There is never a time when I am not utterly made up when finding a portrait piece by Pekoe. This is a modest piece in the tunnel, which was painted as part of the Wispa birthday celebration paint jam in June.
Pekoe, St Werburghs, Bristol, June 2025
Pekoe’s subject and style has been a consistent landmark in the Bristol street art scene for years, and her corralling of the RBF crew is admirable. This portrait has some great colour contrasts – I love those glossy green lips, and green eyes. Pekoe has had a relatively quiet year so far, but I live forever in hope to find more of her work.
El Ruby Tattoo and Umbrelle, M32 roundabout, Bristol, April 2025
Because Bristol is well known for its street art and graffiti scene, we tend to see a lot of visiting artists passing through and dropping a piece or two. I don’t actually know where these two artists, El Ruby Tattoo and Umbrelle, are from, but they have combined well to create this double-header on the M32 roundabout.
El Ruby Tattoo and Umbrelle, M32 roundabout, Bristol, April 2025
Both artists are tattoo artists, and they were painting with Kid Crayon and Tera (I think), so there was a strong tattoo connection. The two character portraits are very different, but both are rather good, and they work well side by side. It is a bit of a shame that the bright sunshine has cast a few shadows on the uneven surface, but that is the price you pay for nice weather.
The concrete slabs at Purdown can be quite challenging to say the least, the stand-alone edifices limit the scope and dimensions of the piece, and don’t lend themselves to writers. There is also the matter of a small herd of goats that tend to enjoy ‘scrambling’ around all the concrete structures. Jest Soubriquet (@likes_wan_tu) has absolutely made the most of this slab, showcasing his superb work.
Jest Soubriquet, Purdown, Bristol, June 2025
Jest Soubriquet has absolutely smashed it with this colourful portrait piece, which really stands out as something special. It is great that dog-walkers, runners, families and so on, who enjoy Purdown, get to see great art like this for free, in an interesting context of WWII history, nature and street art. A supreme piece from the master of colour.
This wall, I believe, is owned by the householder behind it who has been happy to give permission to Silent Hobo, in the past, and more recently Stivs and Vane to decorate the wall. This recent makeover is their second collaboration here, and they have created something truly beautiful.
Vane, Mina Road, Bristol, May 2025
The art nouveau style of this two-part collaboration is not only really unusual, but arresting, and perhaps something you might expect to see on the near continent rather than in Bristol. Vane’s photorealistic portrait is engulfed in flowers and surrounded with a stunning art nouveau design, not unlike the metro signs in Paris.
Stivs, Mina Road, Bristol, May 2025
Stivs continuers the theme, with the highly designed background and floral decoration, and also includes a portrait, although one that is perhaps slightly less photorealistic. This collaboration is as outstanding as it is unexpected. A very special piece.
What a beauty by Daz Cat. My first thought was who has he been collaborating with? – but there was only one signature and I realised pretty quickly that Daz Cat was trying out something a little new. I can confidently say that his portrait/cat character combination is a huge success, and I look forward to seeing more pieces like this from him.
Daz Cat, St Werburghs, Bristol, June 2025
There is a lot to talk about in this ‘self-collaboration’ and I’m sure I won’t be able to do it justice. Starting with the portrait, there are some obvious Daz Cat trademarks, particularly in the patterning in the eyebrows and hair. The proportions and perspective are near perfect, and I think that it demonstrates what I already knew, that Daz Cat is a very talented artist.
The cat character is more along the lines of what I’d expect to see. There is a story here. The cat is holding a snail which has a flower growing out of its shell – what it means, who knows? But it looks great. I look forward to more of these self-collaborations in the future.
This is a fine collaboration from two artists who never seem to stop, both totally dedicated to their art and sharing it with us. This is the kind of collaboration which is more about artists painting together rather than any kind of fusion between their styles, colours or design.
Conrico, Greenbank, Bristol, May 2025
On the left, Conrico presents a portrait of a woman in the foreground, who looks like she is taking a selfie in front of an island paradise – probably a Japanese island in the East China Sea. Conrico’s portraits are improving all the time and becoming more of a feature of his work. Of course, he has enough paint to add in his letters, with a feint reflection in the inviting sea.
Werm, Greenbank, Bristol, May 2025
To the right, Werm’s letters are beautifully presented, with the middle two letters a little smaller and ‘sitting on top’ of the rest of the piece. Lots of depth and intricate design work in this graffiti writing. Both artists have very different technical styles, but this collaboration works incredibly well.
OOF! This is a superb character portrait piece by Nice one, so full of movement and vibrancy. The ‘sketchy’ style that Nice One adopts for his character pieces has an impressionist quality, with what appear to be brush strokes rather than spray paint work, especially around the face and hair. This is a clever technique, and I suspect rather difficult to do.
Nice One, Dean Lane, Bristol, May 2025
The character is wearing enormous glasses, with a hint of reflection in them, which is incredibly effective. There is no need for a signature, when the whole piece sits over a huge ‘Nice One font’ ‘N’. A superb piece from an artist whose work is beautifully executed and always interesting.
I’m beginning to regret ever having said that, unlike other street art hubs in the country, Bristol is rather light on paste ups. Ever since I first made that comment, I seem to have found wheatpastes all over the place. Whether I am just seeing more because I am looking more or whether there has been an influx, I cannot say, either way, it is good news.
Mauro Goblin, Stokes Croft, Bristol, May 2025
This is a stunning portrait piece by Mauro Goblin, an artist I believe from Valparaiso, Chile, featuring Beth Gibbons from local band Portishead. The stencil piece is sprayed on to paper which is then pasted up, hence the sharp edge around the portrait. A little bit of orange spray paint behind the piece significantly adds to the impact. What a privilege to have this piece in Bristol.
I am used to seeing Zake character pieces that tend to be head-on round faces in a cartoon style with lots of light and shade creating depth, so this is something a little different.
Zake, Dean Lane, Bristol, May 2025
The profile portrait of an androgenous person draws more on a realistic version of a character than the cartoon style I am used to from Zake. The hair, in particular (most of his characters are bald), is great to see, demonstrating that Zake is far more than simply a one-trick pony. Definitely an unusual piece from one of the most prolific artists painting in Bristol at the moment. I have updated my gallery of Zake’s work so you can see what I mean.
This wonderful collaboration piece alongside the Bristol Avon came as a complete surprise. I am familiar with Buser, but I have never seen anything by Mr SCE before and assume that he was visiting.
Buser and Mr SCE, River Avon, Bristol, April 2025
The combination collaboration shares some commonality with the orange blast around the writing and portrait. Buser’s letters are well crafted although the colour combination is a little too overpowering for me, and there is quite a lot of brown in there. I am beginning to wonder if brown is the colour of 2025.
Mr SCE, River Avon, Bristol, April 2025
The two-tone portrait by Mr SCE is beautifully painted and it is a bit of a shame that it is so off the beaten track, although it is likely to remain here longer than in some of the more accessible spots in Bristol. Such is the quality of this portrait, that I will certainly be looking out for Mr SCE’s work in the future.