Tanith Gould was one of four female artists who painted the bill boards on Elton Street recently, adopting the paint jam colours and creating this imaginative portrait piece.
I am not entirely certain what this thoughtful piece is about, but there is a story here, and the imagery is impactful. This might be the most accomplished piece I have seen from Tanith Gould, and she has certainly earned her place in this prestigious ‘outdoor gallery’
The next few posts willl be necessarily quite short, as I am about to take off for my annual fishing trip to Cornwall, and although it is a short break from work, we manage to fill our days, leaving not a lot of time for me to write. At this moment I am packing, ironing, looking for a reel I have lost, having breakfast, walking the dog, dropping my daughter off at school before leaping into the car for the three hour journey.
This piece by Conrico is a belter. Everything about it is brilliant; the composition, the weirdness and the execution left me spellbound when I saw it. There are some pieces you see and you forget, there are others that remain in the memory for a long time or forever and this is one of those pieces. Fabulous work from Conrico.
When you photograph street/graffiti art two or three times a week, every week, you become very used to and familiar with ‘Bristol’ art, even if you can’t identify the artist. That might sound strange, but Bristol art has a look and feel, even across the diverse range of artists and styles, and anything that is not Bristol art, stands out a mile. When I saw this piece, it stood out a mile!
Qwynto is an artist based in the UK, but I am not entirely sure where, but I note he has painted in Haringey and Brighton recently, so I am guessing he is from the south-east of England. He took a trip to Bristol and left behind this wonderful piece. It has something that remind me of Mudra and Kid Crayon, and although there are similarities, there are also differences. His use of colour and tone is fantastic, bringing about a very soft pastel effect, and the writing incorporates a portrait and some other contextual elements, such as the car tyre and plants. This work is right up my street, and I am thrilled that Qwynto visited us in Bristol. Fabulous.
What an absolute stunner from The Hass. There is little more to say about it really. The portrait piece is a little bit similar in style to some of the recent pieces by Hazard, combining a photorealistic portrait with repetition and abstract ideas, and some interesting colour tones as well.
The more I look at the piece, the more I see. The incomplete portrait tricks your brain into completing it. It is quite incredible to think that this has all been painted with spray cans and not a paint brush in sight. I really don’t know how these guys do it. A masterpiece from The Hass.
A really quick one this morning. I have to make an unexpected trip and won’t have much time for blogs. This is a pity, because it feels like an age since I last posted anything by Pekoe.
This piece was painted for the annual Dean Lane Hardcore (DLH) event a couple of weeks ago, when skating, music and spray painting come together in a raucous and fun festival. All a bit loud for me, so I decided not to attend. I don’t mind what the reason for getting Pekoe out to paint, I will always welcome her work.
This piece from Laic217 was painted while I was away on my family summer holiday, but I was more than aware of its existence due to the fact that it was all over the Bristol Instagram feeds that I follow. Of course, on my return home, I made a beeline for the spot in Cumberland Basin.
There is something rather striking about the portrait piece, and I have a feeling the background pattern has a lot to do with it. The portrait itself is a classic piece of Laic217 art, disturbing and menacing, with the figure clan in a full mask and goggles. It has a dystopian future feel about it.
There are few things more tempting for graffiti and street artists than a newly buffed wall, and this one from a week or two back was an open invitation. The tragedy is that the walls are buffed by people as part of a community service order, as punishment for crimes not serious enough to warrant custody. Their work is pointless, and frankly a waste of paint, but nice prep for artists.
Quick to take advantage of the backdrop was Merny with this portrait piece including his trademark dot labels. The colours are rather striking and as such the piece grabs your attention. I rather like it, but from conversations with Merny, it would seem he isn’t that impressed with it. In case you missed it, I published a gallery of Merny’s work yesterday, and you can see it here.
I have not missed my routine tours around Bristol photographing street art, while I have been away, it is good to have a break from routines, but it is one of the things that will soften the blow of returning home.
Shortly before leaving Bristol I managed to photograph the curved wall in Dean Lane, with this fine collaboration between Zake, Conrico and Daz Cat. The Zake portrait is a fine 3/4 profile of a woman with fine blonde hair. Very nicely done.
The main part of the wall is slightly crazy and brilliant all at the same time. The dragon hatching from an egg in front of a mountain and desert scene is by Conrico, and the cats, but Daz Cat, although I am not sure if the larger orange cat is a cat. A refreshingly different kind of collaboration from these three.
I have a feeling that this might be the third piece painted by Jelly in Bristol, and this time she has brought a friend, apparan, with her. The double portrait, sited just off North Street, is a welcome burst of colour on what is an otherwise rather dull stretch of street.
The two portraits, although quite similar in style, have their own distinctive elements, such as the long eyelashes that Jelly likes to paint. It is really interesting to see the skin tones contrasting and the hair colours too. Portraits of women by women – this is great to see. A fine contribution to Upfest 2022, and we would welcome these two back anytime.
I think I was being rather thick when I looked at this piece, and it took me quite a while to unpick what was going on. It is funny how you can look at something but not really see it, which is something I pride myself on being able to do ordinarily, but in this instance I failed.
The clever piece is by Used Pencil and is of course a portrait of HM Queen Elizabeth, although not an entirely flattering one. Upfest was held this year just before the extended bank holiday during which the nation celebrated the Queen’s platinum jubilee – I didn’t celebrate, because I was in Porto with my daughter.
This portrait is a bit like a fully painted doodle and it is very nicely executed too. Used Pencil is another artist I have never come across before and his Upfest biography reads:
I am Used Pencil, the ‘Secret Walls’ winning, mural making, illicit illustrator with walls covered and exhibitions curated in HK, Lisbon, LDN, Manchester and Iceland, to name just a few. Always starting with a pencil and paper, I like to make marks on all surfaces using fine line creative wizardry.
Nice contemporary work.
Natural adventures 