Always, always a firm favourite with me are the pop culture stencils by Stephen Quick, a brilliant Bristol artist and Upfest regular. This piece ‘Can stand up, will stand up’ is one of a series of similar pieces that he has created with this character.
Stephen Quick, Upfest, Bristol, July 2018
There are several cultural references in the piece, which include the obvious homage to Star Wars, but also there is the sword of He Man and the bracelet (not in this picture) of Wonder Woman. His style is unique and vibrant, and I always look forward to a quick annual catch up at Upfest.
One of the more obviously striking and describable pieces of Upfest 2018 was this interesting hand speaker by Agent Provocateur. It is weird but whenever I look at it I find it very hard not to see the Northern Ireland flag, which is rather distracting.
Agent Provocateur, Upfest, Bristol, July 2018
This is a simple and quite challenging piece with an element of edge or threat combined with humour and general oddness. I’m not sure why there is so much damage to the right hand side board, but I think the artist could have tidied it up a little bit. Maybe I photographed it before completion. A memorable piece.
Nevla was late to the party at Upfest 2018 and as a result I didn’t manage to get a final picture of his rather cookie panda. On the upside though I did at last get to meet the elusive cartoon king of Bristol street art, and what a nice fellow he is too.
Nevla, Upfest, Bristol, July 2018
I made a few notes on my iPhone about our conversation, but unfortunately I lost them when the motherboard gave up a few weeks ago. A quiet class act who seems to enjoy painting alone, Nevla adds something to the Bristol scene that is unerringly optimistic, which is a tonic when so much around us is in utter chaos.
Just opposite the Tobacco Factory in Raleigh Road Justinks painted this captivating tiger with an interesting twist. He describes his art as surrealism and biorealism, and although I think the latter might be a made up word, it certainly works when explaining this piece.
Justinks, Upfest, Bristol, July 2018
Justinks is based in Malta and works as a tattoo artist (the crossover between the two disciplines is remarkable), but since 2011 he made the decision to go big and create some large street art pieces – a great decision in my mind. It is difficult to know what to make of the subject of this piece due to its distortion of the familiar, there is no doubting the talent of the artist though. Great work.
This stunning shutter piece is by Sake One, a West Coast (USA) artist who has been spraying since the early eighties and was greatly involved with the hip hop culture in San Diego during his youth. There is a thorough biography of the artist on the Upfest website, which is worth a read.
Sake One, Upfest, Bristol, July 2018
The piece itself is a highly accomplished work, as you’d expect from an artist of this calibre. The profile of the girl is sensitively painted and blends perfectly with the subtle writing to its right. The tragedy of shutter pieces is that they are rarely seen during daylight hours, even at weekends when so many shops seem to be open…not like in the old days!
One of the first pieces that I recall from Upfest 2018 is this magnificent hummingbird by L7M, a very well-known artist originally from São Paolo who first picked up a can at the tender age of 13. Obviously practice makes perfect.
L7M, Upfest, Bristol, July 2018
The vibrancy and movement in ther piece is remarkable, and the hummingbird itself is absolutely stunning. L7M was one of the featured artists last year and we certainly got our money’s worth as he did another excellent piece a little further down North Street (to follow).
Many years ago I recorded a Supertramp concert from the the TV, using a cassette recorder and microphone pointed at the TV speaker…it was how we did things in those days. My brother was having a small party of teenage friends on the same evening, so my recording was polluted with the sounds of a party going on in the background. When I played the recording back, I heard one of my brother’s friends exclaim ‘wow wee!’ at the start of one of the songs (he obviously liked it), and to this day, I can still hear that boy’s voice in my head, and do so every time I say wow wee. This digression is relevant only in that when I saw this brilliant piece by Peter Sheridan at last year’s Upfest, the voice in my head said ‘wow wee!’.
Peter Sheridan, Upfest, Bristol, July 2018
This was absolutely one of my firm favourites from the festival. There is so much to like… the composition, the colours, the perspective and the brilliant execution. Even the observation of how the bark on this particular type of tree looks (similar to a silver birch or cherry bark). An absolute belter, and for comparison, I have included his unflattering but brilliant piece depicting Teresa May (boo) and Pokeman Go in 2016.
Turbo Island has taken on a new lease of life since the PRSC (the People’s Republic of Stokes Croft) and associates tidied things up here. They should be really proud of the work they have done to set this wall up as a viable curated street art spot. Just look at this amazing montage of an old Sepr piece on the right, some monstrous advertising hoarding and an extraordinary collaboration by Soap, Hazard and Tasha Bee below it.
Soap, Hazard and Tasha Bee, Stokes Croft, Bristol, January 2019
The collaboration itself is nicely balanced and colourful and combines three distinct but complementary styles.
Soap and Tasha Bee, Stokes Croft, Bristol, January 2019
Starting on the left is an interesting combination from Soap and Tasha Bee, who are collaborating a great deal at the moment. It is great to see Tasha Bee working on a different design, this time a rather pretty stylised cat.
Hazard, Stokes Croft, Bristol, January 2019
In the centre of the collaboration is a magnificent grayscale portrait by Hazard…have I said yet how great it is to have her back in Bristol creating these beautiful artworks around the place? And those flowers and cacti bring an exotic touch and richness to the piece.
Tasha Bee, Stokes Croft, Bristol, January 2019
Finally, on the right hand side of the collaboration is a trademark Tasha Bee portrait looking on with deep serenity. This is how a great wall should look, and well done to the three artists who do so much to uplift the streets of Bristol.
I get a great thrill when I see work from an artist new to me, and this piece from Diced Mango in Dean Lane came as a most welcome surprise. This work reminds me a little of the work of Pekoe, simply because it has some commonalities of bright colours, a female face and ‘scribbled’ hair.
Diced Mango, Dean Lane, Bristol, January 2019
I have since seen more work from Diced Mango and I think that this might be a thing…I hope so. The artist is Alexander Richardson A.K.A. Alex the Maverick of Maverick Media. It is great to see real people with real jobs doing real street art/graffiti art, always striving to brighten the place up. A nice first piece by this artist for Natural Adventures.
There is a new piece in town on one of the most famous walls in Bristol thanks to Banksy’s ‘Mild Mild West’ piece, which I am privileged to enjoy every time I walk to work. I had noticed a short while ago that the wall below had been prepped and there was a notice indicating that something new was going to be painted soon.
Soker, Stokes Croft, Bristol, January 2019
The piece in question is this ‘study’ by Soker (yes two Soker posts in a row), and when I first saw it I thought it was incomplete. I read subsequently that it is a piece designed to look like a sketch on lined paper with annotations. In meeting that brief, Soker has once again excelled and the piece will be keeping good company with the teddy bear above. Clever stuff.
Natural adventures 