Bursting onto the walls in Dean Lane was this stunning and vibrant piece of writing from Kosc. Kosc is an artist who appears to be equally at home with writing or character/scenic pieces, and only a few posts ago I shared an amazing Samurai mask that he painted as part of an NTS Crew collaboration. He is a master of his styles and designs.
Kosc, Dean Lane, Bristol, March 2024
This piece cries out to be seen, with its bright colours and busy letters spelling KOSC. As I look at it now, I wonder to myself whether he ran out of the orange colour for the ‘O’, or whether the letter is deliberately more yellow to create a focal point to look at. I guess I will only find out by asking him in due course. A great find, that didn’t last too long, if my memory serves me right.
Conrico has been turning out some sensational pieces lately, and what is interesting about this one is that he posted on his Instagram feed some sketches of the animated Chinese lantern before painting this wall, which goes to show how much thought goes into the pieces that artists paint.
Conrico, Cumberland Basin, Bristol, March 2024
The letters CONRICO are superimposed on what looks like an afternoon landscape with the lantern on the left and a building on the right. As ever, Conrico’s artwork looks like it is painted with a brush rather than a spray can, and I imagine he paints with lots of short controlled sprays to achieve this effect. There is character writing on the side of the building, hinting at an East Asian scene. Wonderful stylised clouds finish off this fine combination piece from Conrico.
Saor, Kosc and Mudra, M32 Spot, Bristol, March 2024
Although this outstanding collaboration from Saor, Kosc and Mudra was painted a few weeks ago, it has taken me quite a long while to get round to posting it, which is largely down to the sheer volume of new art appearing on the walls of Bristol at the moment. I would say that this winter, in spite of the appalling weather, has been one of the busiest I have know for street/graffiti art and my archives are bulging.
Saor, M32 Spot, Bristol, March 2024
Saor has made a few visits to Bristol lately, and has smashed each piece out of the park, and this is another in a succession of unbelievable artworks. In line with the overall collaboration colours, Saor has disguised his SAOR letters in an outstanding geometric design. What I love about Saor’s work is the blended of borders, which means that all of his lines have to be ultra crisp and sharp, which, of course, he excels at.
Kosc, M32 Spot, Bristol, March 2024
In the middle of the triptych is a brilliant samurai portrait piece from Kosc, unfortunately a little obscured by the street sign. There is a lot of precision in the detail of the mask and Kosc has achieved incredible depth and texture in the piece. Kosc is an artist who appears to be at the top of his game these days and is producing some outstanding work.
Mudra, M32 Spot, Bristol, March 2024
Rounding off the collaboration is this unusual piece of pixelated writing from Mudra, which seems to be playing with the letters ‘.CON’ (dot con). The skull in the middle of the letters, is a little strange, in fact I find the whole piece odd, and a bit out of kilter with the rest of the collaboration. There might be a story about the piece that I don’t know about which might explain it. Altogether though this is yet another amazing collaboration from the NTS crew.
Ooh! I love this abstract writing piece from Mr Klue. It has been a while since I last saw one of his pieces with the distinctive ethereal steps. The colours too are a slight digression from his recent penchant for purples and blues.
Mr Klue, St Werburghs, Bristol, March 2024
It is almost impossible to distinguish them, but the letters Spell out KLUE, as is customary in his pieces… I will get caught out one day, I’m sure, when they spell something else. There is something that is very pleasing on the eye about this piece, and a version of it would not be out of place in an art gallery or hung on a wall. Fabulous work from Mr Klue.
I suspect that this is just a little taster of what is to come from Bean later on this year, as he dropped a couple of pieces during what I suspect was an early spring break from his studies. His work is really developing well, and his stylised cartoon characters are each so unique.
Bean, Cumberland Basin, Bristol, March 2024
I like the way that Bean has added a bit of a buffer around his character, allowing it to stand out a little better from the ‘noise’ or artwork that he has overpainted, it certainly makes a significant difference to the outcome. I would love to see some of his work on a fully buffed wall, maybe this summer. This piece is a cracker, and the character feels really animated, with lots of movement in his hair and from the spray can.
