Kool Hand’s work just gets better and better and in this piece he returns to his trusty baseball cap-wearing orangutan, but rather than being a flat face on piece, he has added a three-quarter profile and depth to his character.
Kool Hand, Dean Lane, Bristol, April 2023
There is loads of movement in the basketball, which you can imagine is spinning on the orangutan’s finger. The whole piece is beautifully finished and set on a grey urban skyscape with tall buildings on the horizon line. I rate this piece very highly because it marks a shift to a new level for the artist.
This is another wonderful piece by Zubieta, and I really like what I have seen of her work so far. I know that I have at least one unpublished piece in my archives, which I will need to dig out, because we don’t get to see her stuff on the streets nearly as often as I’d like.
Zubieta, Elton Street, Bristol, April 2023
Painted as part of the recent paint jam in the Elton Street gallery, Zubieta is telling a story about how ‘love stings’, featuring a woman and a stinging insect masquerading as a butterfly full of love. Perhaps this is a tale of failed relationships of deceitful partners – who knows? The colours follow the paint jam theme, and the piece is beautifully executed. Tidy work from a great artist.
Cort is a quiet artist who, it would seem, likes to keep himself to himself. I have met him on two or three occasions, but I think it would be fair to say we have probably exchanged about ten words between us. He had just finished painting this rather attractive piece alongside Hire, and was sitting on the grass chilling.
Cort, M32 roundabout, Bristol, April 2023
I have long admired Corts work, which is different from most of the stuff you see in Bristol, but in recent years he has started to add characters to his writing and here he included a bear, who has a passing resemblance to Fozzy Bear. The letters spell Kortos, and are unruly in their shapes, but reasonably uniform in size. Cort’s signature fill incorporating circles or dots can be seen on the K R and S. This is a fun, vibrant piece from another of the Polish contingent of artists.
If anyone can tell me what is going on here, then I doff my cap to you. Some fabulous anti-style graffiti writing from Taboo with a pink flamingo holding a Halfords bag in its bill, and the words “I’m Champa(i)gn, you… Lambrini”.
Taboo, Cumberland Basin, Bristol, April 2023
The colours here are striking without being gaudy, and I have to say I love that red colour, and I think it works very nicely on the light blue background. The whole thing feels slightly anarchic or eccentric – it would be nice if there was a word that meant both of those things – ‘anarcentric’ perhaps. More great stuff from Taboo.
Klashwhensober, New Stadium Road, Bristol, March 2023
I met Klashwhensober shortly after he had ‘repaired’ this piece, which speaks volumes about how much the artist cares about his work. I know how important graffiti writing is to Klahwhnsober, nourishing him and providing a strong focus in his life.
Klashwhensober, New Stadium Road, Bristol, March 2023
This outstanding piece in the dark, sooty underpass shows Klashwhensober at his artistic best. Beautifully crafted letters with a stripy 3D drop shadow are filled with beautiful complementary colours and some ‘meteors’, leaving a trail in the lilac section. Another day and another fine creation from a lovely artist.
Hypo has had a new lease of life recently – perhaps his work/domestic circumstances have changed, but he is out and about painting more than I have seen since 2015, so much so, that I felt compelled to compile a gallery of his work last week.
Hypo, M32 roundabout, Bristol, April 2023
As well as an increase in the quantity of his work, I feel like there is a commensurate improvement in the quality of it too. This is a lovely piece that pops out of the wall thanks to some clever shadow work and use of white highlights. There are several colour transitions in his fills, at least seven, and the finishing with dots works nicely too. In most of Hypo’s work there is a bilateral symmetry and that really comes to play in this piece. Fabulous work from this established Bristol artist.
Mudra and Peggy, Elton Street, Bristol, April 2023
Counterintuitively, sunny days are a bit of a nightmare for street art photographers. The nature of urban art is that much of it is surrounded by tall buildings, street and park trees, telegraph poles, lampposts and road signs, all of which cast dramatic shadows when the sun shines. I try not to post too many pictures with shadows, but sometimes it is inevitable, and my impatience to share a piece trumps my desire to return to the spot to re-photograph it when conditions are more favourable. That happened with this wonderful collaboration between Mudra and Peggy.
Mudra and Peggy, Elton Street, Bristol, April 2023
This is what I would term a true collaboration, where the whole piece is a mash-up of elements from both artists, and it becomes difficult to be certain who painted which bits. The highly designed piece has adopted the paint jam ‘house colour palette’ used by their fellow artists who painted other boards on the same day. The flower and eye elements are almost certainly by Peggy, and if you look closely you can see Mudra’s name split into two parts. This is a fine creative piece and very much in keeping with the Elton Street gallery.
Because Stiff paints only rarely, it is always a pleasant surprise to come across one of his pieces. Stiff is one of two Bristol artists who regularly (almost exclusively) feature alien scenes in their work, the other being Nugmoose. Their styles, however, are quite different, and they are easy to distinguish from one another.
Stiff, St Werburghs, Bristol, April 2023
Stiff always paints on a black buffed wall, which instantly marks out the piece as one of his, and also provides a clean canvass on which to work. In this scene, a man is looking at a doppelgänger of himself, which turns out not to be all that it seems. His look of horror is comical, as tentacles reach out to catch him. A lovely story piece by Stiff.
Here Comes the Sun. Well that’s the ear worm sorted out for today at least, and it is fitting the Bnie has, deliberately or otherwise, gone for a script font and psychedelic background that is similar to that used by the Beatles in the 1960’s and 1970’s.
Bnie, Elton Street, Bristol, April 2023
The most recent set of pieces in the Elton Street gallery, curated by Bnie, are on show now, and what a fine collection it is. Because the framed boards are set high, they tend not to get tagged, and the pieces remain in mint condition for all to see. This is a really classy piece by Bnie, beautifully designed with great proportions, and perfectly finished, crisp and clean throughout. More to come from this recent paint jam.
I was walking home from town a week or two back, after a leaving do for a very dear friend and colleague who I have known for about 30 years. I took the opportunity to take a couple of snaps of this wonderful piece by Haka, which I have known about for a while, but just haven’t been able to photograph. For nighttime photographs, I think they have come out pretty well – it is amazing how good mobile phone cameras are these days (sounding like the old man I am).
Haka, Stokes Croft, Bristol, March 2023
The message is a great observation and commentary on the current cost of living crisis, with inflation at over 10% and pay offers typically under 5%, meaning a cut in salaries for most people (a situation I have been living with for more than 10 years, being about 20% worse off in real terms than I was before Tory austerity measures). This Government think it is fine to cut thee taxes of the richest, but restrain pay for everyone else. The sooner they go, the better.
I’m familiar with the character Haka has painted – a right old meanie – but I can’t quite place what cartoon series/book he is from. Fabulous to see a political piece from Haka.
Natural adventures 