The turnout for Shade One’s birthday paint jam might have been relatively small in numbers, but was of the highest calibre. You know that you are well respected as an artist when Soker turns up and paints you a birthday celebration piece.
Soker, Cumberland Basin, Bristol, January 2026
Soker is simply one of the best graffiti writers around, and although this looks like a relatively ‘quick one’ it still oozes class. The letters spell out shade with beautifully blended fills. The black outline picks out the letters beautifully and the cloudy pink, purple and green bursts around the edge of the letters rounds the piece off perfectly.
Mamil and Logoe, Dean Lane, Bristol, December 2025
Logoe and Mamil visited Bristol a few weeks back and decorated several spots with their script writing, including this beauty in Dean Lane. Unfortunately, in their enthusiasm, they painted over a tribute piece for Dorns, which upset a few people in the local graffiti community. This wall, however, was up for grabs and the pair did a great job.
Logoe, Dean Lane, Bristol, December 2025
I have been an admirer of Logoe’s work for several years, and he has developed his script writing into a serious art form. Set on a stripy wall, the letters spell out LOGOE as if they were written with joined-up writing on a page, with the addition of a deep drop shadow. His trademark oval spots complete the piece nicely.
Mamil, Dean Lane, Bristol, December 2025
This trip with Logoe is the first time that I have encountered Mamil, and I have to say I rather like his clean skinny letter style. The two circular forms at each end of his letters add so much to the structure and flow of the piece, without which the writing could be quite ordinary. You might be able to make out the shape of a bicycle, which is a clever way to present your letters. The style is easy on the eye. Great collaboration from the pair.
As I mentioned before, though, two other collaborations that Logoe and Mamil painted on their trip were tagged/dogged before I encountered them. It is a pity that ‘respect wars’ like this break out, but there is little I can do to help, and have to observe as an onlooker. The images below show you what happens if you disrespect a tribute piece…
Logoe and Mamil, St Werburghs, Bristol, December 2025Logoe, Brunel Way, Bristol, December 2025Mamil, Brunel Way, Bristol, December 2025
I don’t visit this little corner of Bristol all that often, so it was great to ‘find’ this lovely mural, which has been a spot for less formal street art in the past, by Cock Dicks. It looks like Cock Dicks didn’t have a ladder, but in a way the ‘grass height’ of the piece works rather well beneath the large expanse of green on the wall.
Cock Dicks, Belle Vue Road, Bristol, January 2026
The cartoon-style magnified landscape is beautifully laid out, and the flowers and insects all have rather sleepy faces. I particularly like the dandelions, which have been beautifully observed, and the one on the right being bald but for three remaining seed heads. This is a lovely piece that, without doubt, brightens up these residential streets.
This is a really wonderful, piece by Benjimagnetic tucked away behind the hedge alongside the swimming pool wall. He seems to have had a recent burst of energy this winter and painted a few pieces in quick succession.
Benjimagnetic, Dean Lane, Bristol, January 2026
The colours of the letters GRO (blue, Green and black) work perfectly against the hint of a red background. There are plenty of fine rectangular details in pink and green within the letters themselves, filling the space very nicely. Unusually for a Benjimagnetic piece, the letters are really easy to read, and rather more solid than many of his pieces. Nice work.
Shade One, Cumberland Basin, Bristol, January 2026
There are a few artists in Bristol who specialise in portrait pieces, and at the top of the tree are Shade One, Mind49 and Stivs. Shade One celebrated his own birthday paint jam with this magnificent portrait of a young woman on the long wall at Cumberland Basin.
Shade One, Cumberland Basin, Bristol, January 2026
What makes this piece super-special is that it has been painted using greyscale colours, but somehow that is not the first thought one has when first seeing it. The cartoon style is more forgiving than photorealism, but nonetheless equally effective. The blue background complements the detail in the portrait. Superb work.
Foksymoron, Brunel Way, Bristol, December 2025Foksymoron, Sparke Evans Park, Bristol, July 2025Foksymoron, Dean Lane, Bristol, November 2025Foksymoron, Cumberland Basin, Bristol, March 2025Foksymoron, River Avon, Bristol, February 2025Foksymoron, Brunel Way, Bristol, July 2024Foksymoron, Dean Lane, Bristol, September 2024Foksymoron, Cumberland Basin, Bristol, August 2024Foksymoron, Cumberland Basin, Bristol, August 2024Foksymoron, Dean Lane, Bristol, July 2024Foksymoron (Nebeldac), Dean Lane, Bristol, May 2021Foksymoron (Nebeldac), Cumberland Basin, Bristol, April 2021
Hemper is simply an outstanding graffiti artist verging on genius in my view. He appears to have taken a liking to the tunnel in Boiling Wells Lane, which historically doesn’t get anything like the attention that St Werburghs tunnel receives only a couple of hundred meters away. It is a smaller tunnel and there is no lighting, which might account for the smaller turnover.
Hemper, Boiling Wells Lane, Bristol, January 2026
These gorgeous letters, spelling HEMS, appear to be bursting out from the wall and the purple void beyond. I love the way he has worked cracks into the background and some fallen bricks underneath his letters. The piece is so full of movement and depth – the work of an artist at the top of his game.
Slim Pickings (Tes), Cumberland Basin, Bristol, January 2026
I call this artist Slim Pickings, because that was his Instagram name when I first started writing about his work. Several changes to his Instagram account have followed since then, but I have stuck to the first. Most people refer to him (obviously) as TES.
Slim Pickings (Tes), Cumberland Basin, Bristol, January 2026
There was a time when pretty much all of his pieces followed the same precise shape, with only a variation in colour and accessories. Now it feels like each new piece he paints is different from the last. These TES letters were painted for Shade One’s birthday, I think. While the composition is really nicely worked, the paint looks thin in places, giving it the impression of being a throw-up, but it is much more than that. Nice on from the No Frills writer.
It is a jungle out there, and I have said it many times on Natural Adventures, and it can be hard to follow the protocols and conventions at times. Dirtygypo has painted this small piece over a birthday tribute piece for Minto. During the same visit (I assume) he tagged a piece at the entrance of the tunnel by Logoe and Mamil, who had previously painted over a tribute piece to Dorns under Brunel Way. It is a pity that there is quite a lot of strife around these things, as most artists are good and simply want to paint walls. The ‘rules’ such as they are tend to be interpreted in the interests of those who adopt or ignore them. In my view the rules are ‘there are no rules’.
Dirtygypo, St Werburghs, Bristol, December 2025
I really like Dirtygypo’s writing, and am slowly beginning to get to grips with his letters. The artist gives us a clue with this writing with the word QUICHE in the bottom right. Look carefully at his graffiti writing and you can make out each of the letters. The Q and U are separated by a yellow lightening bolt. The I is a very slender light blue line, the C and E in dark blue sandwich a very slim H. It is all there, but beautifully disguised. A cracking small piece from Dirtygypo.
Conrico turns out some incredible work, and has done so, in his unique style, for some years now. Recently he has been going through a purple patch, with an increased vibrancy and storytelling element to his work.
Conrico, BB Gallery, Bristol, December 2025
The combination piece, tucked away on the Bristol to Bath cycle path, features a female street-wise character and some writing set on an urban skyline. There is a wonderful contrast between the bright colourful foreground, and the grey foreboding backdrop. Everything appears to have been painted with brushstrokes, but that is Conrico’s style, and I really like it. I am not sure what the GYS stands for (I believe it to be a crew that includes Daz Cat and others), but I will find out soon enough. Beautiful work from Conrico.
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