7505. Brunel Way (350)

Turoe and Dibz, Brunel Way, Bristol, February 2026
Turoe and Dibz, Brunel Way, Bristol, February 2026

This is a rather nice combination collaboration from Turoe and Dibz, and I think that Fade was there too, but possibly in a filming capacity. The depths of a wet and rather horrible winter seem to be dimming, and many artists are waking from their slumbers.

Turoe, Brunel Way, Bristol, February 2026
Turoe, Brunel Way, Bristol, February 2026

It turns out that this hoarding, which is actually the side of a large skate ramp, is becoming a bit of a honey-pot for high-end pieces. Although I can’t be absolutely sure, I think Turoe painted the TWC (The Wild Criminals) letters breaking out from the grey ‘wall’. Some great colours and textures in the fill, the hole and the wall.

Dibz, Brunel Way, Bristol, February 2026
Dibz, Brunel Way, Bristol, February 2026

I think that the Yosemite Sam character is the work of Dibz, which is unfortunately behind a bit of temporary railing, which I should have moved really for the photograph, but it is a real bit of street furniture that gets in the way from time to time, and adds authenticity to the record. The character is superbly painted, and so true to the cartoon character. Warner Bros and Looney Tunes would be proud.

7504. M32 roundabout J3 (748)

Cesto One, M32 roundabout, Bristol, February 2026
Cesto One, M32 roundabout, Bristol, February 2026

This is another outstanding piece which was painted during a recent paint jam on the M32 roundabout showcasing some of the best wildstyle writing that you are likely to see, in terms of its sheer quality and pure class. This piece is by Cesto One.

Cesto One, M32 roundabout, Bristol, February 2026
Cesto One, M32 roundabout, Bristol, February 2026

Unfortunately I show my ignorance of artists not based in Bristol, and know little of Cesto One, and I don’t believe I have ever posted any of the artist’s work before. You only need to look at this piece once to see that it is painted by an established and confident writer. All the elements are tidy and clean, with outstanding fill transitions, subtle patterns, a gorgeous drop shadow with blended black and green, all set on a dark background and purple cloud. Fabulous work.

 

7503. Stapleton Road

Nice One, Stapleton Road, Bristol, February 2026
Nice One, Stapleton Road, Bristol, February 2026

I think that I may have mentioned before that Nice One has taken to this particular hoarding and made it his own. He has painted a series of wonderful landscape and nature pieces here, that feels like a rolling gallery of his work and talent.

Nice One, Stapleton Road, Bristol, February 2026
Nice One, Stapleton Road, Bristol, February 2026

This is actually an augmentation of his previous winter scene, with the addition of larger ‘Nice One’ letters in purple and a fiery skyscape. I am a huge fan of his work, and always get excited when I find it. Nice One possesses that rare combination of artistic talent, originality and edge, which makes his work so compelling.

Nice One, Stapleton Road, Bristol, January 2026
Nice One, Stapleton Road, Bristol, January 2026

7502. M32 roundabout J3 (747)

Avem808, M32 roundabout, Bristol, February 2026
Avem808, M32 roundabout, Bristol, February 2026

I am enjoying observing the Avem808’s work, as an artist who only came on to my radar midway through last year. I am not sure whether he only then moved to Bristol, or whether I had simply missed his work before, which I find unlikely but not impossible. The point is that he is here now, and I tend to post every new piece of his that I find.

Avem808, M32 roundabout, Bristol, February 2026
Avem808, M32 roundabout, Bristol, February 2026

This is a nicely crafted chrome piece on a fiery background. Avem808 has a distinctive style that is intricate and layered, with deep drop shadows falling upon other letters, for example the A and M sitting above the E, if that makes any sense at all. The colour combination works well and the piece stands out on this wall. Having said all that, it didn’t last very long, which is a pity.

 

 

7501. St Werburghs tunnel (575)

Stivs, St Werburghs, Bristol, February 2026
Stivs, St Werburghs, Bristol, February 2026

The letters DSC give away the fact that this epic chrome monster is by Stivs. I guess, from time to time, if you are going to go big, you might as well do it loud and proud. To give you some sense of scale, these letters are probably about 11 or 12 feet tall – that is a lot of chrome paint!

I apologise for the poor photography – my iPhone doesn’t seem to like this section of tunnel and often turns out blurry images (note to self – sort it out). Stiv’s enormous letters are written in a calligraffiti style, but being so large are a little less sophisticated than some of his normal-sized pieces. A big bit of fun in the tunnel.

