1439. Old Bread Street (14)

A fine trio of artists, Soker, Cheo and Hemper came together in 2016 and painted this fine collaboration. All three are at the top of their game and this formula – wildstyle, character, wildstyle – is one that works well. There is a balance and symmetry to the whole thing.

Soker, Old Bread Street, Bristol, September 2016
Soker, Old Bread Street, Bristol, September 2016

The chrome writing on the left is by Soker, and the letters SOKEM are easy to pick out. The lines are very clean and sharp and a careful look at the detail reveals incredible attention in each and every intricate shape. Magnificent.

Cheo, Old Bread Street, Bristol, September 2016
Cheo, Old Bread Street, Bristol, September 2016

In the middle, the character piece is by Cheo, who else, and looks like a man who enjoys his music. I love the way his glasses change the colour of everything behind them, and the same with the goggles. beautifully done.

Hemper, Old Bread Street, Bristol, September 2016
Hemper, Old Bread Street, Bristol, September 2016

Finally on the right some more writing in chrome, this time from Hemper. Of the three, he is the one I know least about. I think that these days, he is not as active as the others. The letters spell ‘HEMP’ and they have a slightly more forgiving and organic feel to them than those of Soker.

Cheo, Old Bread Street, Bristol, September 2016
Cheo, Old Bread Street, Bristol, September 2016

The whole thing is utterly lovely and I am puzzled why it hasn’t made it out of my archives until now. Some mistake surely. Damn that water droplet.

1438. Old Bread Street (13)

The boards at Old Bread Street have all but gone now and given way to a large construction site, which I suppose was inevitable. It does seem that there are fewer spots left in Bristol than there were a year ago which means that artists tend to concentrate on the places that remain, and therefore turnover increases.

Biers, Old Bread Street, Bristol, September 2016
Biers, Old Bread Street, Bristol, September 2016

Anyhow, this is a little glimpse back a year or two to a piece by Biers, whose beautiful and unique letter styling stands out. This is a nice clean piece that oozes character and playfulness, nothing self-conscious and earnest about this one. Glad I dug it out. Shame about the water droplet on the picture.

1420. Old Bread Street (12)

This is one from the archive that I can release, because I recently posted my first work from Amoe which he sprayed at the M32 roundabout. The reason it took me so long to identify thisartist is that he is only an occasional visitor from Cardiff, and my knowledge of artists is pretty much confined to Bristol.

Amoe, Old Bread Street, Bristol, March 2016
Amoe, Old Bread Street, Bristol, March 2016

There is something very forgiving about his writing style, the curves create a softness that is very easy on the eye. Some writing can be much more challenging than this. It feels good to liberate this picture after a little over two years. The wall however has not fared so well and there is now only a small stretch of hoarding left at this spot.

Amoe, M32, Bristol, March 2018
Amoe, M32, Bristol, March 2018

865. Old Bread Street (11)

Now that construction appears to have begun at this site, the hoardings are much reduced and harder to access, not that this has deterred the amazing Mr Laic217. This is a rather nice piece with the words ‘Aerosoles (sic) addicts’

Laic217, Old Bread Street, Bristol, June 2017
Laic217, Old Bread Street, Bristol, June 2017

This really appeals to me, but I’m not sure why. The grotesque face with blue colouring is not unlike a piece he did at Dean Lane skate park a while back…lots of big teeth.

Laic217, Old Bread Street, Bristol, June 2017
Laic217, Old Bread Street, Bristol, June 2017

In the piece, the blue-faced character is snorting paint, a metaphor for his own addiction to spraying the streets. I’ve not thought about it before, but Laic217’s prolific nature may in some way be a type of addiction. Perhaps spraying walls is what he gets up in the morning for, or so it would seem.

Laic217, Old Bread Street, Bristol, June 2017
Laic217, Old Bread Street, Bristol, June 2017

I love the piece, and I’m sure I’ve seen those eyes in the mirror after a heavy night before.

 

 

599. Old Bread Street (10)

This guy just gets better and better. It has been really interesting watching how Laic217’s work has developed over the last eighteen months or so, and being able to pick up on some of his motifs and styles.

Laic217, Old Bread Street, Bristol, January 2017
Laic217, Old Bread Street, Bristol, January 2017

In my view, this is his best piece of wildstyle writing to date, and the purple cat sets it off brilliantly. I love the fish bone logo on his jacket. The inclusion of the brick wall adds texture, and has been used in some of his previous works.

