When Zake first appeared on my radar a few years ago, I managed to pretty much keep on top of his work, only rarely missing a piece in Bristol. These days, he is painting so much in so many spots, it is difficult to keep up. I have been meaning to photograph this one in the Full Moon in Stokes Croft for some time, and finally got round to it a week or two ago.
Zake, The Full Moon, Bristol, June 2022
Zake has sprayed this fine monkey in a spacesuit (a theme I have seen before) with a happy moon behind on a gate at the back of the pub courtyard garden. As ever, the faces are beautifully painted and Zake has used his highlighting technique to great effect, with blue shadowing in the creases of the features on both faces. Very nice work from Zake.
I genuinely thought that this wall would become redundant when work began on redeveloping the building about a year ago, a suspicion exacerbated when they put some windows in the wall. My fears may have been unfounded, as the wall appears to be intact and has regular makeovers, many of them quite fantastic, like this PWA collaborative wall from a short while ago.
Face 1st, Dean Lane, Bristol, June 2022
The three artists are Face 1st, Chill and Soap, and together they have created an upbeat and rather fun triptych. Face 1st on the left ha painted one of his traditional smiling face characters whose hair is made up of the letters FACE – full of joy.
Chill, Dean Lane, Bristol, June 2022
In the middle, Chill has created one of his cartoon-style line drawings with quite a story going on. I don’t know what the story is, but it includes a bird, a rose and a scroll with the artist’s name on it. More mischief and fun.
Soap, Dean Lane, Bristol, June 2022
To the right is Soap’s contribution in which he continues the colour selections, backfilling his letters spelling SOAP and featuring (a many of his posts do) the Ice King from Adventure Time – a cartoon series that sadly passed me by. Nice work from this PWA trio.
Very short of time today, so this write-up will be relatively brief. Klashwhensober is a lovely guy who is smashing out pieces all over the place, and I find it quite hard to keep up with them, so I have started to gather them up, writing about more than one per post. If I didn’t do this, I wouldn’t be able to share them all.
Klashwhensober, M32 cycle path, Bristol, June 2022
This selection are all recent pieces along the M32 Cycle path, each very different, but in the Klashwhensober style. This first one spells out KLASH in lovely 3D letters with a colourful and imaginative array of fills and given a bit of pink splat treatment for good measure.
Klashwhensober, M32 cycle path, Bristol, June 2022
The second piece, pretty much opposite the first, is once again full of colour and dynamism, spelling out SOBA, some patterns in the lower half of the letters are similar to those in the first piece. I rather like the explosion in the middle of the letters, which has contrasting effects above and below the transition line.
Klashwhensober, M32 cycle path, Bristol, June 2022
The final piece is a few yards further along the path, spelling SOBER, and is once again a tidy piece with a nice 3D effect and central vanishing point. The theme with all three of these seems to be around explosions of some kind or another, bright lights and colour emanating from a central point and radiating outwards. I suspect there is some deep conscious or unconscious meaning here – I shall have to ask him next time I see him.
Mazcan produced my absolute favourite collaboration of last year’s Upfest 75 walls in 75 days (75×75) event, so it was a great pleasure to meet her while painting the second of two portraits, both in Greville Smyth Park over the two days of the festival.
Mazcan, Upfest 22, Bristol, May 2022
The portrait, you might recognise as Uma Thurman and in my view, is an excellent likeness in her stylised form. It was interesting to see how quickly Mazcan was able to produce this piece, which was a bit of a bonus extra piece, using up one of the spare boards available on the second day.
Mazcan, Upfest 22, Bristol, May 2022
When I see art like this, I realise how lucky we are in Bristol to host Europe’s largest street art festival in the shape of Upfest, and I offer huge respect to Steve and Emma who together with their team manage to organise a truly phenomenal event on such a regular basis. Lovely stuff.
Mazcan, King William Street, Bristol, June 2021, Upfest 21
How wonderful to see a familiar Bristol artist taking up one of the semi-permanent walls at Upfest this year. The artist in question is the magnificent Kid Crayon with the first of two Upfest pieces, the other being on a temporary board in Greville Smyth Park.
