This is a beautiful piece of art that I think had been painted for Upfest 2015, although I am not certain. I took the photographs a little while ago, and the wall has since been painted over.


This is a beautiful piece of art that I think had been painted for Upfest 2015, although I am not certain. I took the photographs a little while ago, and the wall has since been painted over.


Some more writing today, this time from one of the less prominent graffiti artists in Bristol, ‘Subtle’. On first appearance this looks like quite a raw piece of work and could easily be missed, but on closer inspection, it is a fine sophisticated piece of writing.

I have known about this piece for a while, but just never knew where it was. To my huge excitement and fulfilment I found it recently, while looking for another piece nearby. This is by one of my favourite street artists, Aspire, who is better known for his amazing birds.

I don’t know who the subject of the piece is, but I would guess a prominent local musician or blues artist perhaps. It seems slightly peculiar seeing work by Aspire that is not a bird, but I consider it to be equally good, and I would like to see more of it.

The piece has been here for a while and is slightly worse for wear, but it has persisted and survived untagged…often the mark of a respected artist.
This is a stunning, collaboration between Sled One and Epok, two of the best wildstyle writers about. It is easy to see the Sled One element…if you look carefully you can make out the letters SLED. I had to look hard though for Epok – I knew it was a collaboration because he had signed the piece. I think his lettering is in the grey-green underlayer – certainly this part is more in his style.

What I love most abut this piece is that it is on a modest hoarding with low footfall. This piece was done for the love of it. The colour palettes are brilliant and the whole thing quite beautiful. These things are so easily overlooked or dismissed…it is a pity.
This is a beautiful bit of wildstyle writing from 3Dom. His wildstyle form tends to be quite organic and ethereal, more in the style of Ments, rather than the hard, clean, sharp geometric writing associated with his Bristol peers Deamze, Sokem, Epok and Voyder, to name just a few.

This piece was from a little while ago and has been painted over several times since. It is nice to have a record of it though. It was part of an ASK crew paint jam in March, and his piece here is sandwiched between Voyder on the left and Sled One on the right. Nice work.
Opposite the Tobacco Factory car park, you (used to) come face to face with this building and a wonderful Thierry Noir pair. When I took the photographs, I hadn’t seen any of his work before, but on my escapades to London I have become more familiar with his very distinctive work.

These pieces were sprayed for Upfest 2015 and have since been over painted with a large Brexit commentary piece which was part of Upfest 2016 – I will post this newer piece soon.
Thierry Noir reminds me a lot of artists like Matisse, or the Stravinsky fountains outside the Pompidou centre in Paris, whose work contained bold and contrasting colours on simple figures and forms. Great stuff.
Every now and again you come across something quite different. Something that stands out from the crowd. This lovely colourful piece was at the end of one of the pedestrian tunnels at The Bearpit. It is by an artist I know nothing about, and I haven’t seen her work before. Her name is Georgie or Georgieartist as she signs herself and I think she comes from the West of England somewhere.

Her Facebook page demonstrates some of her work and how she creates it, it is well worth a good look. She has strong political convictions and I like that in a street artist, however this piece seems to be simply full of Bristolian joy. I love it. ‘Lush’ is a very Bristolian word which kind of means great or brilliant, but is usually used in the familiar vernacular. ‘That’s gert lush that is’.
Bolton road is a small alleyway branching off the Gloucester Road in the St Andrews area of Bristol. This always seems an unlikely place to find street art, but this is Bristol, and you never seem to be too far away from something a bit special.



Tucked over to one side of the Bearpit, near the Premier Inn Hotel, I found this rather nice collaboration between Jee See and Mr Klue. In this piece we see the typical styles of each of these street artists. Mr Klue treats us to his swirling patterns in rich purples and lilacs, while Jee See offers a stencil of a girl with a revolutionary Castro look about her – a stencil I have seen repeatedly about Bristol.


This wonderful scene was created back in October by Sled One, in conjunction with a piece by Ments which I wrote about a little while back. It seems that Sled One has an endless energy and talent for conceiving and executing some of the most imaginative street art in Bristol. His style is quite cartoony and injected with humour, and as I have said before, there always seems to be a story going on in his pieces.

I’m not sure what the story is, but it includes one of those really irritating toy clockwork monkeys with clashing cymbals which is beautifully portrayed. In addition, the wisps of steam from the cup of tea are masterfully painted. There is some real quality about this piece. Sled One never seems to disappoint. This is in my view exceptional street art.
