586. John Street (1)

Some pieces in Bristol are really hard to photograph and this is one of them. It is a large work by 3Dom sprayed on the side of a business unit in a residential area of St Werburghs. There are always cars and vans parked outside the unit, so the pictures are from rather awkward angles and distances to avoid bonnets, wing mirrors interfering with the shot.

3Dom, John Street, Bristol, May 2016
3Dom, John Street, Bristol, May 2016

I spotted this some time ago and have tried, unsuccessfully, to get a single clean shot of the whole piece. It is a 3Dom classic. Dreamlike and fantastical. I am not entirely sure what exactly is going on in the picture, but looking at the detail of the piece brings out more than first meets the eye.

3Dom, John Street, Bristol, May 2016
3Dom, John Street, Bristol, May 2016

For example, the leg is like an X-ray exposing the bones, and the shoes are literally rooted to the ground. The head is like a light attracting moths and insects and the whole figure appears to be paying homage to a little toadstool.

3Dom, John Street, Bristol, May 2016
3Dom, John Street, Bristol, May 2016

Creative and fun, but utterly unintelligible. I love 3Dom’s work.

583. M32 Spot (2)

Following on directly from the previous post, here is another wonderful piece from the concrete sprawl under the M32. This is by 3Dom from back in September 2016, and you might get a flavour of what he thinks of it from a hashtag he used on his Instagram feed: #skullsareprettyboringafterawhile.

3Dom, M32 Spot, Bristol, January 2017
3Dom, M32 Spot, Bristol, January 2017
I happen to rather like it, and it works well in the troglodytic surroundings. I don’t think it took too long to spray, although I don’t know, I just have a feeling. He has real flair for attention to detail, the shading, the folds around the eye, the reflection in the eye and drips from the skull. The piece is humorous and the fly coming out of the hole at the top sets it off nicely.

507. M32 cycle path (2)

This is an old one by 3Dom that still remains rather majestic despite some weathering. It can be found on the cycle path that runs alongside the M32 between the two roundabouts and is fairly inconspicuous.

3Dom, M32 cycle path, Bristol, May 2016
3Dom, M32 cycle path, Bristol, May 2016

Although an old piece, it has many of the dream-like oddities that are common to 3Dom’s work. I am really rather fond of this one.

501. M32 Roundabout J3 (22)

This is a beautiful bit of wildstyle writing from 3Dom. His wildstyle form tends to be quite organic and ethereal, more in the style of Ments, rather than the hard, clean, sharp geometric writing associated with his Bristol peers Deamze, Sokem, Epok and Voyder, to name just a few.

3Dom, M32 roundabout, Bristol, March 2016
3Dom, M32 roundabout, Bristol, March 2016

This piece was from a little while ago and has been painted over several times since. It is nice to have a record of it though. It was part of an ASK crew paint jam in March, and his piece here is sandwiched between Voyder on the left and Sled One on the right. Nice work.

413. Stokes Croft, the Carriageworks (17)

The arches at the Carriageworks in Stokes Croft probably have the highest footfall of any street art location in Bristol, so when you create a piece there it always makes an impression, especially when it is as bold and exciting as this one by 3Dom

3Dom, Stokes Croft, Bristol, September 2016
3Dom, Stokes Croft, Bristol, September 2016

I don’t know what happens in 3Dom’s mind, but he seems to have a fertile and creative imagination. A snail and a pagoda…what is that all about? Lots of symbolism or a story perhaps.

3Dom, Stokes Croft, Bristol, September 2016
3Dom, Stokes Croft, Bristol, September 2016

3Dom has an amazing ability, not only to create extraordinary scenes and characters, but also to spray all sorts of different textures. For example the amazing slime trail dangling from the snail. Another outstanding piece in the heart of graffitiland.

3Dom, Stokes Croft, Bristol, September 2016
3Dom, Stokes Croft, Bristol, September 2016

409. Wilder Street (7)

I’m trying to work through some of the pictures I have been meaning to post for a while…there is just too much talent in Bristol.

3Dom, Wilder Street, Bristol, June 2016
3Dom, Wilder Street, Bristol, June 2016

This is a subtle little piece by 3Dom on a small side path off Wilder Street, which I photographed back in June, long before all the Upfest excitement. The unusual work has an emphasis on mushrooms – what kind we can only guess, but the whole piece has an hallucinogenic quality to it.

3Dom, Wilder Street, Bristol, June 2016
3Dom, Wilder Street, Bristol, June 2016

3Dom is utterly brilliant – there is little more to say really.