Kid Crayon, Upfest 22, Bristol, May 2022
This rather rare (these days) street piece by Kid Crayon features his name in blues and pinks, nicely worked around the notice board on the wall and a beautiful cartoon-style portrait. The portrait of a silver-haired woman wearing a choker round her neck, is a fine portrait indeed and works so well with his style. The best bit is a return of a floating crayon just in front of the woman’s mouth. It is so good to see Kid Crayon hitting walls again, I only hope he finds time to keep up the momentum.
One of Bristol’s biggest losses (in street art terms) in recent years was the departure of Aspire, who took up residence in the old smoke, making the opposite decision to the one I made many years ago. I definitely know where I’d rather live, and it is not in London. On the upside, Aspire does come to visit Bristol from time to time, and he always seems to dazzle us during Upfest.
Aspire, Upfest 22, Bristol, May 2022
Aspire specialises in creating the most beautiful pictures of birds and in this Upfest piece he has perfectly captured my favourite British bird, the Goldfinch. His work is never complete without his trademark pixelation, and it is interesting to see from this work in progress, that he adds the pixels at the end of the painting process.
Aspire, Upfest 22, Bristol, May 2022
I love this piece, it feels very uncluttered, and the neutral skyline background serves to lift the goldfinch out from the boards. If you are interested in seeing more of Aspire’s work, I recommend you take a little look at a gallery I compiled in 2018, and updated today.
I leave you with three Haiku poems I wrote about goldfinches:
This is an extraordinary piece from TEAone for Upfest 2022, and one of my firm favourites this year. From a distance, the piece has a photorealistic quality, looking like an old photograph from a scrapbook or something like that. The effect is quite amazing.
TEAone, Upfest 22, Bristol, May 2022
TEAone manages to create an incredible atmosphere in this scene with what looks like a continental street. It is set in a warm climate, with the air conditioning units and washing hanging out to dry, and the archway and shopfront and awning have all the hallmarks of a European country, and the word Cucina suggests it would be Italy. I absolutely love this piece… it fills my nostrils with the smells of abroad and a longing to be where this is. I can lose myself in this piece and forget that I am standing in the middle of Bedminster. Bravo TEAone.
I have met Goin only once and it was at an Upfest a few years ago. He had just finished a stencil piece in a spot that was not a recognised Upfest wall (let’s call it) and was looking rather sheepish. I tried to strike up a conversation with him, but he wished to keep his anonymity intact and was backwards in coming forwards (and who can blame him). Things have moved on since then, and Goin has created this magnificent wall for Upfest 2022.
Goin, Upfest 22, Bristol, May 2022
I had to have a couple of goes at photographing this piece, because there were shadows running across the wall in my first attempts. This was one of the first walls to be completed at this year’s Upfest, and is a real statement piece. Big, bold and simple the girl in greyscale is wearing a beret, but the only revolution here is for love. The only colour is a red badge on her beret and the heart cushion she is clasping to her chest. The piece feels important and significant and is a strong message in these uncertain and troubling times.
I don’t see enough of Inca the Mole’s work, not because he isn’t painting, but more because I don’t seem to be very good at finding his spots. I couldn’t miss this one in St Werburghs tunnel though on my last visit there.
The Mole, St Werburghs, Bristol, June 2022
This piece of graffiti writing from The Mole is absolutely fabulous. The letters are really crisp and sharp along with a thin white border. The letters spelling out Inca are filled with four colours transitioning horizontally really nicely. To cap off the piece, and the bit that stands out are the little peace signs floating through the middle. Some good drips too. All in all a well executed piece from LRS artist The Mole.
Back to Leonard Lane, and this special Queen’s platinum Jubilee celebration piece by John D’oh. This is another fantastically presented piece from John D’oh, who has been producing some really outstanding work lately, really stepping up a level.
John D’oh, Leonard Lane, Bristol, June 2022
This one is an irreverent glance at the Queen, with specific reference to her second son’s indiscretions and rather odd alibi, for his involvement in a sex scandal, that he had taken his daughter to a Pizza Express in Woking on the day in question. It is nice to have these little reminders of British history so perfectly illustrated through John D’oh’s stencils. I have noticed that he has stencilled this one in another of his favourite spots, and need to get over there to photograph it.
John D’oh, Leonard Lane, Bristol, June 2022
I thought I’d include a little extra piece from John D’oh, which I think is from some time ago, but is right next to the Jubilee pizza piece. Gotta love this one!
Natural adventures 