6545. Montpelier Park

Endz, Montpelier Park, Bristol, November 2024
Endz, Montpelier Park, Bristol, November 2024

I was lucky enough to bump into Endz just as he was finishing this piece off, and unfortunately for him, I delayed the completion by about twenty minutes, but we had a fun chat. I had to confess that I hadn’t seen any of his Endz pieces, or that if I had, they were deeply buried in my archives.

Endz, Montpelier Park, Bristol, November 2024
Endz, Montpelier Park, Bristol, November 2024

This is a large piece, larger than it might appear on a screen. The colourful letters spell ENDZ and have a fairly loose feel about them. The pastel shades are bound within a red border and feel bright, even on a dreary day, thanks to the white background. This is certainly an unusual piece of writing which suits the location really well.

6544. Dean Lane skate park (780)

Hire and Zake, Dean Lane, Bristol, November 2024
Hire and Zake, Dean Lane, Bristol, November 2024

I really like Zake’s enthusiasm for teaming up with any and pretty much every graffiti/street artist in the city. It is probably easier to list those he hasn’t painted with. Here he has teamed up with Hire to create this interesting combination collaboration.

Hire, Dean Lane, Bristol, November 2024
Hire, Dean Lane, Bristol, November 2024

The writing on the left is by Hire and takes the form of his spiky angular letter style The letters, spelling HIRE and painted in a grey colour with rouge tints, has a hint of symmetry about it. I fear that the dark blue background rather dominates the piece and makes it a little hard to pick out the lettering, which would probably look better set on a different base colour.

Zake, Dean Lane, Bristol, November 2024
Zake, Dean Lane, Bristol, November 2024

Zake has painted another of his familiar round-face characters, so full of depth created by clever use of light and shade. The red underglow is so effective. The face is surrounded by plumes of smoke and white dots. The two pieces, although stylistically completely different, complement each other well.

6543. River Avon (68)

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When I first met Jevoissoul, he told me that he had planned to paint his stuff as regularly as he could all over the city, and it would appear that he has lived up to his word. His distinctive character is more frequently these days accompanied by the letters SLOW, to create larger combination pieces.

Jevoissoul, River Avon, Bristol, November 2024
Jevoissoul, River Avon, Bristol, November 2024

While his characters are not necessarily evolving, they are getting tighter, and the same can be said for his letters. It would appear that Jevoissoul is enjoying decorating walls, and It would be great to catch up with him again and chat about his work, past and future. A tidy piece from Jevoissoul.

6542. Frome Side (41)

Bloem, Frome Side, Bristol, November 2024
Bloem, Frome Side, Bristol, November 2024

This is a magnificent column piece under the M32 from Bristol artist Bloem. The spiked ball and chain should come as no surprise really as these motifs appear in her work, whether her artwork or her jewellery. Bloem seems to like sharp objects and chains and is mastering the latter in particular.

Bloem, Frome Side, Bristol, November 2024
Bloem, Frome Side, Bristol, November 2024

There is humour alongside the threat in this piece, with a fun smiley in the middle of the ball. What is interesting to note in this piece is the amount of depth Bloem has managed to create by using light and dark shades. This is a developing aspect to her work which was quite flat when she started painting walls. A great piece from an artist who is just getting better and better all the time.

6541. Nine Tree Hill (7)

Rory Paints, Nine Tree Hill, Bristol, November 2024
Rory Paints, Nine Tree Hill, Bristol, November 2024

I have a feeling I should have clocked this wonderful stencil piece by Rory Paints some time ago, and maybe I had, but I never got round to posting it. It is obvious that it has been around for a while, because rather unfortunately a bench has been attached to the wall in front of it.

Rory Paints, Nine Tree Hill, Bristol, November 2024
Rory Paints, Nine Tree Hill, Bristol, November 2024

The charming black and white stencil features a little boy in a stripy top holding his hand up, perhaps holding something, but it is a little obscured. I love this kind of street art that just gets absorbed into its environment and becomes part of the furniture. I don’t know the artist, and don’t believe I have seen any of his work before, although I may be mistaken. Great piece.

