6168. M32 roundabout J3 (592)

Pekoe and Bnie, M32 roundabout, Bristol, June 2024
Pekoe and Bnie, M32 roundabout, Bristol, June 2024

Of course, it is a terrible cliché, but when I see pieces like this that are both pretty and pink, I like to describe them as ‘pretty in pink’ stealing from the celebrated 1986 teen film, and then I get the earworm of the Psychedelic Furs and the song that the film was named after. This PIP collaboration is a peach from Pekoe and Bnie.

Pekoe, M32 roundabout, Bristol, June 2024
Pekoe, M32 roundabout, Bristol, June 2024

Pekoe has been mixing up her portraits and her writing recently, but I have to express my slight preference for her portraits, because, well, I just love them. The figurative piece is nice and clean, with solid fills and strong black lines, and there is something a little more stylised about the face, especially around the eyes. A classy piece of work.

Bnie, M32 roundabout, Bristol, June 2024
Bnie, M32 roundabout, Bristol, June 2024

Bnie is so consistent in the quality of her work, and all the elements of these letters come together perfectly. The pink background provides a great canvass for the writing to stand out. The golden drop shadow adds depth to the beautifully designed and filled letters. A clever touch is the subtlest dark shading at the base of the letters, creating a bit of shadow and lifting the writing further. What a fine collaboration.

5984. M32 Cycle path (262)

Raid, M32 Cycle path, Bristol, April 2024
Raid, M32 Cycle path, Bristol, April 2024

I can’t really praise Raid’s work highly enough, and his level of consistency is admirable. I recently posted a gallery of his work and have updated it just now, because I wanted to include the link in this post just to demonstrate how good his work is.

Raid, M32 Cycle path, Bristol, April 2024
Raid, M32 Cycle path, Bristol, April 2024

Raid is a neat and tidy writer whose edges and borders are always on point, but it is in his creative and interesting fills where he excels, as this piece demonstrates. His skill is in not overcomplicating things or being too fussy, but doing enough and creating new ideas to keep the fill exciting. Pinks and blues always work well together, and in my book, this is an outstanding piece of its type.

5736. St Werburghs tunnel (394)

Mr Devas, St Werburghs, Bristol, December 2023
Mr Devas, St Werburghs, Bristol, December 2023

While I know of Mr Devas, the artist who painted this graffiti writing in the tunnel, I have a feeling that this is the first time I have ever posted a piece by him on Natural Adventures. This tells me that he is an occasional visitor to Bristol and not a regular.

Mr Devas, St Werburghs, Bristol, December 2023
Mr Devas, St Werburghs, Bristol, December 2023

The writing spells out DEVAS and reminds me a little of Javiceus’ writing style and colours. The interlocking letters in blue and pink (the memorable colours of 2023) are nicely thought out and beautifully painted, supported by a classy 3D drop shadow in black. Nice work – I’ll have to see if I have other pieces by Mr Devas in my archive.

5612. The Paintworks (5)

Werm, The Paintworks, Bristol, October 2023
Werm, The Paintworks, Bristol, October 2023

This wall is a little out of the way and not favoured by many artists in Bristol. It is however a favourite for the Bristol Mural Collective to host occasional paint jams, so I was a little surprised to find a couple of Werm pieces on this stretch, which may have been there for some time, as I don’t visit the spot all that often.

Werm, The Paintworks, Bristol, October 2023
Werm, The Paintworks, Bristol, October 2023

This striking piece by Werm exploits the contrasting nature of Pink and Black, a combination used to great effect by Lee Roy and Waste in Brunel Way a little while back. Judging from the letter shapes, I would say that this piece is relatively recent, and it is dated 2023. I think I prefer his work when it is slightly less busy and cluttered, so I am enjoying this new direction.

5534. Cumberland Basin

Mr Crawls, Cumberland Basin, Bristol, September 2023
Mr Crawls, Cumberland Basin, Bristol, September 2023

Demonstrating that he is not a one-trick pony, Mr Crawls has painted this ‘stripped back’ version of one of his bird characters. Painted on a pink background, the chrome and black piece is quite unlike his other work, and shows the artist playing around with his characters.

Mr Crawls, Cumberland Basin, Bristol, September 2023
Mr Crawls, Cumberland Basin, Bristol, September 2023

I am very much enjoying Mr Crawls birds cropping up all over the city, and likening the way that he is switching things up from time to time. It is interesting to see that he has started signing his work, and I wonder if that is something to do with his level of confidence, or maybe even starting to market his brans a little. Unusual and enjoyable.

5479. Cumberland Basin

Kool Hand, Cumberland Basin, Bristol, August 2023
Kool Hand, Cumberland Basin, Bristol, August 2023

Such is the volume of pieces dropping in Bristol these days, that I am still posting pieces from Werm’s birthday celebrations, like this one by Kool Hand, from some weeks ago. I don’t think that I am ever going to get close to getting on top of this and perhaps need to be a little more judicious in my selections, although this is a challenge, because part of the point of the graffiti/street art posts on Natural Adventures is to showcase the range and diversity of pieces, from high-end to beginners, without prejudice.

