
This is what I have been waiting for from Sub – a wonderful fusion of his extra-large letters and a creative fill. In my mind’s eye, this piece and the one from underneath the M32 mark a new level in his work, and is a culmination of tons of practice and development during 2025.

His SUB letters give the impression of being hollow and having the appearance of a pastry cutter, which is a clever effect. The void is filled with pink and blue ephemeral hexagons that appear to float in the space. Some green blobs distract the eye and round off the work – I can’t make up my mind whether they add to or detract from the piece. I hope that Sub will be able to kick-on from this fabulous end to the year in 2026 – I’ll be watching.


After a couple of very busy days in London, and returning to Bristol late last night, we had a lie in thin morning, the likes of which we haven’t had for many years. What that means of course is that I have to write today’s posts 













