Deep in the heart of Montpelier (Alex Lucas land) there is a recent, and rather small, addition to the street art landscape. A hare and a purple baloon, which might be a reference to her work with the Ribena Colouring Cafe in Covent Garden.
Well I have been defeated. I’m sure the explanation is simple, but I have exhausted all my investigative powers. This amazing piece by OHMS appeared back in April 2016 and I fell for it immediately. It is quite unlike other pieces I have seen. Amazing pastel colours, great wildstyle writing and a character, Mickey Mouse. I love this a lot.
BUT…can I find out anything about OHMS? No I bloody well can’t. Several months of searches have thrown up nothing. I hope that posting this and the image on Instagram will help me to track down this elusive artist/crew. Anyone out there who has any clues…fire away.
Worse still, I have several other wonderful pieces by OHMS lined up, but I am reluctant to do so until I have a bit more to say about the artist.
A couple of weekends ago I took a stroll over to the tunnel at St Werberghs, as there is always something new to look at there. I am not all that fond of tunnels for street art, because the light is always a bit orange and the photographs never do the works the justice they deserve. It is the same with Leake Street tunnel in London.
On this trip I caught up with the fabulous and very original ObjectØØØ. He was just putting the finishing touches on his rather satanic looking piece. Once again his work is characterised by tentacles and wings…I love that. I particularly like the very organic feel that his works have. No straight lines, rarely any sharp edges or lines, subtle colour ranges…it’s all good.
Most importantly ObjectØØØ is a really nice guy and he makes time to chat with passers by who admire his work or stop to look at it. I look forward to some more chance encounters with him.
I have spent a little while trying to find out more about Feoflip. I don’t tend to spend too much time doing this kind of thing, because before you know it, an hour or two can pass. All I want to know is where he is from, but I have a big fail on that one. Feoflip is an artist whose work I love, and fortunately he left his mark in Bristol in a big way after Upfest this year. His Facebook page provides a little bit of information on this, but you might need to use the translate button.
This subtle piece blends in so well with the frame, it almost feels like it was always there. It appears that I am not the only Bristol street art blogger who has a thing for Feoflip, Cosmo recently posted this excellent review of some of his works…in fact she has beaten me to it with most of them.
I have a whole load more of his pieces to share and will try to post them as soon as I can, but I’m afraid the backlog doesn’t get any smaller…aaaaargh.
Hot on the heels of the previous post is another grand piece by Sky High. This one rather pre-dates the one in Dean Lane, and is in another part of Bristol entirely. When I took the photograph (back in June), I thought this was a collaboration because of the names of Deam and RPM on the periphery, but I guess this was just a respect thing going on – maybe they sprayed with him on the day.
Sky High’s pieces are so vibrant and the block lettering is in such a distinctive style. So far these are the only two of his works that I have seen, but both of them are winners. I’ll be looking out for more of his work on my trips to London.
A short while after Upfest, this wonderful piece appeared at Dean Park. Sky High is a writer whose work spells out ‘Sky High’ using different styles and colours for each of the letters set on a contrasting and interesting backdrop. This work is typical and really wonderful.
His colour selections and lettering are exceptional. The piece didn’t last very long at all. This particular wall sometimes only lasts a day before being painted over. During Upfest it was painted twice in one day. More of Sky High’s work to come in my next post.
Tucked away on the left hand side of the Tropicana as you enter, is this wonderful stencil of the Weird Girl (Cynthia) from the Tim Burton film Frankenweenie. It is a beautiful piece by the talented German artist PZY.
Her work bears many similarities to the work of JPS, and perhaps it should come as no surprise that they are partners. Quite a lot of stencils by both of them are to be found at the Tropicana.
I really love this piece. It has such character, weirdness and a tiny bit of menace. You can find more of her fabulous work on her Facebook page which is worth a look.
This wonderful piece appeared a few days after Upfest had ended, and I guess Feoflip decided to stick around and improve some bare walls. I really love this piece, the soft pastel colours give the piece the look of an illustration. The character looks like it has just walked off the pages of a children’s picture book. I would love to read that story.
Feoflip was unknown to me before Upfest, but I have now seen several of his pieces all over Bristol, and will be sharing them over the coming weeks. He is fast becoming one of my favourite artists. I love the combination of organic and mechanical, it works very well, as with his piece at Ashton Gate School.
The more observant reader may also notice the Gregos mask just to the left of this piece which I wrote about last year.
Just once in a while you see a wall and just go ‘wow’. This was one of those walls. Deamze, Voyder and Soker have collaborated before and seem to really go to town when they do. My only regret posting this is that these pictures really don’t do the wall justice, the pinks are absolutely amazing.
Deamze has a brilliant theme going on with a cartoon character rounding off his moniker. A quick Google search informs me it is from Dexter’s Laboratory – not a cartoon I am familiar with…it’s my age.
Voyder is in the middle, as usual, and sprays his signature with those beautiful curving letters. I wonder if their positioning is like the ‘Ant and Dec’ thing where one always has to stand on one side, and the other on the other.
Joining the work of Voyder and Soker is a ‘tweetie pie’, I’m not sure which of them sprayed it, but it spans the two pieces well.
Soker rounds off the triptych with great wildstyle writing that we are used to seeing from such a master. These three pieces together are genuinely breathtaking. Let’s hope these three get together again soon.
Seeing Bristol street artists’ work at Upfest just felt right. In amongst all the exotic invitees to the festival were the artists that put Bristol on the map in the first place. If there wasn’t a street art scene here in the first place then there would be no festival.
This cheeky piece by Kid Crayon is yet another great work by one of my favourite Bristol street artists. I read, I think on KC’s Instagram feed, that he was not happy with the piece and that the sun had played havoc with his spray cans. Havoc or not, KC never fails to please, with his bright colours and Picassoesque ‘blue’ figures. Keep them coming!
Natural adventures 