758. Armada Place (10)

Well this is a bright wall from Laic217 and Hire. Regular readers will be familiar with the work of Laic217, as I tend to feature a piece by him almost every week, however this is the first work by Hire that I have posted.

Laic217, Armada Place, Bristol, April 2017
Laic217, Armada Place, Bristol, April 2017

I think that this is another of those painting together walls rather than a collaboration per se. There is an element of sequence between the two pieces, but the main link is the background wash selected, and the skeleton spraying on the Hire piece.

Laic217, Armada Place, Bristol, April 2017
Laic217, Armada Place, Bristol, April 2017

No major surprises from Laic217, but consistent with his progress over the last year, the quality of his pieces improves with each work.

Hire, Armada Place, Bristol, April 2017
Hire, Armada Place, Bristol, April 2017

I know very little about Hire, except that I am certain I have pictures of other work he has done in my archive. I will try and dig some out if I can. This is a lovely wildstyle piece, with some similarities to the style used by Dibz. A great combination.

Sorry to say that I returned a few days later and the whole thing has been obliterated with this:

Throw up over Laic217 and Hire, Armada Place, Bristol, April 2017
Throw up over Laic217 and Hire, Armada Place, Bristol, April 2017

744. Moon Street (29)

Quite by chance I came across Laic217 spraying over one of his old pieces in Moon Street on my way to the ‘paint jam’ on 8 April. This was indeed a bit of a red-letter day for me, and I hadn’t even arrived at The Bearpit yet.

Laic 217, Moon Street, Bristol, April 2017
Laic 217, Moon Street, Bristol, April 2017

I have been really wanting to meet Laic217 for some time, because his work is so different and distinctive and he is so incredibly prolific at the moment. Now was my chance to say hello and ask him a few questions.

Laic 217, Moon Street, Bristol, April 2017
Laic 217, Moon Street, Bristol, April 2017

He seemed to know who I was (probably from my Instagram account), so I didn’t need to explain too much why I was interested in his work. He implied that he tries not to be influenced by other artists or what people write about him, preferring instead to plough his own furrow. He tends to spray alone and does not belong to any local crew. I picked up an accent which to my untrained ear sounded German.

Laic 217, Moon Street, Bristol, April 2017
Laic 217, Moon Street, Bristol, April 2017

When I asked him how can he be so prolific, he stated what I suppose is obvious, he said “It is what I do and I love to do it”. This is another skull face and bucket hat combo (I was glad to see he sports such a hat) with a gold tooth, joint, brick wall behind sun glasses and shattered smiley. It is all there and all absolutely wonderful.

Laic 217, Moon Street, Bristol, April 2017
Laic 217, Moon Street, Bristol, April 2017

652. King Square Avenue (3)

Such is the prolific nature of Laic217, I am having real difficulty keeping up with his work that just keeps popping up all over Bristol. It seems to be about one a week at the moment, which is kind of crazy.

Laic217, King Square Avenue, Bristol, February 2017
Laic217, King Square Avenue, Bristol, February 2017

This piece is in a quiet side road off Stokes Croft, a site frequented by Epok and Deamze, but this sits comfortably in their company. Laic217 gathers several of his regular themes into one with this piece, the acid house influence, the toking smilie, the bucket hat, the skull and the brick wall.

Laic217, King Square Avenue, Bristol, February 2017
Laic217, King Square Avenue, Bristol, February 2017

He posted his black book draft of this piece on his Instagram feed, and the only variation from the draft is the colour of the LCD display, which was lilac in the draft. Much better as green. More to come form the busy Laic217. I forgot to say how much I like this piece…there I’ve said it now.

583. M32 Spot (2)

Following on directly from the previous post, here is another wonderful piece from the concrete sprawl under the M32. This is by 3Dom from back in September 2016, and you might get a flavour of what he thinks of it from a hashtag he used on his Instagram feed: #skullsareprettyboringafterawhile.

3Dom, M32 Spot, Bristol, January 2017
3Dom, M32 Spot, Bristol, January 2017
I happen to rather like it, and it works well in the troglodytic surroundings. I don’t think it took too long to spray, although I don’t know, I just have a feeling. He has real flair for attention to detail, the shading, the folds around the eye, the reflection in the eye and drips from the skull. The piece is humorous and the fly coming out of the hole at the top sets it off nicely.

364. Moon Street (15)

Another pause from Upfest 2016.

With my weekly trips to London, and tons of pictures from Upfest, it is all too easy to neglect my first love…Bristol street art, here every day on the streets, right in front of my eyes. I took a bunch of photographs on my way to work a few days ago, and here is one of the highlights.

3Dom, Moon Street, Bristol, August 2016
3Dom, Moon Street, Bristol, August 2016

This wall has been home to a piece by Laic217 for quite a while but has been replaced by this magnificent 3Dom work. Skulls seem to hold a fascination for street artists…(note to self – special skulls post)…this skull though is one happy, peaceful soul.

3Dom, Moon Street, Bristol, August 2016
3Dom, Moon Street, Bristol, August 2016

I think this piece is quite new. It is always exciting for someone like me to find the new stuff and see it for the first time. Yet another winner from 3Dom.

358. Hoxton Square, Shoreditch, London (1)

My wanderings in Shoreditch turned up so many wonderful pieces of street art, but this duo of Mr Cenz and Fanakapan really has to be the pick of the bunch. I am really familiar with both artists, thanks in part to the excellent London Calling blog.

Mr Cenz, Hoxton Square, London, August 2016
Mr Cenz, Hoxton Square, London, August 2016

For a while, I have longed to see some work, first-hand by both of these artists, so this was a real treat for me on a wet monday evening. Mr Cenz is a London street artist who started his graffiti in 1988 and is now a professional graffiti artist with his own company Positive Arts.

Mr Cenz, Hoxton Square, London, August 2016
Mr Cenz, Hoxton Square, London, August 2016

This reasonably recent piece is a freestyle creation of a female portrait distorted with shapes and colour, typical of his current work. Exceptional work and so very pleasing to the eye.

Fanakapan, Hoxton Square, London, August 2016
Fanakapan, Hoxton Square, London, August 2016

Fanakapan is a genius in my view. He creates the most incredible images of shiny surfaces which recently has featured helium balloons of lettering, animals and other shapes. The way he captures these subjects is quite extraordinary and his technique is quite exceptional.

Fanakapan, Hoxton Square, London, August 2016
Fanakapan, Hoxton Square, London, August 2016

In this piece he has even managed to incorporate two wooden features on the wall into his art. I am a huge fan of both these artists, and wish they would do more work in Bristol outside of Upfest. I’ll keep my fingers crossed. I was a very happy man after finding these works on the side of 333 Mother, a pub on the end of Hoxton Square.

250. The Bearpit (18)

Since becoming aware of Laic217’s work work only a matter of two months ago, I seem to find his stuff everywhere. This is his latest piece that can be found on the staircase down into The Bearpit on the Northern side.

Laic217, The Bearpit, Bristol, May 2016
Laic217, The Bearpit, Bristol, May 2016

The head, and the colours used in this piece remind me of ‘the Mekon‘ who was the alien villain in the Dan Dare strip from the Eagle comic. My grandparents had a set of Eagle annuals, and I would read them from cover to cover when I used to stay. I ought to add, that they had belonged to my uncles, and that I was reading them several years after their publication. I digress.

Laic217, The Bearpit, Bristol, May 2016
Laic217, The Bearpit, Bristol, May 2016

I believe Laic217’s work is finding its place in the general order of Bristol street art, and is continually improving. He belongs to a small group of street artists that spray in both North and South Bristol. This is a good piece.