4318. Turbo Island

There is no question that this a fabulous piece, and Ryder clearly demonstrates that he is not only a ‘letters’ man, but is equally adept at creating characters.

I have a reservation about this piece though, not of its quality, but because I always struggle with street art being used to advertise commercial products, unless as a commission on a commissioned space. Somehow, it just doesn’t sit right with me and I know I am being super-picky, but the street art and Graffiti art community is one that is usually at the front of the queue to complain about consumerism and advertising. I expect this piece was painted for friends, and is at the acceptable end of the advertising spectrum, so I will get over myself and stop here.

Ryder, Turbo Island, Bristol, March 2022
Ryder, Turbo Island, Bristol, March 2022

This is an eye-catching piece at a spot that seems to lurch from high quality pieces to absolute dross and this certainly sits in the former category. The Cheshire cat with its huge grin is outstanding, and the blue and red colours work so well on the black and white of the piece. Love the roller painter Ryder above the piece. Nice work from one of the best.

4317. Greenbank (30)

On the long wall at Greenbank, which really is very long indeed, is this magnificent collaborative effort from Conrico and Rozalita. The writing and portrait combo is bursting with life and colour, and is rather spectacular.

Conrico, Greenbank, Bristol, March 2022
Conrico, Greenbank, Bristol, March 2022

To the left, Conrico has gone for some pretty wicked writing set on a fanciful sea, woodland and mountainous landscape. The letters have an animated feel about them and look lively on the calm and tranquil backdrop.

Rozalita, Greenbank, Bristol, March 2022
Rozalita, Greenbank, Bristol, March 2022

To the right, Rozalita is continuing on her extraordinary journey of improvement and diversification. The girl with a yellow face, green hair and red beret is arguably one of her best portraits yet, and is a perfect example of how far she has come in a relatively short space of time. We are spoilt in Bristol to have Rozalita and her amazing portraits appearing all over the place.

Conrico and Rozalita, Greenbank, Bristol, March 2022
Conrico and Rozalita, Greenbank, Bristol, March 2022

Overall this is a lovely, cheerful collaboration. I look forward to so much more from both artists.

4316. M32 roundabout J3 (395)

With a little bit of Angry Face peeping in from the left, we have the second piece from Maybe Paints in support of Ukraine. I have to say that I am deeply moved by the spirit of the British people (not including our despicable government), in the outpouring of support for Ukraine, a country on the periphery of our collective consciousness only a few weeks ago. My local high street is festooned with Ukrainian blue and yellow flags from top to bottom, and I am proud of that.

Maybe, M32 roundabout, Bristol, March 2022
Maybe, M32 roundabout, Bristol, March 2022

This small and humble piece by Maybe Paints is typical of his face to face work and sometimes, with pieces like this, less is more. The tear tells us all we need to know. It is great to see Maybe working a little bit further away from his safe zone inner Brunel Way. Selfishly, I hope to see more of his work in North Bristol.

4315. Stokes Croft

Although I struggle to keep on top of the sheer volume of amazing street art and graffiti that appears in Bristol every day, I always make space on Natural Adventures for Pekoe. She is one of a handful of artists whose work I will try my hardest to post whenever I photograph it. Another example would be Laic217. There is something about Pekoe’s portraits that I find compelling and unique and feel the need to share.

Pekoe, Stokes Croft, Bristol, March 2022
Pekoe, Stokes Croft, Bristol, March 2022

This piece has been here fort a little while, but I only recently got round to photographing it. Before this piece there was another of her pieces, but this one is a real beauty. Fabulous colours and a half body portrait, rather than just a head. The piece overlooks the summer seating area of a café and is immediately below the recently refreshed Stinkfish piece in Stokes Croft. Very nice work indeed.

Pekoe, Stokes Croft, Bristol, January 2018
Pekoe, Stokes Croft, Bristol, January 2018

4314. Dean Lane skate park (474)

This was something of a red-letter day for me, turning up at Dean Lane to find Mudra painting alongside Kosc and Flava136 (who has now changed his moniker to Saor). Unfortunately, Flava136’s piece had been painted over by the time I returned to get pictures of the completed works, but Mudra and Kosc’s were intact.