7500. M32 roundabout J3 (746)

Turoe, M32 roundabout, Bristol, February 2026

This outstanding piece was painted by Turoe, who credited the outline to Muster One. Painted alongside four other artists, the paint jam has turned out to be something of a masterclass of graffiti writing, and this is the second piece I have posted from the session, the first being by Hemper.

Turoe, M32 roundabout, Bristol, February 2026
Turoe, M32 roundabout, Bristol, February 2026

Turoe belongs to a small group of graffiti writers who have been smashing it for years (decades) on the streets of Bristol and has earned his place in the scene’s folklore. The seamless transition of colours from light green at the top to dark green at the bottom is flawless. Lots of arrows and overlapping elements from letter to letter showcase this lovely bit of wildstyle writing. Bravo!

7499. Dean Lane skate park (905)

Werm, Dean Lane, Bristol, February 2026
Werm, Dean Lane, Bristol, February 2026

What a superb piece from Werm in the Deaner. The symmetry created from the letters WERM is excellent, and something Werm plays with a lot in his work. This might be the tightest one yet. The brownish fill is in two tones and is best described as a chocolate mousse look – regulars will know that I am not fond of brown, but I’ll let it go in this instance.

Werm, Dean Lane, Bristol, February 2026
Werm, Dean Lane, Bristol, February 2026

The deep drop shadow veering to the left provides depth and the light blue background plenty of contrast, bit devices lifting the letters nicely. The red border creates a nice boundary between the letters and background, and I like the ‘cloud’ detail in the blue background. This is an interesting piece that deserves a while to enjoy it.

7498. Purdown (101)

Creamylines, Purdown, Bristol, February 2026
Creamylines, Purdown, Bristol, February 2026

Creamylines is having something of a purple patch both in terms of quality and quantity of his pieces. This is one of two that I found up at Purdown on a recent dog walk, and I can’t tell you how pleased I was to see them.

Creamylines, Purdown, Bristol, February 2026
Creamylines, Purdown, Bristol, February 2026

There is an unbridled sense of optimism in Creamylines’ work that taps into the essentials of our existence – sunshine, landscapes, nature and people, stripping things back to core values and experiences as humans. This gorgeous piece is less busy than some of his works, allowing our eyes time to alight on some of the details. I love the watercourse at the bottom of the piece, and some of the faces peering in. Thank you Creamylines for making the world a brighter place.

7497. Surbiton Station, London

SkyHigh, Surbiton Station, London, February 2026
SkyHigh, Surbiton Station, London, February 2026

This Surbiton Station wall was a lucky spot to find and has kept my posts ticking over during a rather lean spell on the streets of Bristol. This particular piece is a rather old, but nonetheless stunning combination piece by SkyHigh.

SkyHigh, Surbiton Station, London, February 2026
SkyHigh, Surbiton Station, London, February 2026

His letters, painted with the characteristic multi style blocks, are broken up with a superb parrot, confirming that SkyHigh is equally happy painting letters and wildlife portraits. A quick look at his gallery will show you that he paints these combinations quite regularly.

SkyHigh, Surbiton Station, London, February 2026
SkyHigh, Surbiton Station, London, February 2026

The blue and gold macaw is absolutely amazing, and I am in awe of SkyHigh’s skill with his spray cans to be able to create something so beautiful and so accurate. It is about time that he and Roo paid another visit to Bristol.

 

7496. M32 roundabout J3 (745)

Hemper, M32 roundabout, Bristol, February 2026
Hemper, M32 roundabout, Bristol, February 2026

I am off to another football match in London to watch Arsenal play Chelsea. Full of nerves that other fans might appreciate, and non fans might find puzzling. The long and short of it is that I have to get a move on. This is a wonderful piece by Hemper, painted as part of a paint jam at the roundabout a couple of weeks ago.

Hemper, M32 roundabout, Bristol, February 2026
Hemper, M32 roundabout, Bristol, February 2026

Hemper has had a quiet winter, following on from a superbly productive and positive 2025. His talent is there for all to see, and he has smashed it with this metallic-look writing. The letters spell HEMS and the combination of blues, greys and whites create the illusion of shining metal – such clever deception. I particularly like the crazy orange drop shadow, that appears to break the rules and gets away with it. Wonderful work.