4743. M32 Spot (146)

Logoe, M32 Spot, Bristol, October 2022
Logoe, M32 Spot, Bristol, October 2022

It is a joyful thing when Logoe comes to town, because he doesn’t imply come and paint one piece, oh no, he absolutely sweats it out with several pieces over a weekend. These blitzes have become a bit of a highlight or interruption in the steady flow of new work that we see every week in the city.

Logoe, M32 Spot, Bristol, October 2022
Logoe, M32 Spot, Bristol, October 2022

This is the first of several wonderful pieces of graffiti writing by Logoe that I will be sharing over the next month or so, all painted over one weekend. Logoe has painted a real beauty of one of my favourite walls, showcasing his distinctive thin script letters spelling out his name in beautifully complementary colours, finished with a horizontal splash of little oval dots running through the whole piece. It is so good that he keeps returning to Bristol to share his talent with us all.

4742. Hepburn Road (19)

Kid Krishna, Hepburn Road, Bristol, October 2022
Kid Krishna, Hepburn Road, Bristol, October 2022

I rarely venture down ‘crack alley’ these days, as I don’t walk into the office often, since lockdown, meaning that there are some spots that I have neglected. This nice one from Kid Krishna is at the top end of the alley where it opens out into Stokes Croft.

Kid Krishna, Hepburn Road, Bristol, October 2022
Kid Krishna, Hepburn Road, Bristol, October 2022

Kid Krishna’s style is fairly unique, and it is not difficult to identify his work. His letters are slim and closely packed, and I am still getting my ‘eye in’ with regard to what his writing says. He has worked a nice transition from orange to light blue, two colours that aren’t natural bedfellows, but it seems to work here. I have many more pieces from Kid Krishna to share… watch this space.

4741. Sparke Evans Park (58)

Jody and Dibz, Sparke Evans Park, Bristol, September 2022
Jody and Dibz, Sparke Evans Park, Bristol, September 2022

Sparke Evans Park plays host to so many stunning collaborations, something that has developed in recent years, and I think it is favoured by artists because there isn’t much tagging and pieces tend to stay intact for a while. I have heard that the police are showing a little interest in the spot, and that spraying isn’t quite as straightforward as it has been historically.

Jody, Sparke Evans Park, Bristol, September 2022
Jody, Sparke Evans Park, Bristol, September 2022

This pairing of Jody and Dibz has turned up a very special and captivating wall. The portrait of Goldie is by Jody, and absolutely captures the artist perfectly. It is interesting to see how Goldie is becoming quite a strong influence on the Bristol scene at the moment.

Dibz, Sparke Evans Park, Bristol, September 2022
Dibz, Sparke Evans Park, Bristol, September 2022

The writing from Dibz is, as you would expect, close to perfection. I am not entirely spectra in what the letters spell out, but I am sure that Paul H will be able to help me with this.

Another short one today as I am late getting my fishing gear together. 

4740. Elton Street (12)

Tanith Gould, Elton Street, Bristol, September 2022
Tanith Gould, Elton Street, Bristol, September 2022

Tanith Gould was one of four female artists who painted the bill boards on Elton Street recently, adopting the paint jam colours and creating this imaginative portrait piece.

Tanith Gould, Elton Street, Bristol, September 2022
Tanith Gould, Elton Street, Bristol, September 2022

I am not entirely certain what this thoughtful piece is about, but there is a story here, and the imagery is impactful. This might be the most accomplished piece I have seen from Tanith Gould, and she has certainly earned her place in this prestigious ‘outdoor gallery’

4739. Spot (145)

Creamylines, M32 Spot, Bristol, September 2022
Creamylines, M32 Spot, Bristol, September 2022

By the time you read this I will be wetting a line on the south coast of Cornwall not far from Fowey, and this post is short because I need to get up, have breakfast and prepare my fishing gear that hasn’t seen any action for a long while.

Creamylines, M32 Spot, Bristol, September 2022
Creamylines, M32 Spot, Bristol, September 2022

Creamylines hit this spot hard about three weeks ago, and this is the second of his pieces from that session. Painted in the naive style, this piece is another landscape piece filled with hills and people and topped off with a classic sun and sun-rays painted the way we used to paint them in School. You might also spot a couple of concealed faces too. Great work and so different to what we are used to seeing.