Laic217, Old Bread Street, Bristol, January 2017
Laic217, Old Bread Street, Bristol, January 2017

It looks like Laic217 spent a bit more time on this piece, and the clean finish indicates that it was time well spent. It has been a very busy period for the artist, and I have a couple more recent pieces to post soon. Really great stuff from a rising star.

558. Old Bread Street (9)

This is a piece I photographed back in 2016, as are most of my posts at the moment…something that I fear will be happening for quite some while yet. It is a fine wildstyle piece by the irrepressible Deamze (Tom Deams) whose website is here, and is essential reading for those who want to understand why people choose a name and spray paint it.

Deamze, Old Bread street, Bristol, September 2016
Deamze, Old Bread street, Bristol, September 2016
This piece, on a purple background, is typical of his work, with beautifully constructed shards, shapes and colours coming together to form the whole. The geometric precision comes across as being effortless, but is technically brilliant. It is always great to find these.

Deamze, Old Bread street, Bristol, September 2016
Deamze, Old Bread street, Bristol, September 2016

481. Old Bread Street (8)

Another masterclass in street art from the magnificent Sled One. The hoardings in Old Bread Street  tend to get refreshed roughly fortnightly, so it can be difficult sometimes to photograph everything. In fact it is something of a miracle that I get to photograph anything at the moment. Work and family are occupying most of my time…I don’t mind the family bit, but work…

Sled One, Old Bread Street, Bristol, June 2016
Sled One, Old Bread Street, Bristol, June 2016
This picture is full of mischief, but it is also the work of a very talented young man. I’m not sure what direction he will take, but I think the world is his oyster. Whatever choices he makes in the future, I hope he will always make a little time to brighten up the Bristol streets with his joyful street art.

Sled One, Old Bread Street, Bristol, June 2016
Sled One, Old Bread Street, Bristol, June 2016

408. Old Bread Street (7)

Every now and then I begin to think I know quite a lot about street art in Bristol. I write about it every day, and feature dozens of different artists in this blog. And then…I visit one of my favourite sites and see this, and realise I have so much more to learn.

Mr Penfold, Old Bread Street, Bristol, September 2016
Mr Penfold, Old Bread Street, Bristol, September 2016

It is always exciting coming across a new artist, but also a little threatening…how could I have missed them? Who are they? Are they local? Many doubts begin to challenge your knowledge and credibility. Then I have the light-bulb moment…I am doing this for fun, not to be judged. This is not work, it is a passion, and learning and discovery are my companions on this journey. I didn’t know anything about Mr Penfold (Tim Gresham), before I saw this, maybe I should have done but I have never seen his work before. This piece is so different and eye-catching, I had to find out more and write about it.

Mr Penfold, Old Bread Street, Bristol, September 2016
Mr Penfold, Old Bread Street, Bristol, September 2016

Mr Penfold (thirty-something) is originally from Cambridge, now based in Bristol,  and works using various media and surfaces. Clearly a disciplined designer, he applies his talents to graphics, advertising, painting and street art. His work is very distinctive, and appears to draw on what I consider to be quite an ’80s and ’90s look. On reading his Facebook page I see that he has done another recent piece near where I work, so watch this space for more Mr Penfold.

Sorry about the water on the lens!

336. Old Bread Street (6)

The hoardings at the end of Old Bread Street are one of the favoured Bristol ‘illegal’ sites for street artists. The boards have been up for some considerable time blocking off a derelict site where construction is soon to begin. This piece by Deamze was next to Sepr and Voyder works recently posted on this site.

Deamze, Old Bread Street, Bristol, June 2016
Deamze, Old Bread Street, Bristol, June 2016

This burner by Deamze sits with other pieces he has done which are easy to read, fresh, simple and clean in appearance. Nothing particularly wildstyle here, just bright fun writing. Deamze doing his stuff.

278. Old Bread Street (4)

This is an older piece from the hoardings at Old Bread Street by Sled One. Although this is perhaps not his finest work, he crafts these in super-quick time, and I think freestyles them. In this work he has deliberately pixelated the artwork, which I have seen other artists do too. I am a big fan, he is young and has an amazing graffiti art career ahead of him.

Sled One, Old Bread Street, Bristol, November 2015
Sled One, Old Bread Street, Bristol, November 2015

I am hoping to get out tomorrow and find a more recent piece by Sled One in Stokes Croft, but I fear it might already be too late.

Sled One, Old Bread Street, Bristol, November 2015
Sled One, Old Bread Street, Bristol, November 2015

For some, it might be difficult to read these letters, but if you concentrate, you will be able to make out the letters of his name SLED. Sled One is a member of ASK.