6540. M32 roundabout J3 (640)

Werm, M32 roundabout, Bristol, November 2024
Werm, M32 roundabout, Bristol, November 2024

I find myself sitting on a Great Western train on my way to London to get to a football match between the mighty Arsenal and Nottingham Forest. The journey has provided me with the gift of time that I don’t get too much of these days, and I am enjoying every second. I am even pushing the boat out with the third street art post of the day, something I am finding increasingly difficult to do.

Werm, M32 roundabout, Bristol, November 2024
Werm, M32 roundabout, Bristol, November 2024

This wonderfully symmetrical piece by Werm is typical of his style at the moment, and one in which I think he is hitting his best form. The letters in a script-like pattern spell WERM and are filled with two shades of orange. The drop shadow is dark blue and the border green. I feel instinctively that these colours shouldn’t really work well together, but somehow they do. In true graffiti writing style, Werm has included plenty of shout outs around the perimeter of the piece.

6539. Frome Side (40)

 

Omie, Frome side, Bristol, November 2024
Omie, Frome side, Bristol, November 2024

In the short time that I have been aware of the artist, Omie’s work simply gets better and better. Omie is one of those artists who uses completely different styles for each piece, with only the letters OMIE remaining constant, so you never quite know what you are going to get next, and I love that versatility and element of surprise.

Omie, Frome side, Bristol, November 2024
Omie, Frome side, Bristol, November 2024

This piece was painted in a large collaboration as part of Chapter 17 of the World Wall Stylers challenge, with a ‘Ninja Scroll’ theme, a 1990s Japanese animation. Omie has stuck to the theme colours really well and created something quite beautiful in pink and grey shades, bordered with a blood-red line and drips. The background is a subtly worked bamboo forest, which on its own is worthy of great praise. A fine piece from Omie.

6538. Cumberland Basin

I was aware that Abbie Laura Smith had pasted up some new artwork recently because she told me via Instagram messenger, so of course, I had to get out and try and find them. I managed to find three, of which this is the first. I expect there are more that I didn’t locate.

Abbie Laura Smith, Cumberland Basin, Bristol, November 2024
Abbie Laura Smith, Cumberland Basin, Bristol, November 2024

This wheatpaste was looking a little forlorn as the top half had become unstuck in the damp weather and folded over itself. I had to try and replace it and quickly photograph it before it peeled down… it took me several attempts. The style and content of the piece fits snugly into Abbie Laura Smith’s repertoire with a black and white portrait of a woman with words woven into her hair.

If I spent a little longer, I could probably pick out all the words, but I think it is a sorrowful piece, as I can see the words ‘grief’ and ‘the loss’. More to come from our resident paste up specialist soon.

6537. Sparke Evans Park (104)

Nips, Sparke Evans Park, Bristol, November 2024
Nips, Sparke Evans Park, Bristol, November 2024

Regular readers will know that I have a bit of a thing for Nips’ work. Her letters are uncomplicated and unpretentious and what sets her apart from other letter writers is her constantly evolving and creative fills.

Nips, Sparke Evans Park, Bristol, November 2024
Nips, Sparke Evans Park, Bristol, November 2024

Whether intentional or not, Nips has created a perfect autumnal piece. The blue background speaks of those wonderful high-pressure blue sky days (we have had a few of those lately) and the gold of the letter fills picks up the autumn leaves scattered at the base of the wall. The fills are a beautifully blended palette of four brown and yellow shades, and are further augmented with some complementary squiggles and dots. The tittle (dot on the i) is a little character face, something Nips does with most of her pieces. The whole thing is nicely finished with white highlights to help the letters pop. This is a fine piece of work from Nips.

6536. Purdown (81)

Jest Soubriquet, Purdown, Bristol, November 2024
Jest Soubriquet, Purdown, Bristol, November 2024

This is something a little different from Jest Soubriquet up at Purdown. Obviously this was a Halloween piece featuring Frankenstein’s monster, accompanied by some creepy landscapes, including a church, crows and a pumpkin hanging from a tree.

Jest Soubriquet, Purdown, Bristol, November 2024
Jest Soubriquet, Purdown, Bristol, November 2024

If this piece hadn’t been signed (Likes) I don’t think that I would have had a chance of identifying the artist as it is so different from his regular style. By chance, the telecommunications tower behind this wall looks a little bit like an extra bolt emerging from the monster’s head. A nice festival piece.