3598. M32 roundabout J3 (301)

I haven’t posted many pieces by Evey, mainly because I haven’t actually seen all that many. She tends to paint with other Resting Bitch Face (RBF) crew members, including Pekoe and Bnie, which was the case on this wall.

Evey, M32 roudabout, Bristol, March 2021
Evey, M32 roudabout, Bristol, March 2021

What I particularly like about Evey’s work is its simplicity and femininity (without being girly, if that makes sense). Her letters are nice and organic, but it is her fills, which are so often full of happiness, that show off her creativity. Although her work is still developing, there is something about it that I find incredibly attractive.

3597. St Werburghs tunnel (232)

Slakarts has been ever so busy in recent months and I have enjoyed meeting him a couple of times lately. I think it says so much about my age that street artists, like doctors and teachers, seem to be so very young. In my mind’s eye I expect them to be so much older and am always surprised when I meet them. DFC1848 is a rare exception to this perception.

Slakarts, St Werburghs, Bristol, March 2021
Slakarts, St Werburghs, Bristol, March 2021

In this piece in the tunnel, Slakarts has reverted to his front face projection rather than three-quarter profile that he has been painting a lot lately. This character has crazy hair, maybe he is waiting for the barber’s to reopen, and rather dodgy teeth. Not the most attractive, but nicely done.

3596. St Paul’s

Bright sun is my enemy (only in the context of photographing street art, you understand), it adds the kind of interest to a piece that I could well do without, in this case the ‘interest’ is a blooming huge shadow cast across this magnificent corner piece by Sepr.

Sepr, St Paul's, Bristol, March 2021
Sepr, St Paul’s, Bristol, March 2021

Sepr always has been and continues to be on fire with his distinctive cartoon style of character-based pieces and this one is a masterpiece. The central character is a Pied Piper playing on a flute, surrounded by an entranced troop of rats (mice?).

Sepr, St Paul's, Bristol, March 2021
Sepr, St Paul’s, Bristol, March 2021

The rats appear to be dancing to the tune of the piper, seemingly under his/her spell while a bird nonchalantly looks on eating some popcorn. How on earth does Sepr come up with narratives like this? He is a master storyteller, and we are blessed in Bristol that he decorates our walls so beautifully and frequently.

Thursday doors – 8 April 2021

Doors 144 – Archive street/graffiti art doors from last year

Already we are well in to April, over a year on from the first England lockdown, and apart from local doors, I haven’t been on a proper doorscursion in all that time. I am ultra busy this week, so these archive street art doors will have to do. Soon I will get out to find some new doors – I can’t wait.

In the meantime here are some street art doors originally published on Natural Adventures in August last year:

Little doors on a garden wall in Redland, Bristol, August 2020
Little doors on a garden wall in Redland, Bristol, August 2020
Silent Hobo, Hammersmith Road, Bristol, August 2020
Silent Hobo, Hammersmith Road, Bristol, August 2020
Kin Dose, North Street, Bristol, July 2020
Kin Dose, North Street, Bristol, July 2020
Kleiner Shames, Moon Street, Bristol, August 2020
Kleiner Shames, Moon Street, Bristol, August 2020
Taboo, Moon Street, Bristol, August 2020
Taboo, Moon Street, Bristol, August 2020
Silent Hobo, Belmont Street, Bristol, July 2020
Silent Hobo, Belmont Street, Bristol, July 2020
3Dom, Upper Sandhurst Road, Bristol, August 2020
3Dom, Upper Sandhurst Road, Bristol, August 2020

Aah! those glorious sunny days. I have a plan for my next Thursday doors, but it will depend on whether or not I have time to get out and take some pictures.

If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors  from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s Thursday Doors post.

by Scooj

3595. M32 roundabout J3 (300)

There have been few, if any, visiting artists during lockdown periods over the last year, which is what you’d expect, but the recent easing of lockdown measures has resulted in a little bit of movement. This fabulous collaboration by Big Inuk and Big Birdie is a welcome recent addition to this wall which hadn’t seen much in the way of turnover for ages. Sometimes it takes a non-local to get walls moving again.

Big Inuk, M32 roundabout, Bristol, March 2021
Big Inuk, M32 roundabout, Bristol, March 2021

On the left is a fine piece of writing from Big Inuk who has visited Bristol before in recent years with equally impressive pieces. His skill is clear to see in this INUK writing, with some beautiful decorations and features.

