Tag: Street art

1612. M32 Spot (23)

I’m really pleased that I photographed this column piece by Kid Crayon when I did, because I returned last week and it has been really badly tagged. It is a great ‘brain dump’ kind of piece with all sorts of themes and ideas going on. Almost like a collage.

Kid Crayon, M32 Spot, Bristol, February 2018
Kid Crayon, M32 Spot, Bristol, February 2018

The identity card is a theme that Kid Crayon has used some years ago on a wheatpaste tucked down a side street – it was one of the first pieces of his that I found. Everything else here seems a little bit surreal and eclectic.

Kid Crayon, M32 Spot, Bristol, February 2018
Kid Crayon, M32 Spot, Bristol, February 2018

I think that rather than try to interpret the work it is far wiser to just look at it and admire it. I’m not sure if it is deliberate or not, but the guy in the red bucket hat looks a lot like KC himself and I wonder if it is a self-portrait. All good from one of my fave artists.

1611. The Bearpit (154)

This bunny by NEVERGIVEUP managed to avoid my eagle eyes and got lost in an archive. Sometimes I think this happens when I photograph a lot of pieces by the same artist in one session and have to spread out posting about them…and then they just get locked out, until I do a bit of an archive dive. Am I making any sense at all?

Nevergiveup, The Bearpit, Bristol, April 2018
Nevergiveup, The Bearpit, Bristol, April 2018

This Rabbit has the tripple treatment, three eyes, three teeth, three belly buttons, three crowns, but oddly four ears. You can look at the ears however as three pairs of ears. It is a nice variation on a theme that shows NGU is capable of mixing things up a bit.

1610. Dean Lane skate park (146)

I haven’t seen much from Ugar recently other than this chrome piece at Dean Lane. I like the way that writers are constantly practicing and refining their lettering and details.

Ugar, Dean Lane, Bristol, May 2018
Ugar, Dean Lane, Bristol, May 2018

I have only met Ugar one time, and it was in this exact spot, I think that he favours the relative safety of spraying at Dean Lane. I have seen his work at The Bearpit, but only collaborations with Kid Crayon.

1609. M32 Spot (22)

This is the third piece I have posted by KiKi? but I am still none the wiser about who the artist is nor indeed if they are actually called KiKi, I mean from this work it might even be Steven.

Kiki, M32 Spot, Bristol, May 2018
Kiki, M32 Spot, Bristol, May 2018

A sea monster probably, which reminds me in style a little of Norse carvings. There is something naive about the piece, but technically is is very nicely finished. I am on a mission to discover more about KiKi.

1608. Dean Lane skate park (145)

A nice chrome piece from Cort in Dean Lane and one that incorporates an interesting decoration in the middle, the black lines with circles at the end, which reminds me of the work of the magnificent Joan Miro.

Cort, Dean Lane, Bristol, July 2018
Cort, Dean Lane, Bristol, July 2018

When I see Cort pieces, I am alwaus on the look out for Laic217, as they often paint together, but not on this occasion. I know little about the artist, but he seems to be a little overlooked on the scene, in spite of some really terrific work.

1607. St Werburghs tunnel (31)

You wait for ages to see a piece by Mr Klue, and then two come along at once. I love the style that Mr Klue uses, both his colour selections which are often in these blues and purples and his abstract style.

Mr Klue, St Werburghs, Bristol, July 2018
Mr Klue, St Werburghs, Bristol, July 2018

I think that this piece is also a very clever bit of writing, although I might be reading too much into it. I think that I can make out the letters KLUE, but it might just be wishful thinking.

1606. The Bearpit (153)

Run Z is a Bristol abstract artist that I have not yet had the fortune to run in to yet and one about whom I know very little. His pieces are very distinct, using bright colours and organic patterns that swirl across the wall.

RunZ, The Bearpit, Bristol, July 2018
RunZ, The Bearpit, Bristol, July 2018

We are lucky in Bristol to have several specialists in abstract street art like Run Z and I think it all adds to the overall complexion and variety of the Bristol street art scene. I’m on a mission to hunt down more of his work.

1605. The Bearpit (152)

Tireless and irrepressible, words I am sure I have used to describe Mr Draws in the past. His habit must cost him an absolute fortune in paint. Until I had a go myself, I hadn’t realised how much paint one can get through to cover quite a small area of wall.

Mr Draws, The Bearpit, July 2018
Mr Draws, The Bearpit, July 2018

This quick one in the Bearpit has an interesting ‘bleed’ from the shadow into the letters, giving it the effect of degrading in front of our eyes. More to come from Mr Draws, before he moves to Germany.

1604. Dean Lane skate park (144)

The unmistakable seismic tag of Jee See. This is just a quick one in Dean Lane skate park. I am interested in this tag, because he uses different 3d skadows for divverent letters, so the SEI shadow downwards, the SMI shadow to the right and the C shadows upwards, which makes for an interesting perspective. Helpful to me to in learning how to work these shadows.

Jee See, Dean Lane, Bristol, July 2018
Jee See, Dean Lane, Bristol, July 2018

I understand the Jee See used to be a teacher, so there is really nothing to stop me picking up a can and getting busy. I get inspiration from artists like Jee See who find spots around the city and practice their work.

1603. North Street

The great thing about visiting wheatpasters is that rarely do they come to town and leave only one paste up. Rather they tend to leave a trail of little treasures dotted about the place, and that is exactly what qWeRT did on a recent trip to Bristol.

qWeRT, North Street, Bristol, July 2018
qWeRT, North Street, Bristol, July 2018

I particularly like this one of our googly eyed hero riding a scooter. The placement is in a little alcove that has been a honeypot for small stencils and wheatpastes, but is in its last throws as a street art spot due to the completion of a new development adjoining it. This is one of the things I am noticing about Bristol at the moment, it seems that there is a decreasing number of places where street artists can do their work. Gentrification is on the move and with it comes displacement. Of course, we all want a prosperous and attractice city, but beauty is in the eye of the beholder.