Painted at the same time as the Deamze piece in my previous post, this is a rather more colourful offering from Soker, which was almost certainly sprayed at the same time. This vibrant piece seems to have something that reminds me of Captain America…is it the stars?
Soker, Norfolk Place, Bristol, August 2016
I like Soker’s work a great deal and together with his ASK crew members he really brightens up Bristol’s streets and walls. Another old piece surviving in mint condition.
This is a rather old piece from Deamze, but I was down there very recently, and it is still looking in good nick. I have to say though that this is not my favourite piece by this artist. I feel the colours are all wrong for this location. It feels to me a little drab and lacking in vibrancy.
Deamze, Norfolk Place, Bristol, August 2016
It happened from time to time. I can’t ‘love’ every piece I see. Technically this is a great piece…it just doesn’t do it for me. It is utterly untagged and respected though which shows the high esteem in which Deamze is held.
This is another photograph that goes back a fair old way, but I am glad to say the building has remained unaltered. This is what the front of a house looks like when the owner is a hugely talented designer…I am of course referring to Alex Lucas whose pieces can be found all around the Montpelier area of Bristol.
Alex Lucas, Picton Street, Bristol, March 2016
The building, which doubles up as a little shop, is a famous landmark in Montpelier and features dozens of floral patterns and little birds. It is reminiscent of Victorian wallpaper, with a modern twist. I have just noticed that there appears to be a ghost of ‘Smilie’ in the reflection of the window…or maybe I am just seeing things.
This is a really old piece (comparatively speaking for street/graffiti art in the Bearpit) that has been in my ready to publish folder for ages. It is by DNT and I think situated in the north tunnel, the one that heads off towards Stokes Croft. You can tell it is an old piece from the absence of tagging around the framed area.
DNT, The Bearpit, Bristol, January 2016
It is a slightly strange and somewhat threatening piece, although I’m not sure it is meant to be. I don’t know what the M.B.G stands for, but maybe there is someone out there who can enlighten me.
This is another small piece by Shab that I photographed before I knew who it was by. Fortunately I keep a good archive of pictures that I regularly revisit, which is why some of my posts are a little out of date.
Shab, Magdalene Place, Bristol, June 2016
In this piece we see Shab’s trademark triangular patterns and a rather fetching brown eye. I think the top half of the hoarding is by another artist, but I can’t recognise who. The adjacent piece is by Mr Klue, featured in a post from some while back. Magdalene Place is a little back lane in St Pauls which often has some rather good street art, even if it is a bit out of the way.
There is absolutely no stopping Laic217 at the moment, and there is more to come, I know he has just done two new pieces at the time of writing this post. This work is a character piece which plays of his theme of distortions and presents us with a fairly ugly weird face.
Laic217, Dean Lane, Bristol, February 2017
This feels like the visions experienced on a bad trip. Monstrous to say the least. Of all the Bristol street artists, I would say that Laic217 is the one who is developing his technique most at the moment. I’m not sure where he finds the time to do all this work, but it is fairly typical for artists to have productive phases and quiet phases, often related to work or travel.
Laic217, Dean Lane, Bristol, February 2017
I had a bit of trouble photographing this piece as the low sunshine was casting a shadow across the bottom portion of it. It will be great when the Summer begins as the sun tends to be higher in the sky and there are fewer shadows to ruin the photographs.
Now that I know that OHMS is Thelocknessmonster what should I call him in my posts? I think I will continue with OHMS, just because that is what I am used to. This was a wonderful fresh piece down at Dean Lane a couple of weeks back. Distinctively OHMS, but this time no obvious lettering.
OHMS, Dean Lane, Bristol, February 2017
This is a colourful abstract piece that really stands out, probably because of the palette selection. I’m not sure what the references to Emz, Egotist and Eric are other than they might be other members of The Splab Gang crew. I’m still really enjoying his work.
It seems strange that this is the first time I have posted about a piece on this landmark building…although it is possible I have written something before, but named it under M32. This is a fine collaboration – and not the first on this wall – by SPZero76 and Kid Crayon.
SPZero76 and Kid Crayon, Millpond Street, Bristol, February 2017
The building is owned by Domestic Drain Services and runs parallel to the M32. I understand, from speaking to the owners a week or two back that they invite SPZero76 and others to spray the building and in return they will pay for the spray paint.
SPZero76 and Kid Crayon, Millpond Street, Bristol, February 2017
The character on the right in the mask is by Kid Crayon and really showcases his development as a spray artist, having been something of a paste up specialist. I’m not sure what the ‘EAT’ reference is all about.
SPZero76 and Kid Crayon, Millpond Street, Bristol, February 2017
On the left hand side are a couple of great characters by SPZero76, whose work often features a raccoon and a ‘Pacific Island’ style mask. I would love to know where his influences came from to repeatedly use these motifs. This is a wonderful collaboration, and these two seem to work quite a lot together.
Is it possible to have any more really great pieces by Epok? Oh yes it is. Here is one from the jam at the M32 roundabout a couple of weeks ago. All the artists used the themed colours for the entire stretch of this wall, and Epok has made them his own.
Epok, M32 roundabout, Bristol, February 2017
For once his hard geometric shapes are slightly softened and the lines a little less sharp, however, the piece still spells out EPOK although rather better disguised than in some of his pieces. A really fine piece form a Bristol master.
Moon street is a favourite haunt for Mr Klue, and since one of the best walls has had two doors screwed onto it, presumably in an effort to stop sprayers, he has simply switched to an adjacent wall.
Mr Klue, Moon Street, Bristol, February 2017
This is yet another lovely abstract piece in the unique style of this Bristol graffiti artist. I noticed, at the time of writing, from an Instagram picture that it has now been tagged. Glad to have a nice clean shot of it.