6556. Newfoundland Road (6)

Zase, Newfoundland Road, Bristol, November 2024
Zase, Newfoundland Road, Bristol, November 2024

This is a curious shutter piece painted on a new Kashmiri restaurant in St Pauls. It is a little off the beaten track, but on one of my dog-walking circuits. The piece is signed by Zase, but it is quite unlike most of his work, and is most likely painted to a commission brief.

Zase, Newfoundland Road, Bristol, November 2024
Zase, Newfoundland Road, Bristol, November 2024

The piece is a stunning mountainous landscape, with a river running through rolling hills and a cherry blossom dangling across the piece in the foreground. The piece is unusual, because you simply don’t see this kind of thing very often in Bristol. It is beautiful.

Zase, Newfoundland Road, Bristol, November 2024
Zase, Newfoundland Road, Bristol, November 2024

On the other side of the restaurant entrance is a flag-map of Kashmir. I am not certain that Zase is the artist, because it is so utterly different from his normal style, and it isn’t quite finished to the sharp quality I would expect. The whole thing though is a refreshing change from the usual fare I see every single day.

Circus in town

Revel Puck Circus, St Paul’s, Bristol, September 2024
Revel Puck Circus, St Paul’s, Bristol, September 2024

.

Revel Puck Circus

acrobatic jeopardy

fun in the big top

.

by Scooj

Spider

Spider, St Pauls, Bristol, August 2024
Spider, St Pauls, Bristol, August 2024

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Little Miss Muffet

is eating her curds and whey

look who comes along

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by Scooj

3561. St Paul’s

Soker hasn’t painted many walls during the pandemic, but what he has lacked in quantity he has surely made up for in quality. This is a magnificent recent piece painted alongside Inkie and Sepr in the depths of St Paul’s.

Soker, St Pauls, Bristol, March 2021
Soker, St Pauls, Bristol, March 2021

Everything about this piece of graffiti writing is right out of the top drawer, from the colour selection to the letter design, the graded fills and dripping black spots. There is so much to enjoy here, and Soker is exceeding even his very high bar.

Soker, St Pauls, Bristol, March 2021
Soker, St Pauls, Bristol, March 2021

I genuinely think that in Inkie, Soker and Sepr, we have some of the very best graffiti writers and street artists in the world, a bold claim I know, but difficult to argue against.

3556. St Paul’s

Anyone over a certain age will probably remember the cartoon series Hong Kong Phooey, I certainly do, but what is incredible is that there were only 16 episodes made. How is that possible, at one point in my life, I would have been about 10 years old, this cartoon seemed to be on all the time? Inkie has breathed new life into this hapless undercover crime solver in this breathtaking new piece in St Paul’s.

Inkie, St Paul's, Bristol, March 2021
Inkie, St Paul’s, Bristol, March 2021

Painted on a new hoarding, this piece is in the very good company of Soker and Sepr (to follow). This is a beautifully finished high-quality piece from Inkie set on a blue star background with bright orange and red lettering to match the skin tones and costume worn by our hero. Great to see Spot the cat making an appearance too.

Street art in Bristol seems to have undergone a renaissance over the last few months, something that I suspect will calm down a little as artists return to their day jobs and a form of normality resumes. If not, then I am in big trouble because I simply can’t cope with the amount of new art being produced each and every day.

Thursday doors – 23 July 2020

Doors 116 – Some random Bristol doors from lock down walks

I have taken a day off work today and so am able to spend a little bit of time sorting out some new doors for you. This is a selection of doors from all around North Bristol from the long dog walks I took during the lock down days.

I am constantly reminded of what strange times we live in that we have developed a whole new language around the coronavirus epidemic, and that we will reference world history in terms of pre-Covid and post-Covid. I find it all very unsettling.

Anyhow – on to the doors. I hope you enjoy them.