4738. Greenbank (56)

Laic217, Greenbank, Bristol, September 2022
Laic217, Greenbank, Bristol, September 2022

This morning I bring you your regular dose of Laic217 and this fiery piece on the Bristol to Bath cycle path. The days of this spot are numbered, as the housing development completes, sections of hoarding will be removed and replaced with flimsy iron railings… arguably more in keeping with the housing, but I will mourn the loss of this fantastic graffiti spot.

Laic217, Greenbank, Bristol, September 2022
Laic217, Greenbank, Bristol, September 2022

As ever, this piece contains many of the key attributes we would expect to see in a Laic217 piece; a skeleton beautifully painted fabric, a touch of menace, a chain, a hat and fire. Always a pleasure seeing one of his pieces.

4737. M32 roundabout J3 (431)

Desi, M32 roundabout, Bristol, September 2022
Desi, M32 roundabout, Bristol, September 2022

I have already said in previous posts how much I am enjoying seeing Desi thrive and improve from piece to piece. Not only is her technique and finished product getting better all the time, but her confidence of selecting where to paint is migrating from the margins to more mainstream spots.

Desi, M32 roundabout, Bristol, September 2022
Desi, M32 roundabout, Bristol, September 2022

This piece is pretty tight, with nice sharp borders and some nice colour transitions in the letters. There are a few decorative elements and interest in the fills. I continue to enjoy her journey, and I can’t be too far away from publishing a gallery of her work.

4736. Greenbank (55)

Conrico, Greenbank, Bristol, September 2022
Conrico, Greenbank, Bristol, September 2022

The next few posts willl be necessarily quite short, as I am about to take off for my annual fishing trip to Cornwall, and although it is a short break from work, we manage to fill our days, leaving not a lot of time for me to write. At this moment I am packing, ironing, looking for a reel I have lost, having breakfast, walking the dog, dropping my daughter off at school before leaping into the car for the three hour journey.

Conrico, Greenbank, Bristol, September 2022
Conrico, Greenbank, Bristol, September 2022

This piece by Conrico is a belter. Everything about it is brilliant; the composition, the weirdness and the execution left me spellbound when I saw it. There are some pieces you see and you forget, there are others that remain in the memory for a long time or forever and this is one of those pieces. Fabulous work from Conrico.

4735. Dean Lane skate Park (530)

Full Time Ghoul, Dean Lane, Bristol, September 2022
Full Time Ghoul, Dean Lane, Bristol, September 2022

Full Time Ghoul (FTG) is an artist who paints variants of the same interlocking ghoul head and who is poorly represented on Natural Adventures. I have many unpublished photographs of his work in my archives, and really need to dig them out and share them. This is a recent small piece on the reverse wall of one of the ramps in Dean Lane skate park.

Full Time Ghoul, Dean Lane, Bristol, September 2022
Full Time Ghoul, Dean Lane, Bristol, September 2022

Here we have three ghouls whose upper heads are reminiscent of a kind of Celtic cross design, with interwoven parts in a plait. The ghouls have red eyes and a black nasal cavity. The designs are simple but impactful, and FTG has made his mark all over the city.

4734. Sparke Evans Park (57)

Mest, Sparke Evans Park, Bristol, September 2022
Mest, Sparke Evans Park, Bristol, September 2022

I like Mest’s writing a lot. His letters are clear bold and the word have no links to anything, so there is no inherited preconception… what I mean by that, for example, is that if his name was HAND, or LION, you would expect to see a hand or a lion in the work. Actually, come to think of it, I can’t think of any writers who are called what they paint, other than the letters – except perhaps Face 1st, who always includes a face. Enough tittle-tattle.

Mest, Sparke Evans Park, Bristol, September 2022
Mest, Sparke Evans Park, Bristol, September 2022

This is a fabulous piece of graffiti writing, and possibly Mest’s best to date. The letters, looking like pieces of ironwork with cracks through them and the colour transitions at the edges are beautifully done, and the wisps of smoke complete the overall work. One of my favourites.