Kid Crayon and SPZero76, Dean Lane, Bristol, March 2024
What an absolute pleasure to see SPZero76 and Kid Crayon teaming up this spring to bring us some more EAT Crew joy. This is a fabulous collaboration celebrating the Terminator film franchise, painted in the styles of the two artists, but remaining reasonably honest to the film’s characters. The middle ‘liquid metal’ section spells out EAT.
Kid Crayon, Dean Lane, Bristol, March 2024
On the left, is a brilliant rendition of a terminator robot by Kid Crayon, complete with smoking gun. The dystopian future character is menacing enough, although Kid Crayon’s soft edge style takes some of the heat out of the menace. There is some great detail in the mechanical workings of the robot, and the whole thing is finished really nicely.
SPZero76, Dean Lane, Bristol, March 2024
To the right, SPZero76 adds his own twist to the motorcycle-riding Schwarzenegger character, with the inclusion of a couple of racoons that tend to frequent his pieces. There is movement and drama in the piece, which is clean and sharp, just as you’d expect to see from SPZero76.
Kid Crayon and SPZero76, Dean Lane, Bristol, March 2024
All in all, it is just to see these two collaborating again, and I sincerely hope that they manage to do so more frequently this year than last. I’ll be back!
Once again, Laic217 seems to be pushing the envelope with his work, most recently with this unusual piece in the little tunnel at Cumberland Basin. Although the fingers of thee character are a little bony, there isn’t a skull or skeleton in sight.
Laic217, Cumberland Basin, Bristol, March 2024
The way that this piece has been painted, it almost loos like oils on a canvass, slapped on in layers. Laic217 has worked cleverly to achieve depth in perspective, but also depth in textures through his use of dark and shade. I don’t know what the arrow represents, but it looks great. It is a nice touch to with the letters LAIC tattooed onto the fingers. Classy stuff.
I haven’t been posting nearly enough pieces by Mr Draws as I ought to have done, especially as I consider him to be one of a small band of artists who represent the beating heart of the Bristol street art scene. My archive is full of unposted work by Mr Draws, and I might have to do a trawl and put them all into one post.
Mr Draws, St Werburghs, Bristol, March 2024
This recent piece from the tunnel is really typical of his work. Some nice big letters, filled with a camouflage pattern and colour palette bounded by a thin yellow border. There are some nice white highlights with drips for good measure. A cracking piece from an artist who just keeps on plugging away.
I haven’t managed to catch up with Sepr for an eternity, so it was so good to be in the right place at the right time and find not only Sepr but also Inkie and Haka painting this spot together a week or two back. I was surprised to see them painting on this wall behind the Black Swan because, Haka aside, this is not a spot that you’d expect to find their work.
Sepr, M32 Cycle path, Bristol, March 2024
I asked Sepr if he works to a drawing or comes up with his designs in his head and freestyles them. He immediately pulled out a crumpled piece of paper from his pocket and showed me his design for this piece – he said he keeps all his designs, which is amazing. I guess he may use some of them for tattoos. In this piece a fox or cat is juggling batons with his tongue while a from looks on from the safety of his trilby. A crazy scene perfectly presented with incredible sharpness and style. This piece is sheer class from my favourite character artist. Wonderful.
LostHills, Northern Quarter, Manchester, February 2024
I wanted to make sure I posted a few more pieces from Manchester before moving on and losing them in my archive. As I have said many times before, I would think that 60% or so of all the street art I find and photograph never gets published on Natural Adventures, and my backlog now spans almost ten years. I try to find ways to upload as much as I can, but it is difficult, especially as I like to write a little about each piece.
I am going to break from tradition a little with this post, and present it as a gallery of wonderful paste ups from LostHills and portrait pieces by Ethan Lemon and Frodrik.
Back to normal for my next post.
LostHills, Northern Quarter, Manchester, February 2024LostHills, Northern Quarter, Manchester, February 2024LostHills, Northern Quarter, Manchester, February 2024Ethan Lemon, Northern Quarter, Manchester, February 2024Ethan Lemon, Northern Quarter, Manchester, February 2024Ethan Lemon and Frodrik, Northern Quarter, Manchester, February 2024
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