Kool Hand, Cumberland Basin, Bristol, August 2023
Kool Hand, Cumberland Basin, Bristol, August 2023

In this piece, which is pink, consistent with the colour choice for the paint jam, Kool Hand has reverted to his staple orangutan character and the letters KH. As Kool Hand has developed his artwork, so this character, which has a three-quarter profile and loads more depth than some of his earlier renditions, shows off how far he has come and continues to improve. A nice piece with a familiar face.

Kool Hand, Dean Lane, Bristol, July 2019
Kool Hand, Dean Lane, Bristol, July 2019

5466. Cumberland Basin

Mind 49, Cumberland Basin, Bristol, August 2023
Mind 49, Cumberland Basin, Bristol, August 2023

I don’t quite know if Mind 49 has moved to Bristol, the West of England or something like that, but he is painting in the city much more frequently than he used to and, I have to say, he is knocking it out of the park on a regular basis. This pink portrait piece was his contribution to Werm’s birthday paint jam a little while back.

Mind 49, Cumberland Basin, Bristol, August 2023
Mind 49, Cumberland Basin, Bristol, August 2023

Mind 49 has a great touch, and his artwork almost looks like it has been painted with brushes. His portrait work is excellent, and he hasn’t gone down the route of super photorealistic, giving his pieces a bit of street authenticity, I like to think. The material on the jacket has been well painted, with plenty of texture, shading and folds that give it depth. Mind 49 is really establishing himself with this kind of portrait work in Bristol.

5406. St Werburghs tunnel (377)

Raid, St Werburghs, Bristol, July 2023
Raid, St Werburghs, Bristol, July 2023

Observing Raid’s progress is a genuine pleasure. Each time I see his work I see some improvement, and a boldness or confidence that is growing. I also like it that he is adapting his style from piece to piece, settling for a while and then moving on.

Raid, St Werburghs, Bristol, July 2023
Raid, St Werburghs, Bristol, July 2023

This is a nice one in the tunnel from a few weeks back, and uses that tried and tested colour combination of pink and light blue. The letters are beautifully presented, and the fills very nicely done indeed, with a swathe of stars running horizontally through the letters and pink ‘ribbons’ at the top and bottom. A decent drop shadow and blue backdrop round the piece off perfectly.

5375. Dean Lane skate park (622)

Raid, Dean Lane, Bristol, July 2023
Raid, Dean Lane, Bristol, July 2023

Since first encountering Raid earlier this year, he has been one of the most productive forces on the streets of Bristol, and right now, that is some achievement. I have met the artist on a couple of occasions, and he seems to be a really decent bloke, he also told me how he is enjoying playing with his letters, trying new ideas, but with the same general style.

Raid, Dean Lane, Bristol, July 2023
Raid, Dean Lane, Bristol, July 2023

These pinky-purple letters on a light pink background are easy on the eye. His fills have been very nicely executed and provide plenty of interest, and the turquoise/white sparks running through the piece add a detail that rounds the whole thing off nicely. More in the pipeline from Raid.

5332. Brunel Way (212)

Lee Roy and Waste, Brunel Way, Bristol, June 2023
Lee Roy and Waste, Brunel Way, Bristol, June 2023

This was my third attempt at photographing this fine collaboration from Lee Roy and Waste, under Brunel Way, because of the rather irritating light and shadow that is cast on sunny days from the left. I got there in the end. I was lucky enough to be there when the artists were painting the piece and I got to meet Lee Roy for the first time, and what a genuinely lovely person he is – we chatted plenty.

Lee Roy, Brunel Way, Bristol, June 2023
Lee Roy, Brunel Way, Bristol, June 2023

The collaborative wall is clever in that each side is a reversed-out colour version of the other, and how different they look, using the same powerful pink and black colour scheme. Lee Roy talked to me about his rather free style and said that he used to write really tight letters, in a more traditional graffiti manner, but that he found it increasingly unenjoyable, striving for perfection and instead has adopted a more liberated style, tending towards anti-style. He certainly seems to be happy with his current work, and has been churning out pieces at a terrific rate so far this year.

Waste, Brunel Way, Bristol, June 2023
Waste, Brunel Way, Bristol, June 2023

I don’t know much about Waste, other than that he is a friend of Lee Roy’s from out of town. I forget where… Cardiff? Swindon? I should have made a note. I like this piece a lot, and note that Waste has made things easy for himself, using the ‘tram-lines’ in the wall to keep his letters regular. All in all a very nice collaborative wall, which fortunately remained undogged long enough for me to get some decent photographs.