Mudra, Dean Lane, Bristol, February 2022
Mudra, Dean Lane, Bristol, February 2022

Mudra is an artist who, although he has only been painting in Bristol for a couple of years, has firmly established himself in the city and is definitely going from strength to strength. With each of his pieces, his confidence and dynamism grows, and I am thoroughly enjoying the ride.

Mudra, Dean Lane, Bristol, March 2022
Mudra, Dean Lane, Bristol, March 2022

This is a curious piece that, for once, doesn’t spell out Mudra, but instead incorporates the letters NTS, a crew name (I don’t yet know what it stands for). There is a typically stylised Mudra face with a giveaway coloured nose and for some utterly unknown reason a bird perching at a bird box. Great to see and great fun.

4313. M32 roundabout J3 (394)

Teao One is one of the senior writers in Bristol, and by that I don’t mean he is old, but rather is one of those that has been writing for many years, even though he only crept into my radar last year (how did that happen?), which tells me I still have so much to learn and understand about this craft in Bristol.

Teao one, M32 roundabout, Bristol, February 2022
Teao one, M32 roundabout, Bristol, February 2022

There is something very distinctive about Teao One’s writing style, lots of well crafted letters in a uniform style, beautifully crisply finished. It took me a while, but the letters appear to spell out GENERAL, although I’m not too sure what that means or refers to. A banging chrome piece from a skilled writer.

4312. Brunel Way (147)

Because I go out about three times a week, walking the dog in some of the easy-access graffiti spots, it is inevitable that I will meet artists from time to time. Now that the weather is improving and the days are getting longer, I expect to meet more while they are actually painting.

RZA and Enn Kay, Brunel Way, Bristol, February 2022
RZA and Enn Kay, Brunel Way, Bristol, February 2022

I was lucky enough to bump in to RZA and Enn Kay while they were painting this small collaboration. Stopping to chat with them was a real pleasure as both artists took time to chew the fat with me. I think that this might be the first piece I have posted from RZA, although I know I have others in my archive. Enn Kay is, of course, no stranger to the pages of Natural Adventures, in spite of the fact that he has only been spraying walls since the back end of last year.

RZA and Enn Kay, Brunel Way, Bristol, February 2022
RZA and Enn Kay, Brunel Way, Bristol, February 2022

This chirpy collaboration features an ‘octopus’ type monster from Enn Kay sitting alongside a face in a white burst breakout box (is the best way I can describe it). Enn Kay, in particular, is rapidly establishing himself in the Bristol scene with both his creativity and his productivity. Watch this space for more from these two.

4311. M32 roundabout J3 (393)

It is pretty much impossible to observe one of these classic Soap pieces and not feel a small wave of happiness wash over you. The stylised laughing mouths/skull shaped characters are a trademark mega-tag that Soap has been painting and refining for years.

Soap, M32 roundabout, Bristol, February 2022
Soap, M32 roundabout, Bristol, February 2022

This piece in great bronze colours was one part of an outstanding PWA paint jam, that included Face 1st and Chill, and a guest appearance from Kool Hand. The finishing on this piece is first class and demonstrates amply Soap’s skills.

4310. The Paintworks (1)

At last (thank you Paul) I have located The Paintworks wall, one which has been used a couple of times for the Bristol Womxn Mural Collective. This magnificent beetle painted by Nina Raines which dates back to September 2021 was a piece from a BWMC paint jam.

Nina Raines, The Paintworks, Bristol, March 2022
Nina Raines, The Paintworks, Bristol, March 2022

Nina Raines is a fabulous artist, who doesn’t paint with a particular style or subject, but is incredibly adaptive. I would struggle to identify her work if it was unsigned. The beetle is so beautiful and Nina Raines has managed to capture the iridescence of the carapace perfectly. Look out for more pieces from this wall.

4309. Cumberland Basin

I am thoroughly enjoying Haka’s work these days, and fortunately, he seems to be going through quite a fertile phase both in terms of productivity and also creativity. This new piece, which I witnessed being painted over a couple of days ago, is another in support of the people of Ukraine, although a little more subtle than some.

Haka, Cumberland Basin, Bristol, March 2022
Haka, Cumberland Basin, Bristol, March 2022

I don’t quite get the significance of the pelican, but the Haka writing is clearly carrying the yellow and blue we are all becoming so familiar with, and just in case there was any doubt, Haka has included the caption ‘No war’. Another nice piece from one of Bristol’s consistent writers.