Back yard gate, Montpelier, Bristol, May 2020
Back yard gate, Montpelier, Bristol, May 2020

Back yard gate, Montpelier, Bristol, May 2020
Back yard gate, Montpelier, Bristol, May 2020

Back yard gate with graffiti, Montpelier, Bristol, May 2020
Back yard gate with graffiti, Montpelier, Bristol, May 2020

Back yard gate with graffiti, Montpelier, Bristol, May 2020
Back yard gate with graffiti, Montpelier, Bristol, May 2020

Front door in blue, Montpelier, Bristol, May 2020
Front door in blue, Montpelier, Bristol, May 2020

A smart front door with boot scraper, Montpelier, Bristol, May 2020
A smart front door with boot scraper, Montpelier, Bristol, May 2020

So, that’ll be it for another week.  I expect I’ll revert to my graffiti door archive next week, but we’ll have to wait and see. Take care wherever you are and have a great weekend.

If you have made it this far, you probably like doors and you really ought to take a look at the Norm 2.0 blog – the originator of Thursday Doors where there are links to yet more doors in the comments section at the end.

 

by Scooj

2960. Wilder Street (40)

Ah what joy, a fabulous new piece from Hazard in the middle of St Paul’s. I understand the piece has been painted in lieu of the St Paul’s carnival, which of course won’t be happening this year.

Hazard, Wilder Street, Bristol, May 2020
Hazard, Wilder Street, Bristol, May 2020

Hazard has painted a stylish and colourful face with an incredibly ornate headdress loaded up with feathers and flowers. It is a really stunning piece and sits right up there with some of her very best work.

Hazard, Wilder Street, Bristol, May 2020
Hazard, Wilder Street, Bristol, May 2020

I sometimes have to pinch myself when I see her work here in her home town, we are truly blessed and privileged to see her pieces around us and in our manor. I suspect that unlike much of her work, this one will be around for a long while. An outstanding beauty from Hazard.

2400. Brighton Street (3)

Another one from a month or two back from Decay which was painted for this year’s St Paul’s carnival. What is interesting about this piece is that it is a reversion to his older style of work with ‘Chuck’ in the centre of rays of concentric ovals eminating from the middle. I guess this design probably fit the space better than his more recent writing designs which are better on a ‘landscape’ wall.

Decay, Brighton Street, Bristol, July 2019
Decay, Brighton Street, Bristol, July 2019

Of course the colour selection is entirely appropriate to the carnival and many other pieces by other artists carried the same base colours. I can’t think how many pieces Decay has painted this year, and I haven’t captured them all by any means. I think that together with Rezwonk he bears the crown of most productive Bristol artist 2019, unless things change for the remainder of the year.

2355. Grosvenor Road (2)


I think that this piece by DNT was specially comissioned for this year’s St Paul’s carnival, and it is a gentle reminder to us all that knife crime in the UK is on the rise, and is not welcome at the carnival. In years gone by, there has been trouble at the carnival, and St Paul’s, when I first arrived in Bristol 28 years ago was a bit of a ‘no-go’ area. Things are much improved these days, but there is still a bit of edge to the place.

DNT, Grosvenor Road, Bristol, July 2019
DNT, Grosvenor Road, Bristol, July 2019

The piece itself demonstrates that DNT can turn his talents to pretty much anything, and stylistically, this piece is quite different from the kinds of things we are more used to sdeeing in the Stokes Croft area. Nice one, great message.

2335. St Agnes Park

I think that this is the fourth ‘Saint of St Paul’s’ piece by Michele Curtis and the Paintsmiths that I have posted, and it is one that is tucked away on the side of a house that backs on to St Agnes Park.

Michele Curtis and Paintsmiths, St Agnes Park, Bristol, July 2019
Michele Curtis and Paintsmiths, St Agnes Park, Bristol, July 2019

The ‘Saint’ portrayed in this piece is Clifford Drummond who was involved with the bus boycott protests which ultimately led to a change is race laws in the UK with the 1965 and 1968 Race Relations acts. He along with the other six ‘Saints’ were the founders of the St Paul’s Carnival, and this mural project is such a wonderful tribute to the hard-fought work they put in and the positive changes they made to UK law.

Michele Curtis and Paintsmiths, St Agnes Park, Bristol, July 2019
Michele Curtis and Paintsmiths, St Agnes Park, Bristol, July 2019

This mural itself, like all the others is simply beautiful and features a lovely portrait of Clifford Drummond set on a local background with the Speedy Bird Cafe, which I believe was a meeting place for the bus boycott protesters. In keeping with the other murals, this one has some beautiful flowers decorating the piece, presumably from his Clifford’s home land. Another masterpiece from Michele Curtis and the Paintsmiths.