3Dom, Wilder Street, Bristol, June 2016
3Dom, Wilder Street, Bristol, June 2016

364. Moon Street (15)

Another pause from Upfest 2016.

With my weekly trips to London, and tons of pictures from Upfest, it is all too easy to neglect my first love…Bristol street art, here every day on the streets, right in front of my eyes. I took a bunch of photographs on my way to work a few days ago, and here is one of the highlights.

3Dom, Moon Street, Bristol, August 2016
3Dom, Moon Street, Bristol, August 2016

This wall has been home to a piece by Laic217 for quite a while but has been replaced by this magnificent 3Dom work. Skulls seem to hold a fascination for street artists…(note to self – special skulls post)…this skull though is one happy, peaceful soul.

3Dom, Moon Street, Bristol, August 2016
3Dom, Moon Street, Bristol, August 2016

I think this piece is quite new. It is always exciting for someone like me to find the new stuff and see it for the first time. Yet another winner from 3Dom.

304. Brusnwick Square hoardings (2)

I have been keeping my powder dry on this one for a long time now. I’m not too sure why. I think it might be because it is another one of my favourite collaborations in Bristol, by three of my favourite street artists: Sepr, Deamze and 3Dom. I like to have this one sitting in my pending file, reminding me just how good some of this stuff is. Today I am setting the pieces free and moving on. Liberation.

Sepr, Brunswick Square, Bristol, March 2016
Sepr, Brunswick Square, Bristol, March 2016
Sepr, Brunswick Square, Bristol, March 2016
Sepr, Brunswick Square, Bristol, March 2016

The left hand side of the triptych is by Sepr and shows a man driving a wheeled vehicle, incorporating the next part of the collaboration. Once more he uses his simple colour scheme that seems to bring out the detail in the character’s face. There is a great sense of movement.

Deamze, Brunswick Square, Bristol, March 2016
Deamze, Brunswick Square, Bristol, March 2016
Deamze, Brunswick Square, Bristol, March 2016
Deamze, Brunswick Square, Bristol, March 2016

The middle section is a wildstyle piece by Deamze, incorporating all the elements that make his writing so recognisable. Just to make it extra easy he even signs it for us. The flow of colour continues from left to right and into the third part of the collaboration.

3Dom, Brunswick Square, Bristol, March 2016
3Dom, Brunswick Square, Bristol, March 2016

The right hand side of the project is by 3Dom. This is a brilliant cartoon dreamlike character – a dark round ball with face and teeth and everything – riding on a chopper bicycle at speed towards the other pieces. The dust clouds are beautifully done.

3Dom, Brunswick Square, Bristol, March 2016
3Dom, Brunswick Square, Bristol, March 2016

The three pieces together tell a story, although unfortunately I’m not sure what the plot line is. I really must collar these guys and interview them sometime. Maybe Upfest will be an opportunity to meet and interview a few artists. We’ll see.

 

 

297. Stokes Croft corner wall (3)

This is another one of 3Dom’s favourite walls. For about a year the space has been occupied by his slightly odd skull in a birdcage piece. Its replacement is something altogether different and in my view odd or unsettling.

3Dom, Stokes Croft, Bristol, June 2016
3Dom, Stokes Croft, Bristol, June 2016

This is a piece full of symbolism that I can’t for the life of me unravel. The piece presents us with a foetus that has the Earth for a head. The dark red surround is, I guess, representative of the womb, which appears to be a landfill site or some other wasteland. All most peculiar.

3Dom, Stokes Croft, Bristol, June 2016
3Dom, Stokes Croft, Bristol, June 2016

I think it would be good top try and collar him sometime and ask him about some of his pieces, as they are wild, hugely creative and visually provocative.

289. Stokes Croft, number 57

This, I think is probably the most difficult collaboration in Bristol to photograph. The work, dated 2009 is by 3Dom and Voyder and sits high above a local massage parlour. Charged with symbolism the piece depicts a figurine being held gently in large cupped hands, or even emanating from those hands. The earth and sun both contribute to the symbolism.

3Dom and Voyder, Stokes Croft, Bristol, December 2016
3Dom and Voyder, Stokes Croft, Bristol, December 2016

All around the piece is some ornate decoration that sets it off really nicely.

3Dom and Voyder, Stokes Croft, Bristol, December 2016
3Dom and Voyder, Stokes Croft, Bristol, December 2016

It is such a bugger to photograph though. In the summer there is a tree that makes the view pretty much impossible, and in the winter, the same tree is an obstacle. To avoid the tree, you have to advance closer to the base of the piece and then the angles are all a bit peculiar. This was the best I could do last Winter.

It is a lasting collaboration and has been left entirely alone.