What a wonderfully playful and cheeky piece by Evey alongside the M32. This is the second time I have seen her use this device of replacing the ‘V’ in EVEN with a saucy bottom, and I have to say I rather like it. If anything, I would say that the Bristol street art scene is quite earnest (and sometimes up its own backside), so it is great to see a bit of seaside postcard humour being injected from time to time.
Evey, M32 Cycle path, Bristol, March 2024
The letters are nicely presented in what looks a bit like a neon display sign – one could almost imagine this piece hanging over the door of a seedy nightclub in a red-light district. It is refreshing and imaginative, and yet another great piece in a string of excellent work from thee prolific Evey.
There is something visually poetic about great calligraffiti, and whilst not always the easiest on the eye, it somehow feels like it is at the ‘high-brow’ end of graffiti writing. Whatever one’s opinion on the final product, there is a lot of control, discipline and skill required to create a stand-out piece of calligraffiti.
Todoaciem, M32 Cycle path, Bristol, February 2024
Todoaciem is one of two top-class calligraffiti artists in Bristol, and this piece on the M32 Cycle path amply demonstrates his quality. Painting in blue and yellow, a combination he has used to good effect before, Todoaciem has letters that stand out, because of their contrast, the yellow providing a drop shadow for the blue letters. A tidy piece from a skilled writer.
Soap, Zake and Face 1st, M32 Cycle path, Bristol, February 2024
Although street art and graffiti can be and is painted at any time of day and on any day, there is definitely a strong pulse of activity on weekends. At times, it can be more difficult for me to get out at the weekend than during he week, which might seem counterintuitive, but there is no rhythm to the weekends, and there is always so much to do. This fabulous PWA collaboration was painted at a weekend, but I didn’t get to see it until the following week on my rounds.
Soap, M32 Cycle path, Bristol, February 2024
This one is a triptych with Soap on the left, Zake in the middle and Face 1st on the right, in the letters – character – letters format so commonly used in collaborations. Soap has painted a beauty, with big letters spelling out his name and a character from the cartoon series Adventure Time (I think) replacing the letter ‘O’. I m not too sure about the the bleeding heart, but I guess there is a story there, conscious or unconscious, somewhere.
Zake, M32 Cycle path, Bristol, February 2024
In the middle is something rather different from Zake. We are used to seeing cartoon-style portraits, full of depth, so this bullet comes as a bit of a surprise. I am guessing that it is the bullet that is causing such carnage running through the whole collaboration.
Face 1st, M32 Cycle path, Bristol, February 2024
On the right, Face 1st has painted one of his blocky FACE pieces of graffiti writing, with very deep drop shadows and a rather distressed face peering through the ‘A’. There is an indication of trauma here too, continuing the collaboration theme. The crew are carrying on in 2024, where they left off in 2023, and that can only be good news.
Laic217 has been smashing it for years now, and I continue to enjoy the ride he is taking us on. His improvement and development continues from piece to piece, always getting better and more interesting to look at.
Laic217, M32 Cycle path, Bristol, February 2024
This piece is full of sharp detail, in the flames, and the folds of the fabric but most noticeably in the reflections of the skeleton’s glasses. There is a lot of precision in this piece, and the mask being worn is amazing. An L on the hat for LAIC rounds the piece off nicely. There is always a home for every piece I find by the artist on Natural Adventures.
Pura Decadencia, M32 Cycle path, Bristol, February 2024
Every once in a while, Pura Decadencia drops a piece as if just to remind us that she is still out there. It is a pity that she doesn’t paint on the streets more often, because her quirky writing and vampire teeth add breadth to the spectrum of styles, nationalities and content of Bristol’s street/graffiti art culture.
Pura Decadencia, M32 Cycle path, Bristol, February 2024
I think that this might be the tightest piece I have seen from Pura Decadencia, with nice bubble letters a strong yellow border/drop shadow and some lovely fills, with great transitions between the colours. Of course, not Pura Decadencia piece is complete without a set of vampire teeth drawing blood. I hope we don’t have to wait too long before her next piece.
This is not the first time that Slakarts has painted this flaky board, and I suspect it won’t be the last time either. I think it would be fair to say that Slakarts is now a rather occasional painter of Bristol’s walls compared with a couple of years ago, and this is a bit of a pity. I guess that it means he has less time to paint, which implies that he is busy with other things, which is probably a good thing.
Slakarts, M32 Cycle path, Bristol, February 2024
The stylised cartoon face that Slakarts has painted is rather more colourful than some of his earlier versions, but the same basic design remains, which is comforting in a way, perhaps more so knowing that he is capable of painting other things too. The flaky nature of the board makes pieces painted on it look rather old, but in actual fact this was quite freshly painted. I’ll be hoping for more from Slakarts as the year unfolds.
Mr Crawls and Mote, M32 Cycle path, Bristol, January 2024
The series of Mr Crawls and Mote collaborations simply goes from strength to strength, and as far as I am concerned, they can just keep on coming. This is a recent one from the M32 Cycle path not too far from the M32 Spot.
Mr Crawls and Mote, M32 Cycle path, Bristol, January 2024
Painted on a chrome-buffed wall, the two birds sit snugly side by side, the different styles complementing each other perfectly. The bird on the left is by Mr Crawls and features the hollow and haunting eyes. On the right, another Mote monster bird comes up trumps. Although they have used different colours, they both adopt minimal colour palettes, so the whole thing isn’t over fussy or complicated. Such a great and productive.
Just a reminder that Face 1st remains one of my favourite Bristol artists. He and his PWA friends provide the rhythm and bass upon which the Bristol street and graffiti art scene thrive. This piece, I think a solo effort, takes us back to a simpler version of Face 1st’s work.
Face 1st, M32 Cycle path, Bristol, January 2024
This laughing girl piece with the letters FACE making up her hair is a theme that Face 1st has used to great effect for many years, and here, he is reminding us that he is happy to keep revisiting the idea, in his unstoppable way. What is a little different to similar pieces from the past is that the letters are made to look chunky and deep some good 3D work. Keep ’em coming.
Rudini Doodini, M32 Cycle path, Bristol, January 2024
I haven’t posted nearly enough work by Rudini Doodini over the years, mainly because he hasn’t painted very often. He used to paint small characters under the name of Morph, some of which I posted a few years back. This is one of the larger pieces I have seen which was painted alongside Wxttsart and Mind 49.
Rudini Doodini, M32 Cycle path, Bristol, January 2024
The letters WHO are interspersed with three stylised characters looking like they mean business. There are some great colours in the piece and the composition works very nicely. I hope that this early New Year piece signifies more activity from Rudini Doodini in 2024.
Benjimagneic, M32 Cycle path, Bristol, January 2024
I wasn’t expecting this and it took me a minute or two to work out that it was by Benjimagnetic, which in retrospect is utterly obvious. I think that the absence of colours threw me a bit, as most of his work is pretty colourful.
Benjimagneic, M32 Cycle path, Bristol, January 2024
The letters spell out BEN and the piece is signed Ben, so I don’t know how I was being so thick – sometimes we don’t see the wood for the trees. There is a simplicity about the piece, which is an avenue that Benjimagnetic has been following of late, moving away from his busy explosive pieces that I am more used to seeing. I have to say I am enjoying the transition. A fine piece of graffiti writing.
Natural adventures 