Big Birdie, M32 roundabout, Bristol, March 2021
Big Birdie, M32 roundabout, Bristol, March 2021

To the right is some equally impressive writing from Big Birdie who I have not featured on Natural Adventures before, so it is a big welcome to her. Again, this is the work of an accomplished graffiti writer, tight and clean, just what we like to see from visitors. I’m not sure where she is from but she is welcome to return any time.

Inuk, St Werburghs, Bristol, July 2018
Inuk, St Werburghs, Bristol, July 2018

INUK, Dean Lane, Bristol, July 2018
INUK, Dean Lane, Bristol, July 2018

3594. M32 Spot (111)

Another day, another debut on Natural Adventures, this time from Pie Bolar. In recent weeks I have seen quite a few of these mega tags about the place, and because they are much more than simple tags and that they are likely to develop in some way over time, I am happy to drop a post, which is likely to be the first of many.

Pie Bolar, M32 Spot, Bristol, March 2021
Pie Bolar, M32 Spot, Bristol, March 2021

Graffiti and street art is such an enormous ‘church’ with a vast range of styles and capabilities. Some artists do something different each time they hit a wall, others choose a motif and repeat it again and again with subtle design or colour changes, for example Slim Pickings with his TES. This character tag by Pie Bolar presents a severed head wearing sun glasses. It is an unusual image, but sticks in the mind and is easily spotted in amongst all the other graffiti. Watch this space fro more from the artist.

3593. L Dub (26)

The work of DFC1848 just goes from strength to strength. His characters are becoming more complex and the finishing is becoming cleaner and tighter with each new piece he sprays. This is a rather nice take on his familiar character that he has built on over the last year or two.

DFC1848, L Dub, Bristol, March 2021
DFC1848, L Dub, Bristol, March 2021

In nearly all of his works, DFC1848 conceals the letters DFC, however in this one he has settled for signing it at the bottom right. The double headed bear, sharing a tongue could be quite a creepy concept, but this, consistent with most of his characters is cuddly and certainly not creepy. I like the highlights on the tongue and lower lips – these are additions that he is developing and improving all the time. A nice find.

3592. M32 Cycle path (116)

I can’t work out whether Lee Roy has been hiding from me for the last few years or whether I just haven’t noticed him before, but over the last few weeks his writing has appeared absolutely all over the place and I simply can’t keep up with it.

Lee Roy, M32 cycle path, Bristol, March 2021
Lee Roy, M32 cycle path, Bristol, March 2021

This one on the cycle path is presented in a nice selection of blues and spells out LEEROY with his characteristic letter style. Some of the decorative work is a little untidy, but it sort of works with Lee Roy’s way I think. This is not the kind of perfection you might get with Rusk or Soker or Smak for example, but I don’t think it is striving for that. This piece is fun and that is enough.

3591. Cumberland Basin

I have only seen three pieces by Hanski, and this one is a little different from the other two. Tucked away in a bit of a hole, this piece will be missed by many, which is a pity. It is an unusual and unconventional piece, blending the abstract with a face.

Hanski, Cumberland Basin, Bristol, March 2021
Hanski, Cumberland Basin, Bristol, March 2021

The colours are eye-catching and certainly command attention. I think that this is a great beginning from Hanski and hitting walls is the first step in building up confidence and capability (something I haven’t yet had the courage to do). I wonder where her adventure will take us next.

3590. M32 roundabout J3 (299)

This piece was part of an ASK paint jam that I believe had been organised to celebrate Sled One’s birthday. What a great way to spend the day, painting with your friends and being creatively active. This is a classic surreal character piece from Sled One and illustrates perfectly his extraordinary ability to tell stories with his art.

Sled One, M32 roundabout, Bristol, March 2021
Sled One, M32 roundabout, Bristol, March 2021

A seaside scene in which a crab is eating a mint choc-chip ice cream, or at least was, but the ice cream has toppled off and has been replaced by seagull poop, which is all rather disgusting. The gull, not content with providing his own Mr Whippy, is also breaking wind. Charming. The characters are beautifully painted, and the crab shadow lifts the whole piece from the wall. Fabulous, seaside humour.