823. Dean Lane skate park (55)

This is a historic moment, for me at least. I saw this piece on a lunchtime trip to the Deaners and the paint was still wet. The artist, Lumagro, was hanging out with DC Guts and Jimmer Willmott (pictured). The reason this is history in the making is that this is Lumagro’s debut piece, and what a stunning introduction.

Lumagro, Dean Lane, Bristol, May 2017
Lumagro, Dean Lane, Bristol, May 2017

I believe the artist may be from Spain or a Spanish speaking country, and there certainly appears to be more than a little Mediterranean/European influence in this piece. I absolutely love it and want to see more of his work.

Lumagro, Dean Lane, Bristol, May 2017
Lumagro, Dean Lane, Bristol, May 2017

Distinctive and classy, Lumagro owns this space…albeit for a short time. I think this piece shows that you can produce a sophisticated simple work without overdesigning. Just brilliant. Bravo.

 

 

822. Dean Lane skate park (54)

I am so very much enjoying the journey Mr Draws is on at the moment. His trademark mountains seem to be a distant memory, and he is vigorously experimenting with his letters. This is a lovely piece, sprayed over the top of a Kid Crayon work (recently featured) which had been tagged.

Mr Draws, Dean Lane, Bristol, May 2017
Mr Draws, Dean Lane, Bristol, May 2017

Mr Draws is always looking to stretch himself, and uses the walls of Bristol to practice and modify. All the time he is improving his technique and mastery of his craft. This one has a childlike quality to it – candy or marbles or something like that.

820. Dean Lane skate park (53)

I really like the work of Hire, especially as I now know what to look for in his work. His writing is really well disguised and has something medieval about it, swords clashing…or maybe that is just me. I suppose another interpretation would be Gothic.

Hire, Dean Lane, Bristol, May 2017
Hire, Dean Lane, Bristol, May 2017

I think it is the detail and jagged shapes that I like about his work, and although technically good, there is something rather raw about it. Really great graffiti writing.

816. Dean Lane skate park (52)

ON a recent sunny lunchtime walk to Dean Lane, I was lucky enough to meet Jimmer Willmott for the first, and I hope not last, time. A vibrant and chatty fellow, we had a great conversation about art styles and eyes in particular. He was spraying this one while we were talking, but seemed really laid back about being interrupted.

Jimmer Willmott, Dean Lane, Bristol, May 2017
Jimmer Willmott, Dean Lane, Bristol, May 2017

I’m not sure I have consciously noticed any of his work before, but as with meeting any artist for the first time, I will definitely be looking out for more of his work. On the day in question, he was hanging out with a couple of other artists enjoying the sun, DC Guts and Lumagro. Work from the latter to follow. A fortuitous walk, and wonderful eye too.

810. Dean Lane skate park (51)

Is this really the fiftieth post from Dean Lane? (Answer…no it is the fifty first…I cocked up) I have at least another fifty pictures in archive that have never made it onto this blog. This is an interesting piece by Mr Draws, which he sprayed on the same evening that the Graffiti Nation exhibition opened in North Street in May.

Mr Draws, Dean Lane, Bristol, May 2017
Mr Draws, Dean Lane, Bristol, May 2017

I stopped for a quick chat with Mr Draws, and he told me that he was playing with the letters of his usual DRAWS lettering, having read about some Russian graffiti artists and the techniques that they use. In this piece, Mr Draws has used the German for ‘draws’ which is ‘zieht’ and then used a 3 and 1 for the first two letters. Playful stuff, and a nice bity of insight into this work. It is nicely executed too with a lovely chrome spray and some good cracks.

808. Dean Lane skate park (50)

On 20 April each year, there is a legalise marijuana protest, or smoke-in if you like, where weed smokers will overtly disobey the law and rely on the theory of safety in numbers to avoid arrest or prosecution. In the UK, the main ‘celebration’ is held in Hyde Park, but in Bristol there is a parallel exercise held on the Downs.

Kid Crayon, Dean Lane, Bristol, April 2017
Kid Crayon, Dean Lane, Bristol, April 2017

This piece is dedicated to the 420 campaign and is unmistakably by Kid Crayon, who demonstrates his knowledge of marijuana admirably in this protest work.

Kid Crayon, Dean Lane, Bristol, April 2017
Kid Crayon, Dean Lane, Bristol, April 2017

I always like a good political or protest bit of street art, and this one ticks all the boxes. Colourful, illustrative and subversive. The piece remained untagged for a long period in an area where street art tends to have a very short lifespan, possibly indicating a general respect and support from taggers and other artists.

SAMSUNG CAMERA PICTURES
SAMSUNG CAMERA PICTURES

It has, of course, gone now.

806. Dean Lane skate park (49)

This is a small piece from Shab down at Deaners from a couple of weeks back. It is a wonderful abstract piece with great eyes…oh those eyes. I discovered another much larger piece by Shab in another part of Bristol, and am itching to go and photograph it.

Shab, Dean Lane, Bristol, May 2017
Shab, Dean Lane, Bristol, May 2017

It is always a pleasure to see his work, every one feels like a little present. I feel very lucky to be able to access the free galleries that are the Bristol walls. My task is to make these treasures accessible for all.

Shab, Dean Lane, Bristol, May 2017
Shab, Dean Lane, Bristol, May 2017

794. Dean Lane skate park (48)

Now that I know what I am looking for, and recognise the signature I will be featuring more of Hire’s work as and when I come across it. He is the artist who sprays the large buck toothed bunnies, which appear from time to time.

Hire, Dean Lane, Bristol, April 2017
Hire, Dean Lane, Bristol, April 2017

This is a wildstyle piece which, if you look carefully spells out HIRE, although it takes some convincing to be sure. This is a nice quick piece which all forms part of the rich mix you can find down at Dean Lane.

 

792. Dean Lane skate park (47)

This is not the first time that I have seen a collaboration wall between these two. Some time ago I posted a piece by Laic217 from Moon Street, but left the Cort piece out, which was on reflection a bit unnecessary. This time I have kept Cort’s half. I know little about Cort apart from these two pieces mentioned.

Laic217 and Cort, Dean Lane, Bristol, May 2017
Laic217 and Cort, Dean Lane, Bristol, May 2017

Laic217 again seems to be experimenting with his grayscale work, with just a touch of accent colour in his signature. I have noticed too that in shared walls like this one, Laic217 always seems to occupy the left hand side – is this a thing for street artists? is it like having a preferred side of the bed?

Laic217 and Cort, Dean Lane, Bristol, May 2017
Laic217 and Cort, Dean Lane, Bristol, May 2017

I like this collaboration a lot, and am pleased to have got a clean photograph of it, something that is getting more and more difficult to do in Bristol.

The missing Cort photos from March 2016 are below…

Laic217 and Cort, Moon Street, Bristol, March 2016
Laic217 and Cort, Moon Street, Bristol, March 2016
Cort, Moon Street, Bristol, March 2016
Cort, Moon Street, Bristol, March 2016

774. Dean Lane skate park (46)

As Whysayit pieces go, this really is a first class one. Sprayed on what is probably the premium wall at Deaners,  it oozes with confidence and colour. I think what really marks this out from his other work, is that he has taken a bit of time to prepare a backwash, and it definitely helps the writing to stand out.

Whysayit, Dean Lane, Bristol, April 2017
Whysayit, Dean Lane, Bristol, April 2017

I liked this piece from the moment I saw it, and although it didn’t last long (nothing much does here) I’m glad I got to see it.

Whysayit, Dean Lane, Bristol, April 2017
Whysayit, Dean Lane, Bristol, April 2017