The last stencil piece I saw by Man-X was a rather cute west highland terrier painted at the entrance to Leonard Lane, so it was somewhat surprising to see this irreverent portrayal of Queen Elizabeth II sitting on a different kind of throne.
Man-X, Backfields, Bristol, November 2024
The portrait piece is a nicely worked five or six colour stencil, set within an oval frame, and is really rather unusual in many ways. The colours incorporate gold, which I guess is in part to represent the royal setting (golden throne). There is some extra fun in the detail, with the Queen reading a magazine entitled ‘Corgi’. Edgy and offensive to some, this piece is nicely executed, on a tricky stone surface.
This large piece by Mr Klue is unusual in that it isn’t in St Werburghs tunnel, his favoured spot. It was painted as part of a paint jam themed along the lines of a cartoon film ‘Ninja Scroll’ as determined by World Wall Stylers.
Mr Klue, Frome Side, Bristol, November 2024
Although there is little to link this piece to the film, except perhaps the letters, which I can’t read, it was very much in keeping in terms of palette selection with the other artists in the paint jam. I do like it when Mr Klue ventures beyond his safe space of the tunnel, as it gives his truly unique abstract writing more of a chance of being seen by more people, although that isn’t necessarily the case under the M32.
Super-quick posts this morning, as Christmas shopping beckons and a very busy day ahead. I am quite looking forward to going to some actual ‘physical’ shops, as I am getting a little sick of on-line shopping. Today’s post is a piece by Jevoissoul, who is living up to his promise of having a busy year painting the streets of Bristol.
Jevoissoul, Dean Lane, Bristol, November 2024
Jevoissoul’s characters have a very distinctive look, crossing over between a sketch and cartoon style. This cheeky chappy, with his baseball cap coming adrift (a nice touch) is nicely painted and finished, and marks the continuous improvement shown by the artist. The placement was at the edge of a production piece, but respectfully managed to avoid overwriting any part of it.
With this magnificent piece, we welcome back Subtle, who has been away from our streets for far too long, indeed the last piece I posted by the artist was way back in March 2022. He has marked his comeback with a really strong statement piece… no need for fancy embellishment or fiddly bits. This burner is far from subtle.
Subtle, Greenbank, Bristol, November 2024
The chrome letters SUBTLE sit boldly on a dark background, and although there is a drop shadow, it is almost as dark as the background and difficult to see (more so in the photographs). I sincerely hope that this isn’t a one-off and that we get to see more of his work, and just to remind you what his work looks like, here is an updated gallery for you to enjoy.
Noise and Zake, Cumberland Basin, Bristol, July 2024
One of the reasons that I am able to dwell a little on going back through my archives is that the winter weather is finally getting the better of ‘fair-weather’ artists, and turnover has slowed considerably since the back end of November. Although it is never good to see a slow-down, the upside is that it does give me a bit of a breather and the chance to share some ‘forgotten’ pieces, including this fine collaboration from Noise and Zake.
Noise and Zake, Cumberland Basin, Bristol, July 2024
I have said it before, that Zake loves to team up with anyone who is willing to paint with him, and in this piece he has combined really well with Noise, incorporating his cartoon character as the ‘O’ of NOISE. The deep stripy drop shadow lifts the collaboration and unintentionally mirrors the teeth of Zake’s character. This is a really satisfying collaboration to see, from two of Bristol’s best artists.
Solar and Nice One, Sparke Evans Park, Bristol, June 2024
This is another one from my archive. I was actually digging it out because of the piece by Nice One, which is sitting above a Solar piece. It is impossible to post one without the other, and so you are getting two for the price of one in this post. Solar is a reasonable active member of the PLB crew, and it is not so long ago that I posted a gallery of his work. This is a nice letter blocky piece from him, and I think he painted the PLB letters too.
Solar and Nice One, Sparke Evans Park, Bristol, June 2024
Nestled on top of the Solar piece, Nice one has painted his Times New Roman font letters spelling out his name. Midway through the letters is an interesting character, looking like somebody from an age gone by. The black and white character is really well painted and something of a nice surprise. I don’t think, although I can’t be certain, that the pieces were painted as a collaboration nor even necessarily at the same time. I can’t be sure either, who painted the brick wall with water flowing from a pipe. Curious stuff.
I have tried to make a habit of posting all the Grimes pieces that I photograph, but on a recent trawl through my archives, I found this one from June this year. Remember June? It seems so very long ago. The central characteristic of all of Grimes’ work is the extraordinary sense of energy and movement he seems to inject into his graffiti writing.
Grimes, St Werburghs, Bristol, June 2024
This piece, although painted in darkish colours and affected by low light levels in the tunnel, manages to burst out from the wall, demanding attention. As ever, the piece is immaculately finished with strong, sharp borders, tidy fills and a superb orange drop shadow. 2024 has been the year of Grimes, and it has been a pleasure finding and posting his work.
Street art takes many forms, and encompasses so much more than graffiti writing and spray-painted portraits, characters or scenes. It is a broad church that encompasses murals using spray paint or other painting materials, paste-ups and installations large and small. Hardcore followers like to stick with spray paint work, but I like to find and write about all forms of street artwork, and this wonderful toadstool piece by Le Imposter Design is a perfect example of a modest hand-painted tiny mural.
Le Imposter Design, Greenbank, Bristol, June 2024
I have posted all the Le Imposter Design pieces that I have found (three so far), because I feel they help to represent this vast spectrum of street art in Bristol. Most of her work features plants or fungus, and this is a particularly nice example, with a purple-capped toadstool and some rather pretty ground plants and flowers. She has added some little stars, to add a little bit of context and atmosphere. The piece is small and low down on the hoarding. Blink and you would miss it. More to come from Le Imposter Design.
I think that May was a really busy month for street/graffiti art, the weather was pretty nice, and we had Upfest (Europe’s largest street art festival) in Bristol and I also had a trip to Leicester, so my May archive is still bursting at the seams with unpublished photographs of stunning art. One such piece that didn’t make it into Natural Adventures is this very special piece by Todoaciem.
Todoaciem, Sparke Evans Park, Bristol, May 2024
The calligraffiti which Todoaciem specialises in makes a refreshing change from the more stereotypical pieces that I normally encounter, where the form and precision of the letters and the drop shadow are paramount. It looks like this stunner was painted on Todoaciem’s birthday during a birthday paint jam. What a great way to celebrate.
Conrico, Acer One and Andy Council, Cumberland Basin, Bristol, May 2024
You might be able to detect that I have been rooting around in my archives again, which I like to do every once in a while, because there are so many pieces that I’d like to share, but that get left behind. How this amazing collaboration from Conrico, Acer One and Andy Council ever got omitted I’ll never know, but I am making up for it now.
Conrico and Acer One, Cumberland Basin, Bristol, May 2024Conrico and Acer One, Cumberland Basin, Bristol, May 2024
The three part piece is a wonderful co-creation in which all the distinctive elements come together seamlessly. The landscape background with hints of an oriental coastal scene is by Conrico and creates a wonderful setting for the letters of Acer One, that spell out WABI SABI in two sections either side of the centrepiece by Andy Council,
Andy Council, Cumberland Basin, Bristol, May 2024
The central portrait of a roaring tiger has everything you’d expect from a piece by Andy council where each of the elements of the tiger are ‘stitched’ together to form a coherent and, frankly, stunning whole. I think that the rose pink clouds emphasising the tiger head were painted by Conrico. The overall collaboration is a triumph of three very different styles coming together to create something truly excellent.