There is something very charming about the stylised skeleton characters painted by Squarms. They are nicely designed and consistently presented, so that it is clear and obvious that they all belong to the Squarm stable. His work feels like that of a graphic designer taking his ideas to the street.
Squarms, River Avon, Bristol, August 2025
These two small pieces are so much more than quick throw ups. The grey background has been prepared nicely so that the skulls stand out with their soft pink and light grey drop shadows. Accomplished designs presented really well by Squarms.
Mind 49 has always been an activist, and although his art has mellowed in recent years, his principles are still very much intact. This anti-war piece is striking, poignant and beautifully presented.
Mind 49, St Werburghs, Bristol, July 2025
Skulls are a common motif/subject in street art and this is one of the very best examples I have ever seen. Mind 49 has captured the tones, shading and depth perfectly. Strangely, the helmet almost seems as though it is painted by a completely different artist. It is lacking in detail, the perspective is slightly out and the flags a bit untidy. I don’t know why this is, whether it is a deliberate device or that Mind 49 has absolutely cracked the skull and needs to work on helmets. It is a mystery.
The message to take home is clear. ‘Destroy the war machine’, which is directed at the UK, the USA and Israel. I could go into a long and thoughtful essay about the war in Palestine, and the impotence of voices that want an end to the killing and suffering. History will not look favourably on the genocide and the parallels with WWII concentration camps and justifications for extermination. Can’t people see the paradox? I’ll stop there. It upsets me too much.
Ordinarily, I would expect a 3Dom piece to stick around for a month or two at least, but this wonderful piece only lasted a couple of weeks, which is a shame, but at least it was painted over with a decent piece, and it wasn’t tagged or bombed.
3Dom, Peel Street Green, Bristol, May 2025
There is always a great deal of symbolism in 3Dom’s work, and here is a large eye character bearing the heavy weight of a skull. There is so much more going on here than simply the idea. The colour selections, light cast, shadows and perspectives are all impeccably presented and sets a bar for character artists across the land. You might spot a yellow Mr Bloopy in the background too.
Fade, Jody and Dibz, Dean Lane, Bristol, April 2025
Here we have yet another epic production collaboration from Fade, Jody and Dibz, who have been knocking it out of the park for a couple of years now, creating some breathtaking triptychs from the two writers and the ‘character’ artist.
Fade, Dean Lane, Bristol, April 2025
I watched them for a short while while they painted this piece, and while the two writers were well advanced with their work, Jody’s skull portrait was still some way off. On the left, Fade has produced some gorgeous ‘lava’ letters tinged with some turquoise highlights and some purple smoke plumes. His letters look like CREAM, but I can’t be sure.
Jody, Dean Lane, Bristol, April 2025
The centrepiece is an outstanding screaming skull by Jody. He really is a most talented artist, both in his studio work and his street art. His technique is simply awesome, and he manages to create such depth and texture with the deft strokes of the spray can. Brilliant stuff.
Dibz, Dean Lane, Bristol, April 2025
Dibz, to the right, mirrors the colours of Fade, as is so often the case with these production pieces. The letters spell DIBZ, a little easier than Fade’s to read, and contain the same hot lava look. The triptych as a whole has a searing heat about it, as if the poor soul in the middle is trapped in hell. Outstanding collaboration.
Oof. This is a beauty from Nice One, probably the most original and exciting artist to have come onto my radar in the last year or so. Before I started recording his work, I suspect I missed a whole ton of his pieces, which is deeply regrettable.
Nice One, Montpelier Park, Bristol, April 2025
This is a superb skull piece painted in his sketchy style and accompanied by a hint of his NICE letters at the bottom of the piece. There is so much depth and texture in this piece, and the hatching gives it that sketchbook quality. I need to catch up with the artist again, it has been a while, as I have a whole load of questions to ask him about his work. Great stuff.
It is always a great pleasure to be able to share a new 3Dom piece, as he is without doubt one of Bristol’s most gifted street artists. I also like the way that his pieces appear without any fanfare and are painted on ‘ordinary’ walls as well as some of the high-end walls.
3Dom, M32 Cycle path, Bristol, March 2025
This is a wonderful piece, not entirely a million miles away in concept from his recent piece in the St George skate park. The skull is made up of a bunch of ‘floating’ components, which come together and present as a coherent skull. Take any element in isolation and it could be anything. In the dome of the skull, there is some classic 3Dom patterning and the inclusion of an atomic illustration, which appears in a lot of his work. This is a wonderful, high quality piece.
Mr Crawls, Cumberland Basin, Bristol, February 2025
Mr Crawls has been having a productive and creative winter, turning out a suite of stylised cartoon character birds. This one is accompanied by some monolithic letters ‘NS’? I don’t know what the letters are all about, but he has incorporated them skilfully.
Mr Crawls, Cumberland Basin, Bristol, February 2025
The skeleton bird design is one that Mr Crawls has used before and to be honest is a little bit sinister, not his usual cheery bird representation. There is a lot to like about mr crawls’ work at the moment, and his expanding repertoire keeps things interesting.
3Dom and Sled One, St George skate park, Bristol, January 2025
One of the great ‘walls’ in Bristol, this monolith rises out of the St George skate park like something out of ‘2001 A Space Odyssey’. On the other side of the wall is a slim ramp. Pieces that are painted here tend to be higher-end works and usually have quite a long lifespan. I think I probably need to do a ‘One Wall – Many Faces’ post for this wall, simply because it has such a great heritage of artwork.
3Dom and Sled One, St George skate park, Bristol, January 2025
This piece is a collaboration by 3Dom and Sled One, and is a top drawer work, so typical of the artists, who have collaborated before, but perhaps not so intimately as in this skull work. There is often a lot of symbolism or a story to tell in their work, but I am not sure that I can interpret it – ideas breaking out of a soulless brain, perhaps. The top half is by 3Dom and the lower half by Sled One. And just to add to the magnificence of the piece, they have painted some amazing water droplets for good measure.
I have a sense that 2025 is going to be a good one for street art in Bristol. Already January, a month that is traditionally rather slow, has been a very active period with loads of artists hitting the ground running. A signal that we could be in for a treat this year is the early appearance of Kid Crayon and I am Ian in Dean Lane.
I am Ian, Dean Lane, Bristol, January 2025
This skull piece by I am Ian is full of joy and humour. Painted in a mischievous cartoon style, the grinning skull is accompanied by the slogan ‘Here today, gone tomorrow’, which I guess is a brief description of our existence. The character is expertly painted, with some great shading and fine lines to create features and depth. A wonderful way to start the year.
I haven’t seen quite as much from Soap this year as I would have liked, perhaps he has been working hard, but he has made plenty of regular appearances alongside his PWA friends. This wonderful Christmas piece was painted alongside Zake and Face 1st.
Soap, M32 roundabout, Bristol, December 2024
This year was a very quiet year for Christmas themed pieces, so it was nice to see this PWA paint jam. soap has spelled out his name in this combination piece, with a rather creepy skull-face Father Christmas making up the ‘O’ of SOAP. The gold lettering with red accents and a ‘ho, ho, ho’ add to the festive appeal of the piece. Some nice work from Soap.
