Seriously quick one today – I have loads of Christmas preparations (housework) still to do, and very little time to do it in. This is a nice mega-tag type of piece by an artist I don’t know much about, called Blam, who I believe might live in Bristol, and who paints occasional pieces.
This spot is one I really like, and Blam has managed to fill the space well with this ultra-green combination piece.
This stunning collaboration from Vane and Bnie was painted a little while ago during a paint jam organised to wish Mena a swift recovery from her accident in Thailand. The character on the left is by Vane and the writing, spelling MENAS is by Bnie.
The colour selection in this collaboration is really quite something, with the purples, pinks and mint green working exceptionally well together. I don’t get to see much artwork by Vane, and Bnie hasn’t painted too much this year, so this collaboration was bonus and a bit of a treat. I hope all the good vibes created during this paint jam have helped Mena on her journey to recovery.
I found and photographed this piece a little while ago, and perhaps should have waited and got some better pictures, once the site in front of it was cleared. The huge mural was an unsigned mystery, and so I have held back on posting it. Once again, I have Paul H to thank for his detective work in finding out that it is by Hazard. Well, well, well, who’d have thought it?
Hazard has a particular style that is quite easy to pick out, but this commission on the side of the Anchor pub on Gloucester Road is nothing like her usual style, and I don’t think I would have ever guessed it was by her, especially as she left Bristol about two years ago.
There is so much to like about this mural, which tells the Bristol story, with balloons and the Clifton Suspension Bridge, some colourful Georgian houses, a swan, a gull and of course an anchor. It really is a magnificent mural, but I simply don’t understand why she didn’t sign it… curious. Driving south along the Gloucester Road, this piece has quickly become something of a landmark.
A gallery of extraordinary portrait pieces by the magnificent Shade One.
Instagram: @shad.eone
All photographs by Scooj
It would be a bit of an understatement to say that I really like this piece. I don’t know what it is about it, perhaps it is the unique fills for each of the constituent parts of the letters NESK, or perhaps the freshness of an artist I am not familiar with. Probably a combination of the two.
The artist is Bazamataz (thank you, Paul H), and the colourful piece stands out brilliantly on the grey backwash and above the autumn-brown leaves. It all comes together so well and stands out a mile. The 3D drop shadow might be a little lost, and could have been a bit more prominent, but it is a small matter really. Wonderful work.
When I say that this piece is in North Street, I wouldn’t want to send people off to Bedminster unintentionally. This is the North Street that is part of the A38 that branches off the Bear Pit roundabout. The piece by Kid Krishna is on the hoarding outside what used to be the Blue Mountain.
The combination piece contains the usual cryptic writing from Kid Krishna, spelling CRIE, and the character aspect is in the form of a partial skull. I think that there is some special part of Kid Krishna’s brain that is able to visualise and create these pieces, which are really quite different from much of the other stuff on the streets of Bristol. Often his characters are partial or hinted at, rather than being overt full-on, which makes it all the more intriguing.
Hypo has been quite busy in St Werburghs tunnel of late and here he has teamed up with ZBomb, to create this rather nice collaborative wall. The only common factor between the two pieces is the blue background, but it qualifies as a collaboration because of that and the fact that they painted together.
The Hypo letters are less elaborate than some of his recent pieces and the horizontal fills – I can see at least six colours – create a nice traditional feel to the piece. The whole thing sits nicely on the background, and is beautifully bordered with a yellow line and a few icicle drips.
I don’t know much at all about ZBomb, but I am sure I have seen other work by the artist about the place. This is a real case of say what you see… the letter Z painted over an archetypal cartoon bomb. The piece is eye catching and instantly fun, sometimes the simplest of ideas can be the most enjoyable. A nice collaboration.
These pictures are proof that it is always worth taking pictures (however bad the conditions might be) of street/graffiti art if you can, because the next time you swing by the piece might have gone. There was a van parked in front of this writing by Nips when I passed by, but I thought I’d try to photograph the piece, even from rather weird angles, just in case it didn’t last. It didn’t, so the strategy worked, and I get to share the graffiti writing, even if the pictures aren’t the best.
Nips is one of my favourite artists in Bristol at the moment. Her simple and no-nonsense approach to her letters and her creative fills, in this case nicely worked blue and grey blended colours and spots, tick my boxes and make me happy. She is one of a handful of artists that always bring a smile to my face when I find their work.
This magnificent triptych forms one part of a larger paint jam under the M32 prompted by World Wall Stylers wi the theme of the animation Ninja Scroll – not a film I am familiar with. The three artists who have collaborated are Oust, Stivs and Noise.
To the left is some highly accomplished writing from Oust. Quite how it relates to Ninja Scroll, I don’t know, but having not seen the film, connections might be difficult for me to spot. There is a misty quality to the piece, and the 3D drop shadow is masterful.
The obvious focal point of the collaboration is the wonderful character piece in the middle by Stivs, whose talent appears to have no bounds. I am assuming that the character is taken from the animation, and is wielding a fine double ended sword. Stivs is so good at painting these kinds of characters.
To the right, the ubiquitous Noise has added his own inimitable style to the proceedings with some chunky bronze letters spelling out NOISE. His letters hive some nice fills and a contrasting pink drop shadow. The common factor with each of the three pieces is the greens-blue plasma cloud surrounding. Very nice work from the trio.
UPDATE: Thanks to Mike Matthews for informing me that the artist is in fact Fowsachi.
As regular readers will know by now, I don’t really like posting pieces by unknown artists, but it does happen from time to time, in particular in relation to large one-off murals, like this one. I expect that this piece is signed, but it is difficult to get close, because it is painted in the middle of a housing block, and it would feel a little awkward to go snooping around.
I don’t recognise the style of this artist, which makes me think that it is either painted by a visitor, or by an artist who rarely paints in Bristol… of course I could be quite wrong on both counts. The bright and colourful piece is certainly uplifting in quite a bleak block, and features bold elements including a figure, and what looks like a parrot. All part of the Bristol street art scene, and a welcome addition to the area.
Natural adventures 