind 49 has combined a photorealistic portrait with a cartoon illustration, carrying some threat and menace.

The portrait is superb, painted in his unique style that creates what I would term a blurred photorealism, rather than some of the perfect sharp pieces that you see from time to time. The cartoon parts begin around the main character’s neck and show him holding a pistol. In the background, a hooded character looks on. I love the way that Mind 49 brings these two very different styles together and makes them sit side by side effortlessly. Looking forward to more as the days get longer and weather warms up.

6799. Cumberland Basin

Werm, Cumberland Basin, Bristol, March 2025

Werm is continuing along his journey, experimenting with bilateral symmetry in his writing. The symmetry in this one is notable, but I think that it might be the colour scheme that initially attracts the eye, with some nice contrasting reds, greens and oranges.

What baffles me about writers like Werm is how they manage to get everything ‘right’ if you know what I mean. For example, in this piece the green drop shadow veers off to the right, but it needs to be perfect across all the letters otherwise something would look out of kilter. I suppose the old adage, practice makes perfect, applies here, but it is still an admirable talent.

6794. Cumberland Basin

Daz Cat, Cumberland Basin, Bristol, March 2025

I have spoken ad nauseam about how Daz Cat’s work has become more sophisticated in recent years, so I won’t go on about it now except to say that this is a wonderful, complex piece that encapsulates the new level that he has found for himself.

A cat-human character, wearing bright yellow sunglasses, is playing host to a cat character nestled in her hair. There is a story, but I can’t fathom it out. Daz Cat has selected some calming purples and oranges for this piece, which work very nicely together. There is plenty of depth in the portrait, which the three-quarter profile helps to achieve. A really cracking piece from Daz Cat.

6790. Cumberland Basin

Werm, Cumberland Basin, Bristol, February 2025

Today’s posts will have to be the quickest ever. I am staying in Godalming and running a workshop today and forgot to write the blog posts last night, so am squeezing these ones in before breakfast. This is a fine symmetrical piece by Werm on the long wall at Cumberland Basin.

At first glance, this doesn’t look too much different from many of his other pieces, but look a little closer and you can see that the subtle fill to the letters is contiguous throughout all the letters, which is a tried and tested technique by graffiti writers, and executed really well here by Werm.

6775. Cumberland Basin

Posh, Cumberland Basin, Bristol,February 2025 — Posh, Cumberland Basin, Bristol, February 2025

Over the years, I may have photographed a handful of pieces by Posh, but I think it is only recently that I have started posting them. I think that I might be able to retrieve one or two from my archives, as and when I find them. This interesting piece was painted as part of the Space Jam film paint jam, prompted by World Wall Stylers, although, apart from some of the colours used, I don’t see much of a link between this piece and the movie.

I am not able to decipher the letters, but they are wonderfully painted and quite unusual in their irregular construction. It is the monocled characters that are the trademark of Posh’s work, though, complete with well groomed moustaches and top hat. I think that I could really get into Posh’s work, particularly if I found it more often. Something a little different to enjoy.

6770. Cumberland Basin

Mr Crawls, Cumberland Basin, Bristol, February 2025

Mr Crawls has been having a productive and creative winter, turning out a suite of stylised cartoon character birds. This one is accompanied by some monolithic letters ‘NS’? I don’t know what the letters are all about, but he has incorporated them skilfully.

The skeleton bird design is one that Mr Crawls has used before and to be honest is a little bit sinister, not his usual cheery bird representation. There is a lot to like about mr crawls’ work at the moment, and his expanding repertoire keeps things interesting.

6758. Cumberland Basin

Noise, Cumberland Basin, Bristol, February 2025

It is always great to see the familiar chunky letters painted by Noise. I wonder whether Noise might be a bit of a ‘fair-weather’ artist, as he hasn’t been out painting much over the winter period, or maybe he has had other commitments that have kept him busy elsewhere.

Noise has compressed the letters a little to fit into the space, which makes them look even more chunky than usual. The rather dour colour and disposition of the letters is uplifted by the rather crude pink crosses, without which I think the graffiti writing could be a bit lost. A nice end result.

6755. Cumberland Basin

Hire, Cumberland Basin, Bristol, February 2025

This post has been written in advance, because I will be making an early start today departing for our skiing holiday to the French Alps. I will try to post every day while I am on holiday, but it all rather depends on how things go. Meanwhile, I’d like you to enjoy this beauty from Hire.

Although Hire’s work has been difficult to decipher from to time, the letters are always there, however, I have noticed that there he is drifting into a kind of abstract presentation, and this piece isn’t unlike some of Ments’ pieces, which I used to describe as organic/abstract. I love the colour selections, the shapes of the letters and the neon glow of the border green in this writing. First class stuff from Hire.

6749. Cumberland Basin

Donz, Cumberland Basin, Bristol, February 2025

Every now and again, Donz ventures beyond his L Dub ‘manor’ and visits the centre of Bristol, and this little wall is one he has painted before. With views of the Clifton Suspension Bridge, and some cover from the rain and (in summer) the sun, this is a tidy little spot, adjacent to the long wall in Cumberland Basin.

This graffiti writing is typically colourful, and set on a plain, neutral background, that helps to give focus on the letters. The seemingly random colour patches are semi-blended, as if they were thrown at a canvass. The piece is finished with a bunch of little circle decorations. Interesting to note, that even without a drop shadow, the writing manages to offer some depth.

6722. Cumberland Basin

Sait Bare, Cumberland Basin, Bristol, January 2025

Sait Bare is a wonderful graffiti writer who paints just often enough to get himself notices, and has a style of writing all of his own. He tends to present irregular letters that have an organic feel about them, as there were a live being in there somewhere.

This writing, which was painted alongside some Hire piece, has a wonderful deep, rich colour palette. The letters, spelling SAIT, merge with one another and it is the fills that drift through the piece that pick out the individual letters, but in an ephemeral way. Sait Bare’s work is really unusual and quite unlike anything else we see in Bristol.

	skat on Thursday doors – 5 Febru…
	Dan Antion on Thursday doors – 5 Febru…
	Laura Newhampshire on 7449. Greenbank (180)
	Suzette Benjamin on Thursday doors – 5 Febru…
	Sheree on 7449. Greenbank (180)

	skat on Thursday doors – 5 Febru…
	Dan Antion on Thursday doors – 5 Febru…
	Laura Newhampshire on 7449. Greenbank (180)
	Suzette Benjamin on Thursday doors – 5 Febru…
	Sheree on 7449. Greenbank (180)

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