What an honour for Pekoe to have a lovely birthday tribute piece from Smak back in December last year. This is a classic piece of traditional Smak graffiti writing, and reminds me of some of the first pieces I noticed by the artist, many years ago.
The letters are mostly created by the outlines, and the fills resemble the background, giving them a bit of a transparent look. This piece also picks up on Smak’s current theme of including palm trees and hinting at the tropics. Great work from Smak.
Tucked away behind the railings and hedge that borders the swimming pool is this charming small floral piece by Peggy. At first I thought it might have been an old piece, because I know she has painted here before, but I am pretty certain that it is new, which is great news, because she hasn’t painted much this year, and I do like her work.
This piece is so typical of her floral work, and it is great to see how she transitions her tattoo designs onto walls. There is symbolism in the piece, the flower has an eye. I am not too sure what it all means, but it is distinctive and curious. I hope Peggy hits the street more often in 2025.
I have written this post in advance, because I am taking a break with my family to Marrakesh (apart from my son who jetted off to Thailand yesterday for a couple of months), and I will be busy today with getting ready for the flight, packing etc.
Mr Draws has been smashing it this winter, and when a lot of ‘fair weather’ artists retreat to the comfort of their homes, Mr Draws has been stepping up to the plate and turning out some lovely, happy pieces.
This is a large piece, covering up the whole wall, which can easily accommodate two or three pieces, and often does. Mr Draws has filled the space really well, with his bright letter fills set on a skyscape background and some stylised blades of grass running along the base of the writing. Mr Draws has quite a unique style, and I don’t think that the way he paints his pieces is all that conventional either. I really like this one.
It feels funny posting this piece by Risky, because it is only the third to have made it onto the pages of Natural Adventures, but I have been photographing his work for at least two years, so I am surprised I haven’t published more. I know little about the artist, and can’t find any socials at all, so until I catch Risky in the act I’ll have to remain ignorant – having said this, I have a nagging feeling that I may have met him a while back, painting under Brunel Way… the old grey matter isn’t what it used to be.
I love it that Risky, like so many other occasional writers in Bristol, turns up from time to time with a vibrant and colourful piece like this one, that really catch the eye. While this isn’t technically high-end, it has loads of things that I like; some great letter shapes and that strong red colour works really hard; some interesting white highlights that help the letters to pop, and some more subtle red highlights, adding a bit of depth to the letters; finally, a green drop shadow and yellow border. Although not the tidiest piece I have seen, I really like it.
This looks like it might be my last street art post of 2024, a year in which I have published 897 street/graffiti posts and 22 artist galleries, not a bad haul really, and there have been some corkers in amongst that lot. I tend not to do annual reviews or ‘top tens’, but I am sorely tempted to do so this year. Time, of course, is my enemy (and my friend).
It somehow feels good to round off the year with a piece by Haka, a true Bristol combination graffiti writer/character illustrator, who has been presenting children’s picture book and cartoon characters for a long while. In this piece he has painted one of my favourite walls with his characteristic writing and included a faithfully recreated BFG – Big Friendly Giant by Roald Dahl, illustrated by Quentin Blake. Be safe seeing the old year out and New Year in.
Although this wonderful collaboration from Mr Riks and Lokey doesn’t look particularly festive, I believe it to be a Christmas piece. It is certainly lovely to see these talented graffiti writers out painting together, although I think this paint jam was meant to be considerably better attended.
Mr Riks has such a distinctive style, and he has brought his letters to life with a distinctive blue-green and yellow combination, and for good measure added a little wasp with a spray can in hand. Lokey, meanwhile, remains one of the only anamorphic writers in Bristol, and this wonderful piece rounds off a productive year for the artist. A superb Christmas collaboration.
Happy Christmas. Lots to do today, so another short entry. I was fortunate enough to meet Omie for the first time a couple of days ago, and as with nearly all the artists I meet, he is a nice person, who made time for a chat. I was pleased that he knew about Natural Adventures and appeared to appreciate my write ups of his work. It was a genuine pleasure to meet him, because I really like his original take on each and every piece he paints.
This is a wonderful piece of writing from Omie, in celebration of Pekoe’s birthday – what a fine tribute. The colours are compelling and the blended fills work nicely particularly with the addition of spots, although the orange paint is a little thin… thin paints can be a pain in the butt. Some black highlights add interest to the letters which are beautifully presented. The Darraigh referred to in the bottom right hand corner is the recent storm that swept across England in Early December.
It is always, always a great pleasure to welcome Wispa to Bristol, and finding her pieces (almost always an unannounced surprise) is such sweet joy. This recent piece was painted to celebrate Pekoe’s birthday, hence the shout out top left.
Wispa’s work is always immaculately turned out, and the clever fills in this piece read across from letter to letter. Simply a wonderful piece.
Since the stormy and wet winter weather started up in earnest about a month ago, fewer artists have been out and about, doing what they do best, a pause which frees me up to post a few pieces from Upfest earlier in the year. This one from SEPC is an absolute beauty, and one of the first I saw at this year’s festival.
SEPC is an artist from Manizales in Colombia whose colourful work embodies the connection of people in an urban environment, and his profile on the Upfest website is well worth a read. This was one of two or three pieces that the artist painted while he was in town. I love his humble approach, with plastic bags and boxes full of paint and kit for painting.
In his own words, SEPC combines photorealism with use of colour and incorporates various contextual elements. In other words, there is a lot going on in this work alongside the main portrait pieces, and all of it superbly painted. SEPC’s work was one of the real highlights of this year’s festival.
The lateness of my posts today is down to a day of incredibly uncomfortable travel. I am heading to London on a train (to watch the mighty Arsenal play Everton FC) that is brim full. My booked seat is null and void, because all bookings have been cancelled, so I had to try and find a spare seat. Unfortunately the carriage I eventually found a seat in is quite noisy, the gentleman next to me has a stinking cold and the young lovers in front of me are very excited about their trip to America for Christmas to ‘meet the parents’, which is lovely, but I’m not sure I need to know every detail. I try to occupy my time by writing this blog post, but it is far from easy.
This container on the raised section of the Dean Lane skate park has quite a high turnover, but I would say that about three quarters of what appears here is ordinary, so it was great to find this superb combination piece by Smak. Smak has written his letters in a pleasing bronze/brass and purple combination, but it is the encircling snake that catches the eye. The snake is a kind of crossover between realistic and cartoon, looking a little bit like Kaa from the Jungle Book. I hope I survive the journey without going mad or contracting some revolting sickness just in time for Christmas. To cap it all, the train has just ground to a halt. Grrr.
