A collection of street art from the brilliant Sepr
Instagram: @sepr
All photographs taken by Scooj
Sepr
Tag: Mural
1627. Devon Road (8)
Set against dramatic skies, that I don’t recall being as dramatic as they look in these pictures, is one of the greatest murals in Bristol to date. This is a masterpiece by the utterly brilliant fine artist Andrew Burns Colwill.
Taking up an entire wall of an end-of-terrace building the mural depicts a fabulous representation of the diverse cultural heritage of Easton. This is a part of Bristol that has embraced multi-culturalism and celebrates it with an annual feast.
I am not fully acquainted with all the characters that ABC has depicted here but I am pretty sure that they will be well known characters and figureheads from the Easton community.
I love the feast, I love the celebration, I love the sky and I love Andrew Burns Colwill. I truly believe he is one of the great story tellers of our city and he tells the stories through his vivid paintings. A true gent and a man I admire greatly – Andrew Burns Colwill is one of the outstanding talents of the city and represents much about its outspoken independence, its unique place in the UK, its tolerence, its rage, its compassion and acceptance.
Bristol and ABC hand in hand.
1581. Hotwell Road
I first saw this magnificent piece on Silent Hobo’s Instagram feed just after he had started it and I knew straight away that it was an epic mural. This commission from Bristol food connections (a city-wide, week long food festival) is on the perfect wall on Hotwell Road and rises to three stories.
It is unusual to see such a large mural in Bristol, especially outside the Upfest or See No Evil areas, so this is something pretty special. Silent Hobo is an artist who captures a mood, especially among youngsters, and translates it into his often highly detailed works.
I like the extra things he has worked into the piece – a reference to Clifton suspension bridge and some pizza deliveries being made by drones. The whole thing has a real crossover between rural and urban, modern and vintage and quaint and edgy. A master work.
We are lucky in Bristol to have so many talented artists. What Silent Hobo gives us is real soul and relevance. I love this huge piece.
Mr Draws
A collection of street art by Mr Draws
All photographs taken by Scooj
3Dom
A collection of street art by Bristol’s 3Dom
All photographs taken by Scooj
All photographs taken by Scooj
Andy Council
A collection of work from Andy Council.
All photographs taken by Scooj
1482. The Bridge Inn
This absolutely stunning commission on the outside wall of The Bridge Inn on the corner of Passage Street and Queen Street, is by an artist I have not come across before, David Blatch. Formally an animator and new media designer, David Blatch is from South Africa but now lives in Bristol and is on the look out for commissions.
The artwork itself for this amazing Jimi Hendrix portrait is exceptional and provides Bristolians in this part of town with an iconic landmark.
It would be great to see more of this kind of ‘high-end’ work brightening up the city, reenforcing Bristol’s USP of supporting the full spectrum of street art in all its foms. Very nice piece.
Thursday doors
Door 27
This door will be familiar to regular readers who might have seen my recent street art post about this amazing mural by Alex Lucas. I felt it was just too good an opportunity not to include it in this week’s Thursday doors offering. The door is so well disguised, it takes a while to properly make it out – you can just see the buzzers to the left of the double door.
Alex Lucas is a very well known artist, designer and illustrator in Bristol who has, through numerous commissions, decorated many buildings in the area and pretty much created a Bristol brand with her work. I think that this might be one of her largest murals, and probably the most complex.
You can see more of her work on her website Lucas Antics.
by Scooj.
More doors at: Thursday Doors – Norm 2.0
1313. Jessop Underpass
I have known about this wonderful piece by Loch Ness for an age, but never managed to get near enough to photograph it. It is ever so slightly off the main drag, and too far away for me to reach it in a lunchtime walk.
It is a classy piece from this fine Bristol artist who combines colours and form to great effect. Many of his older murals feature monsters, but more recently he has worked on these wildlife-themed imaginary beings which transform from anumal into pattern and design.
I happen to think that this is a particularly fine example of his work, and really should have brought it to your attention sooner. I will try to do better.
1262. The Bearpit (116)
I haven’t posted anything by J.Dior for quite a while now, mainly due to the fact that he appears to have left town almost as suddenly as he arrived. I still have several of his works in my archive, of which this was one, and will post them in good time. I get a feeling that he was not very much liked in the graffiti community because he appeared to disregard any of the ‘rules’. This is tricky territory, because the rules are so complicated that nobody I’ve spoken to can clearly explain them. Anyhow, obviously he upset a few people, and this piece has a note saying ‘how about respect Diore’ on it.
As with all his work, this mural in The Bearpit tells a story and is executed in his typically naive style. I have to say that as part of the full spectrum of graffiti/street art in Bristol I am quite fond of J.Dior’s work. It all seems like a bit of a flash in the pan now, but his influence during the summer of 2017 was definitely felt in The Bearpit.
